Opinions? "Jazz Masses" announced

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But each genre of music has a different “focus.” Certain types of music is more focused on an angry emotion, for example. Modern music is legitimate if it meets the standards laid down by the Church (Already listed above).
The reason why heavy metal is illegitimate -along with other types- is because it is a genre that is focused on anger and the animal feelings. Prayer isn’t about feelings, it is about talking to God. If a music genre isn’t compatible with contemplation, it isn’t fit for the Mass.
Bologna!!! You’re stuck in a box. Step outside it and the rigidity. I’ve been a musician for 28 years. No way has God ever told me that he didn’t like a certain type music that i used to communicate to Him with. As far Im concerned it shouldn’t matter what is played in a Mass. It brings unity with God, it is acceptable. I don’t care if it is thrash metal.
 
So, I searched youtube for “Jazz Mass” and found this version of the Kyrie. I’m guessing that this is the kinda thing one would here at one of these Masses. Apparently there is a Jazz piece to the Kyrie that has several performances.

youtube.com/watch?v=QSlV2lqHWF0

Comments.
  1. I think this actually sounds really, really cool.
  2. Now, if you didn’t know what the Kyrie is, I would belive a person could find this really taseteful.
  3. Since it really isn’t, and it’s hard to make this kinda Jazz sound penetential, I highly doubt It should be part of Mass.
Just my :twocents: 🙂
 
it is in the eye of the beholder. what moves one might not move another. frankly, i think much of liturgical music is boring and lame. but it is the prayer, meaning and words that matter. Heavy metal at the foot of the cross you ask. why not? Trans siberian orchestra does some of the most profound versions of heavy metal “holy music” that i personally have ever heard. and would go beautifully at a mass and before the manger.
Exactly. I think that each person is going to have a different opinion on this. We can’t all connect to God exactly the same way. Now we all have the same faithand must live in the parameters of said faith. But who’s to say that one cannot find ways to personalize one’s faith in order to connect more fully with God using one’s interests?
 
HI, OP here on this thread: follow up request for opinions please:

Just for the moment, not focusing on the jazz music itself, I am wondering about the following: Regarding the advertising for this, (the Mass, as part of the overall Jazz Festival, and being advertised as a “Jazz Mass”:

1**-Is the advertising** of a Mass as part of a Jazz Festival what concerns some/most of those who have replied here on this thread?

or

2-**Are there other concerns, **such as: People attending the advertised “Jazz Mass” possibly not fully understanding that only Catholics participate in Catholic Holy Communion? In other words, people naturally may be uplifted by the invitation to attend the event, the music itself, the *inclusive *joyous feeling of the Festival and might be drawn to receiving? How might this be handled? (I have some extensive experience with tent revivals from my former “pentecostal” days, and saw first hand how people are joyously swayed by the experience and many, after “going forward to be saved” are naturally inclined towards receiving Communion. At Protestant services, all are invited to receive. This is not so in our Church. Would a simple announcement be all that is needed to inform visitors not familiar with our tradition?

On the other hand, do you feel that the advertising of this event is just a lovely idea to reach out to everyone, as God wishes to embrace all people? I’m thinking that most (non- Catholic) people who visit a Catholic Church would normally not go up to receive, but they might be drawn closer, might inquire further about Christ and His Church. Would advertising a “Jazz Mass” as part of a Jazz Festival cause any confusion or lessen the sacredness of Our Lord’s great sacrifice? Or would it be an example of being “fishers of men,?”

Opinions on this?

And a note here:

3- Jazz itself is noted to be that which draws the individual (musicians and listeners) to a personal response in the moment. (I have found a link on the internet written by a jazz musician and am awaiting permission to quote him.)* Is there a possibility that the music is then “pointing to itself and/or to the person’s jazz experience” instead of pointing to Christ as the center of the Mass and one’s experience with Him?* Or not? What if this were advertized as a “Rock Mass,” or a “Heavy Metal Mass?” How would these be different from advertising a “Jazz Mass?” Is this all just a matter of taste or is the way the Mass is being presented, the advertising of it within a larger festival making this a problem?

