"New" Cathedral in Haiti...

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OK let’s look at older bare:

Chapel of Notre-Dame-de-Caillouville at St-Wandrille Abbey, France built by the monks’ own hands from 1952-1968:

http://i179.photobucket.com/albums/w312/OraLabora/Spain and France 2010/IMG_0778.jpg

Going back in bit for a time, the chapter room which was their “acting” chapel for many years after the original church fell into ruin, and it returned to that duty temporarily during renovations of the “new” abbey church (actually a 13th century barn relocated to the abbey grounds) in 2010:

http://i179.photobucket.com/albums/w312/OraLabora/Spain and France 2010/IMG_0774.jpg

Link to the page showing their current abbey church:

Abbey church (St-Wandrille)

Going back in time the 10th century chapel of St. Saturnin located on the abbey grounds:

http://i179.photobucket.com/albums/w312/OraLabora/Spain and France 2010/IMG_0758.jpg

Bare is nothing new in Catholic tradition, and it is not a modern trend.
These all look very Franciscan and very Carmelite too. The way to identify the Franciscan church is that there would be a pedestal behind the altar with the tabernacle on it. The altar would be a table, just as these are tables, but they would be about 4 ft from the wall to allow you to walk around to the tabernacle.

By the way, to whomever it was who said that this is good for religious, but not for laymen . . . laymen have been worshiping in these churches for centuries. These are not conventual chapels inside a cloister. For many people, these are their parish churches and have been for more than 1,000 years.

Their spirituality was inspired not by the building, but by the religious who served them.
 
It is very beautiful. The one problem that these buildings have is that those who are sitting to the sides have their view blocked by the pillars. You have to get there early to get a good seat or you’re going to be looking at a pillar during mass.
This is one of two churches in a tiny village and I do not think that seating is a problem at all. It used to be different when I was a child. I was there this summer during the tourist season and there were no more than thirty people attending Mass.

BTW the church was built in 1300
 
Where is this?
I must add it to the lists of places I hope to see before I die! 😃
This is one of two churches in a tiny village and I do not think that seating is a problem at all. It used to be different when I was a child. I was there this summer during the tourist season and there were no more than thirty people attending Mass.

BTW the church was built in 1300
 
These are very beautiful, but they are cost prohibitive today. Having said that, there are other modern forms of architecture that are what I could call “neo-classical”, which are better for a church, in my opinion. We just built two such churches in my diocese. They’re very beautiful on the outside and very austere on the inside. The architecture presents you with the tension that is part of salvation history.

This is St. Gregory the Great, finished less than five years ago.

This is Blessed John XXIII, which was finished just in time for the pope’s beatification.

Both are very modern and yet have a touch of the classical church building. They’re very spacious and best of all, they are much less expensive to maintain than the older buildings.
The two churches you linked do look nice/adequate. Especially the St. Gregory Church in the Christmas photos.

But at the same time, I do not think cost is really the issue. I’ve been to churches that barely have any statues of saints. And I do not mean churches that are there for the use of Carmelites or something that is in the grounds of a order.

Wouldn’t you say that there is atleast an active attempt today to try and move away toward a more a bare looking architecture that tends to stem from an incorrect idea of the theology/ontological reality of what a Church should be?
 
This church is bare. That church is ornate. The trend in all Catholic churches is toward the bare and the sterile. Bare of ornament and sterile of vocations. Observe what has happened in Catholicism since the 60’s. Texts with minimalist pictures, churches with minimal decoration, orders and dioceses with few if any vocations. These are related.

I say that an ornate church is objectively better for catechesis, worship and giving glory to God, for those that need conversion. Which is lay people. Religious are educated. They have made vows. They are poor. They are in ‘the business’. We assume they don’t need this.

I don’t need to take a poll. The derision that greets the latest Bauhaus church is sample enough.

One should always check where one gets one’s ideas. It’s no accident that there’s a ‘family resemblance’ in modern churches. It’s from the mass mind. A fashion. And fashion can date very quickly. What’s trendy today is corny tomorrow. This leaves a parish with a building that is off-putting before people walk in the door. A bad return for $X million dollars and the pennies of the poor.
I do have to agree with you on this. Unless a Church is built to reflect something ontological about a Church, the design will become outdated as fashion changes. The reason why most old churches are still beautiful today is perhaps because they capture the ontological beauty of what it means to be a church.
 
These all look very Franciscan and very Carmelite too. The way to identify the Franciscan church is that there would be a pedestal behind the altar with the tabernacle on it. The altar would be a table, just as these are tables, but they would be about 4 ft from the wall to allow you to walk around to the tabernacle.

By the way, to whomever it was who said that this is good for religious, but not for laymen . . . laymen have been worshiping in these churches for centuries. These are not conventual chapels inside a cloister. For many people, these are their parish churches and have been for more than 1,000 years.

