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Ani_Ibi
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Well, let’s see. In this corner wearing white trunks we have C Michael Patton with his Authorial Intent Hermeneutic! And in this corner wearing black trunks we have the incomprehensible but deeply endearing Derrida with his Deconstructivist booting-out of the Author’s presence from a text. And, waiting in the wings – or even way out in left field – we have Gadamer with his Merging of the Horizons and Traditions! Maybe he can be the referee.The Authorial Intent method of critical analysis attempts toooooooo…AwwwwHeck…I’ll quote C Michael Patton’s blog where he explains it on Parchment and Pen:
Awwwhek…I’ll just quote Mark Goldblatt on Derrida:
continued……Despite its French popularizers, deconstruction is actually the bastard child of American New Criticism of the 1930s and 40s — in particular, the principle that the meaning of a text is not controlled by the artist’s intention.
(The belief that the author controls the meaning is called the Intentional Fallacy.)
The New Critics held that a text, once created, should be divorced from what’s known of its creator, and its meaning subsequently negotiated, as it were disembodied, by its critical audience. Yet the New Critics never doubted that a text was held together by a “voice,” perhaps non-authorial but still a unified presence, or that the text possessed a set of coherent meanings, or that it would sustain certain meanings and contradict others.
The deconstructionist wrinkle on New Criticism was the denial that a coherent meaning could ever be had. On the contrary, every reading was a misreading since language is always self-contradictory, unbound by any unified voice; hence, all efforts to pin down a meaning are doomed from the start… link