King David was known to dance" for the Lord with all his might," very joyfully and many kinds of instruments were used. I imagine it was a beautiful experience to be in that moment.* So, if not the music itself*, is there something about the way the event is being *advertised *that concerns people? Or is this a just wonderful way to reach out?

I always enjoy, at our parish, the “Youth Day,” when all our young people are featured, and play their instruments, help lead the hymn singing,etc. and give some of the readings. We often sing “Day by Day,” from Godspell, and I quite enjoy that, and people clap their hands, sing joyfully, etc. while some look uncomfortable. But we don’t advertise in the media “Come to the Youth Mass,” we simply include and feature the youth and their style of music. So, I’m wondering what you all think about this relating to the advertising of the “Jazz Mass” within the Festival?

I pray that whatever we do, we do it respectfully, and that we draw people closer to Christ and His Church. That is why I welcome your thoughts on this.

May everyone’s day be very blessed!
 
POPE BENEDICT ON MUSIC:

On the one hand, there is pop music, which is certainly no longer supported by the people in the ancient sense (populus).

It is aimed at the phenomenon of the masses, is industrially produced, and ultimately has to be described as a cult of the banal.

“Rock”, on the other hand, is the expression of elemental passions, and at rock festivals it assumes a cultic character, a form of worship, in fact, in opposition to Christian worship. People are, so to speak, released from themselves by the experience of being part of a crowd and by the emotional shock of rhythm, noise, and special lighting effects. However, in the ecstasy of having all their defenses torn down, the participants sink, as it were, beneath the elemental force of the universe.

The music of the Holy Spirit’s sober ine*briation seems to have little chance when self has become a prison, the mind is a shackle, and breaking out from both appears as a true promise of redemption that can be tasted at least for a few moments. [The Spirit of the Liturgy, (SF, CA: Ignatius, 2000), p 148]
Should apply for Jazz as well. Jazz is cool and funky, which is good. But there’s a time for everything.
Seeing as Pope Benedict did not exist before 2005, I find it hard to believe he travelled back in time to produce a document in the year 2000…

I really dislike it when people pitch a quote from Cardinal Ratzinger as a Papal quote, considering that at the time he made the quote he was a cardinal with a VERY different level of teaching authority and scope for that teaching, and that he has not, since becoming pope, renewed the sentiment substantially. Let’s call a spade a spade and note that CARDINAL RATZINGER said this. Sure, it reduces the scope and authority a bit (to it’s real and true level), but at the same time, the honesty lends credibility to the argument.

That being said, Cardinal Ratzinger was only half right, and only in viewing music by it’s popular (aka, uneducated) position: that all pop music is banal, and that all rock music is angry.

But that doesn’t DEFINE music, any more than popular culture determines who is a good singer. In fact, the grammies haven’t been awarded to truly talented and “good singers” in YEARS. Being a good singer and a good musician isn’t just about art, feeling, or popularity in culture… a lot of it is about math. There’s a clear distinction in that regard: some of the best “rock” songs are precisely the “best” because they are written in the same mathematical structure as classical songs: aka, you can vienese waltz or tango to MANY “hard rock” songs. And not all of them are angry either… many many rock songs are written with mathematical structures which evoke sorrow, joy, majesty, etc. To say that ALL rock is evocative of “anger” is a silly and ignorant notion.

The same thing goes with “pop” music… insofar as pop music does not describe a mathematical structure of song, but rather a popularity index of a particular song. In other words, pop is not a genre in itself, it’s a shifting genre which encompasses whatever is popular at the time. In the last few decades, “pop” music included such genres as latin (a la Ricky Martin), swing (a la Big Bad Voodoo Daddies), and even tribal music (a la Paul Simon). Pop music is not a definitive musical structure at all. In fact, in the middle ages and rennaissance, what we now consider to be sacred hymns were part of the pop culture category, and were likewise despised by authorities at the time, who felt that anything other than chant was banal… but the reality is that SOME (a very limited amount of pop music) consists of VERY complex mathematical formulas in it’s design… once again able to evoke the sacred, the majestic, etc. To say that no “pop music” falls outside of the banal category is ignorant, therefore, in two regards: 1) it shows ignorance that there is NO SUCH musical structure known as “pop”, and 2) it again disregards that the evocation of the substance is MORE than just art, but also comes from the math of the composition in the music… and that ALL genres of music can be mathematically designed to evoke different things.