Their spirituality was inspired not by the building, but by the religious who served them.
I think perhaps it is also not accurate to refer to something as that was old, so it must be good.

Now as you said, having good religious is extremely important. But having a Church that is reflective of its ontological reality and theology behind the liturgy for an example can be more enriching to the faithful and perhaps even a method of Catechesis.

So I am not saying that churches need to be built to be extravagant. If you don’t have the money, what can you do. In that event, you will try to at least satisfy the bare minimum accurately (have a proper altar for an example). But it just cannot be the standard for building churches.

What you see all too often today is the move toward keeping things bare. Perhaps people have forgotten that when one enters a Church, they do enter in to a heavenly reality, especially when they celebrate the liturgy.
 
The two churches you linked do look nice/adequate. Especially the St. Gregory Church in the Christmas photos.

But at the same time, I do not think cost is really the issue. I’ve been to churches that barely have any statues of saints. And I do not mean churches that are there for the use of Carmelites or something that is in the grounds of a order.

Wouldn’t you say that there is atleast an active attempt today to try and move away toward a more a bare looking architecture that tends to stem from an incorrect idea of the theology/ontological reality of what a Church should be?
I think perhaps it is also not accurate to refer to something as that was old, so it must be good.

Now as you said, having good religious is extremely important. But having a Church that is reflective of its ontological reality and theology behind the liturgy for an example can be more enriching to the faithful and perhaps even a method of Catechesis.

So I am not saying that churches need to be built to be extravagant. If you don’t have the money, what can you do. In that event, you will try to at least satisfy the bare minimum accurately (have a proper altar for an example). But it just cannot be the standard for building churches.

What you see all too often today is the move toward keeping things bare. Perhaps people have forgotten that when one enters a Church, they do enter in to a heavenly reality, especially when they celebrate the liturgy.
I understand that a church should inspire us toward the transcendent. What I’m finding is a resistance among you to believe that the Benedictine, Franciscan and Carmelite schools of art and architecture can do this and have done this for 1,000+ years.

You’re not going to get a parish built by any of these orders that will look like St.Patrick in NY. You will get a parish church that will be very boxy, with little or no statues at all, no candles, a cross or an icon instead of a crucifix, no communion rail, basic seating, stained glass, and a table style altar. If it’s Franciscan, it will have the Blessed Sacrament at front and center and a statue of St. Francis where you would normally have the Blessed Mother or both, St. Francis and the Blessed Mother.

You may get them to take on a parish that comes with a church and they’re not going to change it around too much, because it’s already built. If it’s not broken, why fix it? As things do need replacing, they will be replaced with whatever reflects the school of spirituality of the order that runs the parish.

The one thing that people on CAF seem to resist is the idea that when a religious order takes on a parish, it’s because the bishop has made a commitment with the major superior that the parishioners will buy into the spirituality of the order or they can move. In other words, the order is not expected to adapt to the parishioners’ spirituality, because 2500 families rarely have a common spirituality. One of the reasons that bishops like giving parishes to orders is precisely because of the unifying effect. Over the years, you can see how the families in the parish make the spirituality of the order their own. Then, when it’s time for the order to leave, they don’t want to trade them in for another group.

I fail to see why the resistance. Why can’t we simply accept that we’re always going to have both, the very elaborate churches built by diocesan clergy and clerks regular and the bare bones churches built by friars and monks. They all serve as parish churches, places of pilgrimages, spiritual centers, university chapels and more.

I’ll give you a simple example. Franciscan University has more than 10 chapels. Not a single one of those chapels has railings. They have no statues other than Mary and Francis, a table type altar, a tabernacle on a pedestal, stained glass and bear walls. Why? Not because it’s modern. Just the opposite. Because it’s tradition. The students who attend that university have to learn to pray and worship as the friars do or go down the street to the local parish run by the Salesians and pray their way. I think it’s the Salesians that’s the closest parish. I always get the Oblates of St Francis de Sales and the Salesians confused. But you folks understand my point.

There is no need to resist. If we were speaking about something ugly, that’s a whole other story. There are things that are ugly regardless of their time period. Baroque is ugly. The canopy over the main altar at St. Peter’s in Rome is ugly. The design for cathedral in LA is ugly, but not because it’s modern.

I showed you folks two very modern churches that are very beautiful. St. Gregory’s is visually deceptive. From the outside, it looks much smaller. When you get inside, it seats 1500 people and there is not a single column holding up the ceiling which is incredibly large. It’s an engineering masterpiece. Bl. John XXIII is very pretty on the outside, but too small. It only sits 1,000 at a time. They always have people standing.

Now we’re getting Bl. John Paul II chapel. That’s going to be a Spanish design on the outside and Carmelite on the inside. I expect a lot of straight lines inside. The Carmelite school is minimalistic. It should be nice, because the Spanish exterior and the Carmelite interior should complement each other, since this is an OCD chapel and they’re a Spanish Order. It will serve the retreat house.

