My caring for the way a Mass is said —is a reflection of putting God first and acknowledging the great gift He has given to us via Holy Communion.
Apparently-- Budda received much praise with all that drumming.
Archbishop Albert Malcolm Ranjith, secretary of the Congregation for Divine Worship and Discipline of the Sacraments.
katobs.se/art_intew_ranjith.htm
Yet, already Sacrosanctum Concilium indicated clear parameters within which the adaptations of the liturgy to local cultural patterns are to be carried out. It spoke of admitting into the Liturgy elements that “harmonize with its true and authentic spirit” [SC 37], ensuring the “substantial unity of the Roman rite is preserved” [SC 38], provided such is decided by the competent ecclesiastical authority, meaning the Holy See and, where legally allowed, the bishops [cf 22: 1-2]. It also called for prudence, in the choice of adaptations to be introduced into the Liturgy [SC 40: 1], the need to submit such to the Apostolic See for its consent, if needed, a period of limited experimentation [SC 40: 2] before final approval and consultation of experts in the matter [SC 40: 3].
As for what has been carried out up to now, one cannot be altogether satisfied. Some positive developments are visible, like the large scale use of vernacular languages in liturgy, making the sacraments better understood and to that extent better participated, and the use of art, music and Asian gestures at worship.** But a lot of arbitrariness and inconsistency can also be noted, arbitrariness through the permitting of all kinds of experiments and officialisation of such practices without proper study or critical evaluation**.
I once was listening to a radio talk given by a Buddhist monk in Sri Lanka who ridiculed Christians for allowing local drum beating in their churches without knowing that those **beats in fact were chants of praise for the Buddha. **
This could be just one instance of unstudied absorption of local traditions that are per se incompatible with what we celebrate.