So, to sum it all up, Cardinal Ratzinger’s opinion is duly noted, but also greatly innacurate and lacks much in terms of restrictive teaching scope. It is a good guideline where it is right and applicable (in terms of what CHARACTERISTICS sacred music should have), but it is utterly wrong on naming certain genres as automatically banned from evoking the sacred.
 
HI, OP here on this thread: follow up request for opinions please:

Just for the moment, not focusing on the jazz music itself, I am wondering about the following: Regarding the advertising for this, (the Mass, as part of the overall Jazz Festival, and being advertised as a “Jazz Mass”:

1**-Is the advertising** of a Mass as part of a Jazz Festival what concerns some/most of those who have replied here on this thread?

or

2-**Are there other concerns, **such as: People attending the advertised “Jazz Mass” possibly not fully understanding that only Catholics participate in Catholic Holy Communion? In other words, people naturally may be uplifted by the invitation to attend the event, the music itself, the *inclusive *joyous feeling of the Festival and might be drawn to receiving? How might this be handled? (I have some extensive experience with tent revivals from my former “pentecostal” days, and saw first hand how people are joyously swayed by the experience and many, after “going forward to be saved” are naturally inclined towards receiving Communion. At Protestant services, all are invited to receive. This is not so in our Church. Would a simple announcement be all that is needed to inform visitors not familiar with our tradition?

On the other hand, do you feel that the advertising of this event is just a lovely idea to reach out to everyone, as God wishes to embrace all people? I’m thinking that most (non- Catholic) people who visit a Catholic Church would normally not go up to receive, but they might be drawn closer, might inquire further about Christ and His Church. Would advertising a “Jazz Mass” as part of a Jazz Festival cause any confusion or lessen the sacredness of Our Lord’s great sacrifice? Or would it be an example of being “fishers of men,?”

Opinions on this?

I would have a problem if the mass is being advertised as an entertainment event which is merely a part of the ongoing entertainment of the jazz festival, rather than a spiritual event which just happens to contain jazz-styled sacred music in light of the festival. I guess, in that regard, it’s all about how the mass is “advertised” (if we can even go so far as to call it “advertised” so much as “announced”)

As to participation in the mass by non-catholics: it should be handled the same way it always is when many non-catholics are present: by making an announcement about closed communion and why it is so. The mass has ALWAYS been open to non-catholics (at least in part), so there have always been ways in place to deal with this phenomenon.
3- Jazz itself is noted to be that which draws the individual (musicians and listeners) to a personal response in the moment. (I have found a link on the internet written by a jazz musician and am awaiting permission to quote him.)* Is there a possibility that the music is then “pointing to itself and/or to the person’s jazz experience” instead of pointing to Christ as the center of the Mass and one’s experience with Him?*
Again, it’s not about the fact that the mass is advertised as open for all to attend… we DEFINITELY want to get the word out there that the mass is happening all around the world and people are encouraged to attend. It is, rather, HOW that mass is advertised that makes all the difference. The advertisement should establish and contribute to the sense that Mass is a sacred rite.
 
Here is a link regarding the etymology of jazz. It’s one person’s study of it. I offer it as such and am grateful that the author was kind enough to allow the link be used. I personally had never heard about how the word jazz has developed, its origins, etc. I do not claim to have any music education or expertise, so please know that this is why I’m welcoming differing opinions.

