M
Mirdath
Guest
It’s a fairy tale. Things happen in fairy tales – and I’m not talking about the bowdlerized Disney versions. ‘Snow White’ ends with the evil stepmother dancing to death in red-hot iron shoes. ‘Cinderella’ has the two stepsisters cutting off parts of their feet to try to fit into the glass slipper, only to be exposed by ravens. ‘Rapunzel’ has Prince Charming raping the title character before putting his eyes out like Oedipus. ‘Little Red Riding Hood’ involves the rape of a child and cannibalism, quite explicitly.
- Why did she have to kill the frog? Why is she not fazed by killing it?
A giant frog dying is nothing compared to what one finds in the Grimms’ stories. Fairy tales are not for children – or they weren’t until Andrew Lang and Walt Disney got to them.
Do you mean the grapes she ate from the Pale Man’s feast? Again, this is straight out of classic fairytaledom.
- Why does she pay no consequences for having touched the apple?
The costume director decided ‘let’s do it like this’, I suppose
- Why is she wearing a dalmatic at the end? [Related question: why did advocates of women priests adore this film?]
It’s not the Father, but her father – or, perhaps, the doctor. It’s not a trinitarian reference. Ofelia is being reunited with her family.
- Why is the third chair of the trinity empty? And why is a woman at the right hand of the father?
Whether or not it’s intentional, and whether or not it’s heretical – and it would seem that you’re reading altogether too much of both into two hours of visual entertainment – how exactly does this fictional tale detract from the glory of God and undermine the teachings of the Church?There’s a lot of not-so-subtle heresy in this film. And yes, it’s intentional. Look at this section from the director’s interview: