
you’re the first person who’s ever said that! I’m actually… well… taken aback by your response (in a good way!)
Actually only one minor correction: Gregorian chant is the preferred type in the Latin Rite of the Church… we must never forget that the Latin Church is not the totality of the Church…
I always shy away from using the word “folk music” in determining anything about applicability to mass. Let’s look at the characteristics of folk music:
- Oral tradition
- related to a particular culture
- Commemorate historic events
- performed over several generations
- (optional) not copyrighted
- (optional) fusion of cultures
- (optional) non-commercial
By these objective criteria, we can actually see that much of sacred chant is technically “folk” music.
That is because, scholastically speaking, folk does not speak about particular genres of music… it is a descriptor of particular music within any genre. Folk music might be latin, or classical, or rock, or chant, etc.
Much of what is traditional catholic music (hymns or chants) is folk music. It’s just that SOME people confuse American folk music with being definitive of “folk” or that it creates a genre called folk. That’s not correct.
I certainly agree that there objective criteria of what makes sacred music, and the “evokes” part is highly critical to that definition… but what a music evokes is less based on it’s genre than most people assume. In other words, while genre DOES play a roll, and what is popular plays an even greater roll (aka, most rock music is animalistic and angry today because that is what audiences will pay for), all genres can structure their music to evoke various things. It’s simply an associative science within the brain: certain melodies are associated with certain responses.
And we can’t forget that what we’re doing is looking at popular genres today and seeing that the vast majority of those genres is not sacred music. But that doesn’t mean that nothing within a genre CAN POSSIBLY be sacred music. After all, for every sacred hymn we have in classical style, there are literally THOUSANDS of inappropriate compositions which evoke entirely the wrong thing (anger, hatred, etc). The difference is that of the classical genre, only masterpieces and effective sacred hymns have survived the test of time, while popular genres today (which are driven by money and production) have not had to undergo that litmus test yet. Two hundred years down the road from today, much of what we listen to now (angry rock, dirty rap, etc) will be utterly forgotten, while hopefully things like spiritual beat (a form of rap that is very reverent) will remain in some way.
Have you ever looked up Fr Pontifex and listened to his “spiritual beat” raps? They’re awesome, and certainly don’t evoke any of the animalistic tendencies of other rap music (even though, admittedly, none of his productions thus far are worthy of the “sacred music” stamp because of subject matter and audience). But what he DOES demonstrate is that beat music (a sub genre of rap) is actually closer in structure to chant than most traditional music enthusiasts would like to admit). You should check him out!