This link may or may not affect one’s opinion on our topic, but I was amazed to see this. Today, my thoughts are that all music seems to evolve, so that what used to mean “rock” music for instance, in the 1970’s would in no way define today’s rock music or limit it to earlier forms. Still, there would be a history associated with all of “rock” music, even as it does evolve. Opinions?

apassion4jazz.net/etymology.html
 
Seeing as Pope Benedict did not exist before 2005, I find it hard to believe he travelled back in time to produce a document in the year 2000…

I really dislike it when people pitch a quote from Cardinal Ratzinger as a Papal quote, considering that at the time he made the quote he was a cardinal with a VERY different level of teaching authority and scope for that teaching, and that he has not, since becoming pope, renewed the sentiment substantially. Let’s call a spade a spade and note that CARDINAL RATZINGER said this. Sure, it reduces the scope and authority a bit (to it’s real and true level), but at the same time, the honesty lends credibility to the argument.

That being said, Cardinal Ratzinger was only half right, and only in viewing music by it’s popular (aka, uneducated) position: that all pop music is banal, and that all rock music is angry.

But that doesn’t DEFINE music, any more than popular culture determines who is a good singer. In fact, the grammies haven’t been awarded to truly talented and “good singers” in YEARS. Being a good singer and a good musician isn’t just about art, feeling, or popularity in culture… a lot of it is about math. There’s a clear distinction in that regard: some of the best “rock” songs are precisely the “best” because they are written in the same mathematical structure as classical songs: aka, you can vienese waltz or tango to MANY “hard rock” songs. And not all of them are angry either… many many rock songs are written with mathematical structures which evoke sorrow, joy, majesty, etc. To say that ALL rock is evocative of “anger” is a silly and ignorant notion.

The same thing goes with “pop” music… insofar as pop music does not describe a mathematical structure of song, but rather a popularity index of a particular song. In other words, pop is not a genre in itself, it’s a shifting genre which encompasses whatever is popular at the time. In the last few decades, “pop” music included such genres as latin (a la Ricky Martin), swing (a la Big Bad Voodoo Daddies), and even tribal music (a la Paul Simon). Pop music is not a definitive musical structure at all. In fact, in the middle ages and rennaissance, what we now consider to be sacred hymns were part of the pop culture category, and were likewise despised by authorities at the time, who felt that anything other than chant was banal… but the reality is that SOME (a very limited amount of pop music) consists of VERY complex mathematical formulas in it’s design… once again able to evoke the sacred, the majestic, etc. To say that no “pop music” falls outside of the banal category is ignorant, therefore, in two regards: 1) it shows ignorance that there is NO SUCH musical structure known as “pop”, and 2) it again disregards that the evocation of the substance is MORE than just art, but also comes from the math of the composition in the music… and that ALL genres of music can be mathematically designed to evoke different things.

So, to sum it all up, Cardinal Ratzinger’s opinion is duly noted, but also greatly innacurate and lacks much in terms of restrictive teaching scope. It is a good guideline where it is right and applicable (in terms of what CHARACTERISTICS sacred music should have), but it is utterly wrong on naming certain genres as automatically banned from evoking the sacred.
Okay. I was a bit careless with the quoting. :p. :D. I do agree that music changes over the time. But, correct me if I’m wrong, I don’t think it’s quite the same with liturgical music. Gregorian Chant has always been the preferred type of music in the Church. We haven’t seen the approval of Medieval folk music in the Mass (here’s a good example: youtube.com/watch?v=_Rh1YiLmKwg&feature=related) Personally, I think that it is relevant to us. There is a distinction on genre. The mathematics are important for all music, yes. But the final result is different. It is true that some music doesn’t fit certain groups (Indian Church music might not fit Canadians). But when a music doesn’t evoke prayer for most groups, it shouldn’t be used either.
 
Here is a link regarding the etymology of jazz. It’s one person’s study of it. I offer it as such and am grateful that the author was kind enough to allow the link be used.
apassion4jazz.net/etymology.html
A better understanding of jazz would be found here:

outsideshore.com/school/music/almanac/html/Elements_Of_Jazz/Composition/Arrangement.htm

I generally look at anyone who says in their article that “most scholarly work on jazz comes from outside the jazz world and is therefore incorrect” with some suspicion. That becomes major doubt when they then say “let me present my own personal and solely correct view of what jazz is”. And that doubt becomes rejection when they go on to use poor entymology and terrible sources in their overly artistic and utterly subjective description of what jazz is.

