I hoped someone would try to logically refute each point
edwest2 and I provided you something much better than that. I strongly encourage you to read
Pope John Paul II’s Letter to Artists (thank you, edwest2!) and
J.R.R. Tolkien’s Tree and Leaf (especially
“On Fairy-stories” and
Mythopoeia).
Dorothy Sayers’ book The Mind of the Maker and essay “Towards a Christian Aesthetic” would also be excellent reading, as would the
C.S. Lewis collection On Stories: And Other Essays on Literature.
dismissing the author on the grounds that he was a Presbyterian.
Such a dismissal need not be a “cheap shot” or
ad hominem. Presbyterianism is strongly rooted in the Calvinist theological tradition, a tradition rife with significant errors, notably including the heresy of
iconoclasm. That the author comes from an iconoclastic tradition is extremely relevant to any discussion of Christian art, for his essay does bear traces of iconoclasm (cf. your first excerpt).
The Presbyterian’s essay also exhibits a tendency to rationalize all actions all the time: “Novel-reading is the murder of time, and on this simple ground every mind which professes to be guided by religious principles is sternly challenged by God’s authority to forego it.”
As Max Weber long ago pointed out, this tendency arises from Calvinism’s double-predestinarian theology, it’s rooted in a constant effort to “prove” that one belongs to the elect rather than the reprobate. So, as a Catholic, I
not only reject the Presbyterian’s unjust assertion that “All men who read novels will confess that usually they read them as an indulgence, and not as a means of improvement” (I have often read Dostoevsky and works of fiction “as a means of improvement”), I
also reject the false theology of double predestination on which the constant rationalization of action is based.
The Presbyterian essayist furthermore exhibits the Calvinist tendency, rooted in its uncritical assumption of
philosophical nominalism, to view the world in dichotomies.
So the essayist’s adherence to a heretical theological tradition is relevant to the conversation.
(In fairness, there are Presbyterian and Calvinist artists and theologians of aesthetics who have abandoned some of the extremity of earlier Calvinist iconoclasm.)
At any rate, if the Presbyterian author really and truly believed such claims as these:
It is dangerous to become familiar with wickedness, even by contemplating it in others… the evil company of a bad book is even more corrupting and dangerous than that of a wicked living companion. One of these is, that the heroes and heroines, who are painted as defying the rules of good morals in some vital points, are still adorned with many imaginary qualities, such as courage, magnanimity, generosity, wit, and genius, which cause the young and impulsive reader to admire them in spite of their crimes.
If he really and truly believed this, he would
also have to prohibit Christians from reading the lives of the Patriarchs and other biblical saints, as well as the lives of many other saints since. For these heroes and heroines of the faith are not presented to us in the scriptures and
vitae solely as examples of virtues such as courage and generosity. Their egregious sins are
also depicted. We
do admire the Prophet King David
in spite of his crimes.