The Franciscan chapel that serves the local retreat house is made of stones, with a wooden ceiling, wooden benches, a tabernacle on a pedestal, a stone altar and a large San Damiano cross, which I have to admit needs touching up. The colors are bleaching out.
 
I’ll give you a simple example. Franciscan University has more than 10 chapels. Not a single one of those chapels has railings. They have no statues other than Mary and Francis, a table type altar, a tabernacle on a pedestal, stained glass and bear walls. Why? Not because it’s modern. Just the opposite. Because it’s tradition.
This is very Benedictine as well; instead of St. Francis, our abbey church has only three statues: the Mary and child, St. Benedict, and his sister St. Scholastica.

And that’s what I’ve been trying to say, in spite of being modern, our church is very true to the traditions of the monks it serves. There have been some modern liturgical adaptations: primarily to accommodate the fact that now monks who are priests concelebrate the Mass whereas in the past each monk would have to say his own private Mass. So the need for multiple side altars has been eliminated and you won’t find those as they would be a redundant and unnecessary expense.

However the tabernacle is in a side chapel, and that is in keeping with Benedictine tradition, even though the side chapel is a very modern design.

One thing you don’t find though, is stained glass. You do find that the windows allow maximum use of natural light to support the liturgy.
 
A church is a building where heaven is supposed to be brought to earth. It should look like that.
But what does heaven look like? What part of what we have on earth is the same as heaven? The open endless sky? A cornfield? A forest? A storm at sea?

Even the descriptions in Revelations aren’t particularly “revealing”. A sea of glass like crystal and a rococo reredros are not the same thing.
 
But what does heaven look like? What part of what we have on earth is the same as heaven? The open endless sky? A cornfield? A forest? A storm at sea?

Even the descriptions in Revelations aren’t particularly “revealing”. A sea of glass like crystal and a rococo reredros are not the same thing.
I LOVE YOU

:hug1:
 
But what does heaven look like? What part of what we have on earth is the same as heaven? The open endless sky? A cornfield? A forest? A storm at sea?

Even the descriptions in Revelations aren’t particularly “revealing”. A sea of glass like crystal and a rococo reredros are not the same thing.
There have been private revelations. And this one. And then there is the popular conception of Heaven. None of these mention bare-barn-style architecture.

St. John describes it in Revelation 21:10-27:
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10 And he carried me away in the Spirit to a mountain great and high, and showed me the Holy City, Jerusalem, coming down out of heaven from God.
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11 It shone with the glory of God, and its brilliance was like that of a very precious jewel, like a jasper, clear as crystal.
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12 It had a great, high wall with twelve gates, and with twelve angels at the gates. On the gates were written the names of the twelve tribes of Israel.
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13 There were three gates on the east, three on the north, three on the south and three on the west.
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14 The wall of the city had twelve foundations, and on them were the names of the twelve apostles of the Lamb.
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15 The angel who talked with me had a measuring rod of gold to measure the city, its gates and its walls. 16 The city was laid out like a square, as long as it was wide. He measured the city with the rod and found it to be 12,000 stadia [or 1,400 miles!] in length, and as wide and high as it is long [1,400 miles wide and tall!].
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17 The angel measured the wall using human measurement, and it was 144 cubits [that is 200 feet!] thick.
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18 The wall was made of jasper, and the city of pure gold, as pure as glass.
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19 The foundations of the city walls were decorated with every kind of precious stone. The first foundation was jasper, the second sapphire, the third agate, the fourth emerald, 20 the fifth onyx, the sixth ruby, the seventh chrysolite, the eighth beryl, the ninth topaz, the tenth turquoise, the eleventh jacinth, and the twelfth amethyst [these last two stones are unknown or only exist in heaven today].
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21 The twelve gates were twelve pearls, each gate made of a single pearl. The great street of the city was of gold, as pure as transparent glass.
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22 I did not see a temple in the city, because the Lord God Almighty and the Lamb are its temple.
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23 The city does not need the sun or the moon to shine on it, for the glory of God gives it light, and the Lamb is its lamp.
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24 The nations will walk by its light, and the kings of the earth will bring their splendor into it.
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25 On no day will its gates ever be shut, for there will be no night there.
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26 The glory and honor of the nations will be brought into it.
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27 Nothing impure will ever enter it, nor will anyone who does what is shameful or deceitful, but only those whose names are written in the Lamb’s book of life.
Popular conceptions include gold, because it shines like the sun and is precious. White for purity. The Seraphim singing the Sanctus. Light, for the Light which the darkness cannot master. Supernatural beings beautifully dressed.

