MGPOTC is some kind of movie all right. A priest friend of mine who has been severely debilitated for over 10 years now by multiple diseases asked me to put his video tape of The Passion into his VCR-enabled TV and set it up and play it before I left him today.
A graphic depiction of the Scourging helps to awaken our contrition for our sins which in turn can lead us to be mindful of, as Della says of the Crucifix, “…our debt to our loving God”.
Meditation on our Blessed Lord’s sufferings also has a direct effect on temptation. I knew someone who told me that when they were tempted (in the pre-MGPOTC days), they would read a passage from THE PASSION AND THE DEATH OF JESUS CHRIST, by St. Alphonsus de Liguori, and the temptation would either diminish or disappear totally. Of course the Sorrowful Mysteries of the Holy Rosary are another great way to meditate and pray on the Passion and suffering of our Lord.
Blessed Brother André Bessette whose canonization ceremony will take place later this year at the very place of prayer he founded - St. Joseph’s Oratory (here in Montreal) had a staue of our scourged Saviour ; purported to be his favourite statue.The statue can be seen when touring the Oratory and it is very graphic - a close cousin of the images found in MGPOTC. Something I found out a little later concerning another use Blessed Brother André found for the statue besides his own personal meditation:
umanitoba.ca/colleges/st_pauls/ccha/Back%20Issues/CCHA1982/Sinclair-Faulkner.html
“…In the display of Brother André’s sparse possessions that the museum of the Oratory offers is one statue, no more and no less: a plaster image of Jesus immediately following his scourging before Pilate. Jesus’ hands are bound with cords, the crown of thorns is on his head, and blood flows freely from his many wounds. His head is bowed and he is plainly seen to be suffering. The same 35-cm. statue appears in the life-size diorama showing Brother André in the office where he met pilgrims to the Oratory, and this time the statue rests on the counter behind which André stands. We know that it was André’s custom to keep this statue concealed beneath the counter or in a desk drawer. When challenged by the obstinacy of an unrepentant sinner he would bring the statue out of hiding and use it to illustrate what sometimes amounted to an hour-long description of Jesus’ suffering. (22) We also know that a similar statue, modified only by the addition of chains and a canopy, stood on the table beside Brother André’s bed in his private living quarters.”
So, it can be said that not all of us in the West subscribe to diluted depictions of the Passion of Our Lord.