For example, “Swing” is a sub-genre of jazz characterized by energy… the old european couples dances COULDN’T be danced to it, because the upright posture and box frame, combined with the lack of dynamic tension (can you tell I’m a swing dancer yet?) meant that dancing at that speed was uncontrollable. As a result, dance in “swing” resorted to creating connection in the form of tension (aka, both dancers lean away from each other, thus the rotation is based on tension… swinging from each other). As a result, “swing” music is jazz which is danced using forms of dance that utilize dynamic tension (east coast, west coast, lindy hop, boogie-woogie, shag, charleston, etc). To say that a subgenre of jazz was called “swing” because that’s a reference to sex is just totally wrong.
 
A better understanding of jazz would be found here:

outsideshore.com/school/music/almanac/html/Elements_Of_Jazz/Composition/Arrangement.htm

I generally look at anyone who says in their article that “most scholarly work on jazz comes from outside the jazz world and is therefore incorrect” with some suspicion. That becomes major doubt when they then say “let me present my own personal and solely correct view of what jazz is”. And that doubt becomes rejection when they go on to use poor entymology and terrible sources in their overly artistic and utterly subjective description of what jazz is.

For example, “Swing” is a sub-genre of jazz characterized by energy… the old european couples dances COULDN’T be danced to it, because the upright posture and box frame, combined with the lack of dynamic tension (can you tell I’m a swing dancer yet?) meant that dancing at that speed was uncontrollable. As a result, dance in “swing” resorted to creating connection in the form of tension (aka, both dancers lean away from each other, thus the rotation is based on tension… swinging from each other). As a result, “swing” music is jazz which is danced using forms of dance that utilize dynamic tension (east coast, west coast, lindy hop, boogie-woogie, shag, charleston, etc). To say that a subgenre of jazz was called “swing” because that’s a reference to sex is just totally wrong.
Thank you for your (name removed by moderator)ut and the additional link. I imagine there are varying opinions on this topic.
 
Okay. I was a bit careless with the quoting. :p. 😃
:eek: you’re the first person who’s ever said that! I’m actually… well… taken aback by your response (in a good way!) 🙂
I do agree that music changes over the time. But, correct me if I’m wrong, I don’t think it’s quite the same with liturgical music. Gregorian Chant has always been the preferred type of music in the Church.
Actually only one minor correction: Gregorian chant is the preferred type in the Latin Rite of the Church… we must never forget that the Latin Church is not the totality of the Church…
We haven’t seen the approval of Medieval folk music in the Mass (here’s a good example: youtube.com/watch?v=_Rh1YiLmKwg&feature=related)
I always shy away from using the word “folk music” in determining anything about applicability to mass. Let’s look at the characteristics of folk music:
  1. Oral tradition
  2. related to a particular culture
  3. Commemorate historic events
  4. performed over several generations
  5. (optional) not copyrighted
  6. (optional) fusion of cultures
  7. (optional) non-commercial
By these objective criteria, we can actually see that much of sacred chant is technically “folk” music.

That is because, scholastically speaking, folk does not speak about particular genres of music… it is a descriptor of particular music within any genre. Folk music might be latin, or classical, or rock, or chant, etc.

Much of what is traditional catholic music (hymns or chants) is folk music. It’s just that SOME people confuse American folk music with being definitive of “folk” or that it creates a genre called folk. That’s not correct.
Personally, I think that it is relevant to us. There is a distinction on genre. The mathematics are important for all music, yes. But the final result is different. It is true that some music doesn’t fit certain groups (Indian Church music might not fit Canadians). But when a music doesn’t evoke prayer for most groups, it shouldn’t be used either.
I certainly agree that there objective criteria of what makes sacred music, and the “evokes” part is highly critical to that definition… but what a music evokes is less based on it’s genre than most people assume. In other words, while genre DOES play a roll, and what is popular plays an even greater roll (aka, most rock music is animalistic and angry today because that is what audiences will pay for), all genres can structure their music to evoke various things. It’s simply an associative science within the brain: certain melodies are associated with certain responses.

