We should start distinguishing between the Pipe Organ and standup organ in this discussion. They are quite different.
This is sensible.
Another thing to remember about the organ is that it is played differently by each organist.
When I play, I PLAY!!! IMO, all those pipes are there for a reason, and that reason is not to “whisper” but to SHOUT to the Lord and make the seats tremble and the floor shake and the people unafraid to sing out with their full voices–none of this “whisper a prayer” business!
I obey the admonitions in many of the Psalms to “make a joyful NOISE unto the Lord!”
I think some CAF members prefer the organ because it’s quiet and meek and mellow and smooth and conducive to softness and meditation and silent prayer.
Well, maybe when your organist plays it. But I BLAST! You will be awake when I play! I use the trumpets and the other horns and I almost always start the hymns with a fanfare that I have prepared in advance!
I start loud and get louder! And most of the people tell me that they LOVE hearing that organ play full out! It’s a very powerful instrument designed by a very powerful organist who, to this day, people in our parish praise–and I don’t blame them! I’ve heard him play and he is worth hearing!
Of course, I only play the organ in my parish for the glorious praise songs, e.g., Crown Him With Many Crowns, or Holy God, We Praise Thy Name. I don’t play it for “The Servant Song” or “City of God”–these contemporary hymns sound better with a piano or guitar.
Interestingly, I believe someone in this thread surmised that the contemporary (St. Louis Jesuits) hymns were not written for guitar. I don’t agree with this, mainly because the concert by the St. Louis Jesuits that will be held later this summer advertises that these men will be playing GUITARS for the hymns that they wrote 50 years ago. So obviously the songs were written for guitars.
Anyway, think about it–every organist plays differently, depending on how they were taught. My teacher comes out of the Episcopal tradition, was trained in Paris (yes, he has played at Notre Dame!), and has a doctoral degree in composition and theory! He can PLAY!!! And that’s how he taught me–each verse of a hymn should be played differently, in such a way as to help the congregation understand what the verse is telling them.