**As was stated above, playing as a gift and playing for pay are not mutually exclusive. **That’s what you’re not understanding. By your logic, the organist’s plethora of time used to learn the music is worth nothing, or should be donated as a gift. Fine, go ahead and do it yourself, donate your own time, but don’t force that upon everyone.
This is an important point. Anyone who truly plays or sings as a gift from God knows that there is not much difference when performing as a volunteer or performing for pay. No matter what place I perform in, whether it is in a secular venue or a church, I am always worshiping and praying to God. I know where I received my gift. Of course, I put in a lot of hard work honing that gift, but none of that would matter if the Lord did not bless me with it. My first voice teacher taught me that whenever she was about to sing, she would always say a little prayer to God, asking to allow her to sing for His glory alone, knowing full well that He could take this gift away from her just as quickly as He gave it to her. My current voice teacher also viewed singing and performing an instrument in the same way. It is something very spiritual, a gift to be shared and one in which the Lord has entrusted us to use to the very best of our abilities. My other musical mentors have viewed it similarly. Yes, we do make a living from it, but just because we are paid does not mean that we suddenly aren’t worshiping God or praying, or that it is less so.
Perhaps there are people who do have a different experience when they are paid and if he/she is afraid that it would change their entire spiritual, prayer and worship experience in a church setting, then by all means, it is their choice to not get paid for it. It’s their reality of the situation, which perhaps brings on that opinion and is one to be respected. I certainly would not want to make another get paid for playing an instrument or singing at a mass if they felt it would change everything for them and go against their conscience. But not everyone is that way and I think of that is important to be cognizant.
In Englishredrose’s defense, I know for most of the Anglican/Episcopal churches in my area, they do pay most of their instrumentalists and singers. As someone who has worked as a ringer in some of these church choirs, I have met a few singers (and instrumentalists) who go only for the money and prestige. Some don’t even really believe in God. They are responsible, respectful of the people and church they work in, but when you talk to them one-on-one, you realize that it has nothing to do with the spiritual and prayerful part of playing/singing music. I can see how that would turn a person off paying someone.
On the other hand, I have seen similar situations in Catholic churches when there were just volunteers. People who offered their time and talents for free, but got a little too full of themselves and a little too loving of the “power” they had by who they “allowed” into the music. People who should have been let go either due to a poor attitude or poor musicianship, but because they were giving for free and were parishioners, could not be let go. Volunteer cantors who had either lost their humility or never had it in the first place and would get ticked off at the priest or music director who asked them not to sing so much into the mic so that it wouldn’t become a solo.
That said, most church musicians I know (paid and unpaid) aren’t like that.
I think if a parish wants to hire and pay for their musicians and really would like to make sure they have a spiritual/prayerful element to their approach in music, they should ask questions in the interview on their views. When I was just starting out working as a musician, my first church job was the regular soloist and leader of song at a First Church of Christ Scientist. The audition also consisted with an interview and a questionnaire. Much of what they were concerned about was my religious and spiritual outlook. I was very honest with them that I was a devout Catholic and expressed my views on my spirituality and faith on the questionnaire. I also told them that I had planned to attend mass after their services. I really didn’t think I would get the job, but when it was offered to me the first thing they said was that they were impressed by my faith and spirituality and my sincerity. The other candidates had no religious affiliation or spirituality (or enough to be impressed with) and they wanted to be sure that their musicians could express the spiritual aspect and sincerity through the music… not just make it sound beautiful.
If Catholic parishes weeded out the candidates like that in the audition/interview process you could ensure that you were getting either all devout Catholics or at least other devout Christians as paid/unpaid musicians.