And we can’t forget that what we’re doing is looking at popular genres today and seeing that the vast majority of those genres is not sacred music. But that doesn’t mean that nothing within a genre CAN POSSIBLY be sacred music. After all, for every sacred hymn we have in classical style, there are literally THOUSANDS of inappropriate compositions which evoke entirely the wrong thing (anger, hatred, etc). The difference is that of the classical genre, only masterpieces and effective sacred hymns have survived the test of time, while popular genres today (which are driven by money and production) have not had to undergo that litmus test yet. Two hundred years down the road from today, much of what we listen to now (angry rock, dirty rap, etc) will be utterly forgotten, while hopefully things like spiritual beat (a form of rap that is very reverent) will remain in some way.

Have you ever looked up Fr Pontifex and listened to his “spiritual beat” raps? They’re awesome, and certainly don’t evoke any of the animalistic tendencies of other rap music (even though, admittedly, none of his productions thus far are worthy of the “sacred music” stamp because of subject matter and audience). But what he DOES demonstrate is that beat music (a sub genre of rap) is actually closer in structure to chant than most traditional music enthusiasts would like to admit). You should check him out!
 
Okay. I was a bit careless with the quoting. :p. :D. I do agree that music changes over the time. But, correct me if I’m wrong, I don’t think it’s quite the same with liturgical music. Gregorian Chant has always been the preferred type of music in the Church. We haven’t seen the approval of Medieval folk music in the Mass (here’s a good example: youtube.com/watch?v=_Rh1YiLmKwg&feature=related) Personally, I think that it is relevant to us. There is a distinction on genre. The mathematics are important for all music, yes. But the final result is different. It is true that some music doesn’t fit certain groups (Indian Church music might not fit Canadians). But when a music doesn’t evoke prayer for most groups, it shouldn’t be used either.
Listen to the song “awaken” from “Yes”. For me this a hard rock tune with tremendous depth and spirit. They are not necessarily Christan lyrics but they could be substituted to the instrumentation which would make the song even more spiritual. It opened my spirit to God in ways traditional liturgical music never could.(without Christian lyrics) But it may not work for you the way it did for me. Granted not all age groups would appreciate a rock Mass, but a young group might. It might help to connect to our young in ways tradition never could.
 
**There is no such thing as a Polka Mass, Jazz Mass, Lifeteen Mass.

Mass is Mass.

There is such a thing as a Mass that will have polka music,a Mass that will have jazz music,a Mass that will have the music from Lifeteen. A huge mistake that has become popular in recent times.

Mass is Mass.**
 
Just two thoughts:

First of all, are you sure the jazz Mass isn’t the Bernstein composition “Mass”, which certainly has jazz elements. Very avant garde and beautiful. (to some)

Also, If it truly is a Mass, I would expect that some statement would be made regarding the reception of Holy Communion. This is typically done when it is unknown just who is attending. This is often done in churches which attract visitors, or at time when other than Catholics may attend, such as at a National Celebration.

I think it is beautiful that the Mass can be conducted in the vernacular - in this case in the “musical vernacular” of Jazz. 🙂
 
:eek: you’re the first person who’s ever said that! I’m actually… well… taken aback by your response (in a good way!) 🙂

Actually only one minor correction: Gregorian chant is the preferred type in the Latin Rite of the Church… we must never forget that the Latin Church is not the totality of the Church…

I always shy away from using the word “folk music” in determining anything about applicability to mass. Let’s look at the characteristics of folk music:
  1. Oral tradition
  2. related to a particular culture
  3. Commemorate historic events
  4. performed over several generations
  5. (optional) not copyrighted
  6. (optional) fusion of cultures
  7. (optional) non-commercial
By these objective criteria, we can actually see that much of sacred chant is technically “folk” music.

That is because, scholastically speaking, folk does not speak about particular genres of music… it is a descriptor of particular music within any genre. Folk music might be latin, or classical, or rock, or chant, etc.

Much of what is traditional catholic music (hymns or chants) is folk music. It’s just that SOME people confuse American folk music with being definitive of “folk” or that it creates a genre called folk. That’s not correct.