I wonder what percentage of churces built today try to use symbols like this and traditional features of churches in a practical way: to teach and impress the faithful and give glory to God. Like a cruciform design.

I think groups of people, as well as individuals, should stop every so often and ask: “Why am I doing what I’m doing? Where are my ideas coming from? What am I trying to achieve? Is what I’m doing the best way to achieve it?”

Personally, I’m surprised architects can sell sea-galleon-style churches to bishops. They are cliched in their own way. They assume a sophisticated, learned laity. And that is not the case any more.
 
How trendy!

My parish church is in a similar style. It was built/remodeled in the 1960s; by the 1980s it looked tired and dated.

The Gothic style is more classic AND expensive. Does anyone build Gothic churches anymore? The cost of the stone alone must be prohibitive. Folks aren’t willing to fork out the dough to build houses of God like they did in the old days. People were poorer back then too, yet they built structures modern Catholics will NEVER open their purses to build.

Alas, it’s going to be gypsum board and stucco until Jesus returns! 😦
 
In defense of people’s pockets, I understand that stone was less expensive then than it is now. I have no real idea though.

There are definately some ugly buildings around these days, but I’ve seen some dumpy old places in Europe too - dank, dark, inconvenient. Not anything I’d consider close to looking like heaven!
 
There have been private revelations. And this one. And then there is the popular conception of Heaven. None of these mention bare-barn-style architecture.

St. John describes it in Revelation 21:10-27:
You seem bent on promoting only that form of architecture that you like, to the point of manipulating the Scriptures to push your point.

Most of us have already said that we have an appreciation for the classical art and architecture; but that the classical also includes the austere and less ornate, not only the ornate.

We have also agreed that there is ugly architecture out there, modern and old, as well as new architecture that can be very beautiful.

You have failed to acknowledge any of these points. In essence, I can’t tell with whom are you arguing or what is it that you want. No one disagrees with the principle that a house of prayer should conduct one toward the transcendent. The point has been that the transcendent is not only found in the elaborate, but also in the austere, which you want to relegate to the world of convents, monasteries, and priories, where it does not belong and never belonged. Long before we had parishes as we know them, it was at convents, priories and monasteries that the typical Catholic worshiped. The parish as we know it is actually a New World creation based on the Protestant model in the USA. It caught on here and was generalized to Europe and Latin America.

The old custom was that there were chapels and churches attached to institutions such as religious houses. These buildings reflected the spirituality and discipline of those who built it and those who lived there.

It is also a well known fact that the older churches were built by the hard sweat and tears of poor immigrants. The donated the money or donated their talents. These donations and the fact that materials and artisans were available at a much lower cost than today, made these buildings possible.

Today, many people want the Romanesque or Gothic Church. Ask them to put out the money to build it and see what you get back. Try to find the artisans who know how to do this type of work and you’ll find that you’ll have to leave the continent to do it. Tally the budget and you’re talking about debt that may go on for decades.

The Poor Clares built the Shrine of the Blessed Sacrament in the Romanesque style. It took them more than 20 years to get together the money. Then they had to travel to Italy, Spain, Germany, Portugal and South America to find the artisans and the materials to build it. They were able to do this, because they were known around the world, since they also owned EWTN at the time. This is not the case of the local parish.

The local parish depends on the working man who lives there. The pastor cannot pull money out of his sleeve. Very often, parishes are composed of people who are about to lose their homes to foreclosure, because they can’t keep up with the mortgage. The parish with which I’m associated was once a middle class parish. Today it’s a parish of 3500 families where only 1/3 are employed. They are still worshiping in what was originally going to be a multipurpose room. It looks like this will continue to be their church for the next 20 years. They can’t raise the $10 million needed to build the kind of church of which you speak and the parking lot that goes with it as well as the other rooms and buildings that go with such a building.

However, they have turned their mufti-purpose building into a temporary church that looks very much like a Benedictine church. There is nothing wrong with that. This style is also part of Catholic tradition. Actually, it outdates the Gothic, Romanesque and Baroque.

I don’t see why you keep pushing one idea when the Church is rich with many schools of art, architecture and spirituality.
 
Aren’t you cheery tonight. LOL
Br. Jay, my “bucket list” is so long, I needed to start 10 years ago! 😃
And that is based on me living to 110!! 😛
It is in Tuscany in a village called Strada in Casentino. The village is about 45 minutes from the Santuario della Verna that was founded by St. Francis of Assisi and where he received the stigmata.
Hubby & I are hoping to go to Italy for our 25th anniversary (in 2016). Tuscany is already on the itinerary, so I will have to add this chapel!! 😃
 
All I know is that Heaven will be filled from floor to ceiling with saints, so I am going to lay my bet that the Byzantines have it most correct in this regard. I have known some pretty Latin churches, but nothing fills me with awe and fear of God more than stepping into the holy space of an Eastern church.
 
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