I certainly agree that there objective criteria of what makes sacred music, and the “evokes” part is highly critical to that definition… but what a music evokes is less based on it’s genre than most people assume. In other words, while genre DOES play a roll, and what is popular plays an even greater roll (aka, most rock music is animalistic and angry today because that is what audiences will pay for), all genres can structure their music to evoke various things. It’s simply an associative science within the brain: certain melodies are associated with certain responses.

And we can’t forget that what we’re doing is looking at popular genres today and seeing that the vast majority of those genres is not sacred music. But that doesn’t mean that nothing within a genre CAN POSSIBLY be sacred music. After all, for every sacred hymn we have in classical style, there are literally THOUSANDS of inappropriate compositions which evoke entirely the wrong thing (anger, hatred, etc). The difference is that of the classical genre, only masterpieces and effective sacred hymns have survived the test of time, while popular genres today (which are driven by money and production) have not had to undergo that litmus test yet. Two hundred years down the road from today, much of what we listen to now (angry rock, dirty rap, etc) will be utterly forgotten, while hopefully things like spiritual beat (a form of rap that is very reverent) will remain in some way.

Have you ever looked up Fr Pontifex and listened to his “spiritual beat” raps? They’re awesome, and certainly don’t evoke any of the animalistic tendencies of other rap music (even though, admittedly, none of his productions thus far are worthy of the “sacred music” stamp because of subject matter and audience). But what he DOES demonstrate is that beat music (a sub genre of rap) is actually closer in structure to chant than most traditional music enthusiasts would like to admit). You should check him out!
I’m not an authority on much of this, which is the cause of the general inaccuracy. But I agree with what you say. I’m not saying that modern music is ALL profane, but there are elements in the music that makes it unfit. A refined, reverent form of rap (Perhaps a form of rhyme or poem) might be acceptable, but not the present-day rap. There is a distinction between profane music (Not profane as in bad, but profane as in not sacred) and sacred music.🙂
 
**There is no such thing as a Polka Mass, Jazz Mass, Lifeteen Mass.

Mass is Mass.

There is such a thing as a Mass that will have polka music,a Mass that will have jazz music,a Mass that will have the music from Lifeteen. A huge mistake that has become popular in recent times.

Mass is Mass.**
Very good reminder for us all.
 
Listen to the song “awaken” from “Yes”. For me this a hard rock tune with tremendous depth and spirit. They are not necessarily Christan lyrics but they could be substituted to the instrumentation which would make the song even more spiritual. It opened my spirit to God in ways traditional liturgical music never could.(without Christian lyrics) But it may not work for you the way it did for me. Granted not all age groups would appreciate a rock Mass, but a young group might. It might help to connect to our young in ways tradition never could.
Yeah. I didn’t mean that the type of music I was talking about is inappropriate for all occasions (eg. praise and worship at a campfire). For some, it will be better for bringing people into the faith. However, just like when evangelizing, we shouldn’t water down our orthodoxy, in evangelizing with music, we shouldn’t water down our orthopraxy. I’ve heard -though I certainly wouldn’t say it is characteristic of all cases- that in one parish, they had life-teen masses (Sorry about the misnomer, but I can’t find a way around it here). The church was loaded with youth at that time, but most fell away when they grew up. Could it be that if we place that type of music in the context of the Mass, people will connotate the Mass to only entertainment? If so, there is much better entertainment out there, and they might as well go to those instead. My main premise is that the church disapproves of certain types of music, and we must listen to Her because of Her authority and because there must be a point behind it.
 
Very good reminder for us all.
Yes, I wondered why this is being announced/advertised as a “Jazz Mass,” and it seemed questionable to me. I tend to think that Mass is Mass, as** jmjconder pointed out. while it may feature something within it, it is simply and beautifully, The Mass.

OP (Kathryn Ann)
 
**There is no such thing as a Polka Mass, Jazz Mass, Lifeteen Mass.

Mass is Mass.

There is such a thing as a Mass that will have polka music,a Mass that will have jazz music,a Mass that will have the music from Lifeteen. A huge mistake that has become popular in recent times.

Mass is Mass.**
**
Beautifully said, jmjconder.
Kathryn Ann (OP)**:heaven:
 
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