C
Cardinalsong
Guest
Oh, that’s too funnyWhen I was a kid I was madly in love with Mr. Chekov. He was soooo cute!!!![]()
I thought I was the only one (I was only 11 or 12 at the time)
Oh, that’s too funnyWhen I was a kid I was madly in love with Mr. Chekov. He was soooo cute!!!![]()
I must be the only LOTR reader on earth who had no issue with that.IOh well, it’s not as bad as the new Battlestar Galactica. Nothing, not even Legolas’ skateboarding in Two Towers, is as bad as the new Battlestar Galactica. Except maybe Eureka, that’s pretty awful, too.
I wouldn’t have a problem with it as an idea, but the way it plays out all I could think of was Back to the Future and now when I watch the DVD I hear the BttF theme music in my head at that point.I must be the only LOTR reader on earth who had no issue with that.
Sorry you can’t appreciate great story telling.Oh well, it’s not as bad as the new Battlestar Galactica. Nothing, not even Legolas’ skateboarding in Two Towers, is as bad as the new Battlestar Galactica. Except maybe Eureka, that’s pretty awful, too.
You been watching the same sub-novela soap opera my dad’s been watching? Seriously, it made me wish for “Muffet, muffet, come back, muffet!” Sides, BSG’s just a knockoff of Saberhagen’s Berserker novels.Sorry you can’t appreciate great story telling
I like science fiction and these two “franchises” are probably the best ones to discuss.
If you have a favorite character, series please share.
Personally I am a Star Trek The Next Generation Fan
I like Data and his ongoing struggle to be more human.
In Star Wars Luke is the best character and his tutoring with Yoda is my favorite.
At the same time I admire Tolkien, he very much wrote an archetypal story, and Star Wars was another archetypal story (I may be spelling that incorrectly). One of the central things to elarn about story analysis is that archetypes are everywhere. Originality goes only so far.I really really really do not like SW one bit.
The problem w. SW is that it has no mythopoetic quality; there is none of what literary men 300 years ago called “invention”. Tolkien had “invention” by the bucket-load, which is why his fictions are so alive. SW relies not on invention, but on technology - and there is only so much that light-sabres can do in a story. If George Lucas had given the light-sabres the ability to speak & to advise their owners (say), that would have been inventive. SW needed a Tolkien - it did not have one. Whoopi Goldberg in a funny purple hat looks like Whoopi Goldberg;
Another problem is that these “space-operas” take bits & pieces of ancient stories, but don’t integrate them in the space-operas to make a new story. Tolkien did - SW (& Stargate) don’t. It’s not enough to use ancient words & names - kiten (as in ST); Marduk, Apophis (both in SG); they need to be used creatively, as if they had never been used before. Tolkien does this so well, that it is easy to forget the Old Norse, Old English, Lombardic, Egyptian, & other sources he drew upon.
If people are going to talk about trilithium, there has to be enough detail in the story to persuade the hearer that whatever trilithium may be, it exists independently of the particular occasion in which it it mentioned; photon torpedos are convincing in just this way - they are like real torpedos, yet sufficiently unfamiliar to be good as elements in a story; there is enough distance between the familar & the unfamiliar for them to work well as a device in the plot. Tolkien maintains this distance. The tribes on other planets in ST - TNG all too often do not; giving a group of actors a bit of make up, some non-human anatomy, and a language unlike English, is not the same as inventing credible aliens who give the impression of utter non-humanity, of being “other than human”, that a genuine alien would.
ST- TNG is too inward-looking; self-obsessed, almost.
Perhaps a world full of machinery is not favourable to creativity & invention (in the sense mentioned). ##
Yup! Yup! And even Palpatine’s dark rule had a good side in it. A novel elaborated that he started the galactic empire to prepare their galaxy from the impending Yuhzhan Vong invasion. The glactic civil war that lead to his rule gave birh to a much stronger new republic than that of the episode 1-3 republic.Star Wars is the one for me. I find the story more compelling, especially how it tells the rise, fall, and redemption of Anakin Skywalker. Darth Vader is a very compelling character–not essentially evil as we know evil to be, but a complex character that’s in part been deceived by those he trusted (Palpatine). Vader has elements of good and bad, which makes him complex. We frist see the bad in Episode IV, but gradually we are treated to something else–George Lucas unveils this complexity most especially in Return of the Jedi, where we see Vader as more brooding, and reflective.
Apparently you’ve not read any of Starwars’ expanded universe(EU) novels. The stories of the Sith, the knights of the old republic, the after-Endor stories that included the Yuuzhan Vong, Correlian Insurrection, etc… The SW history is rich, creative, and deep, somewhat unlike the movies…I really really really do not like SW one bit.
The problem w. SW is that it has no mythopoetic quality; there is none of what literary men 300 years ago called “invention”. Tolkien had “invention” by the bucket-load, which is why his fictions are so alive. SW relies not on invention, but on technology - and there is only so much that light-sabres can do in a story. If George Lucas had given the light-sabres the ability to speak & to advise their owners (say), that would have been inventive. SW needed a Tolkien - it did not have one. Whoopi Goldberg in a funny purple hat looks like Whoopi Goldberg;
Another problem is that these “space-operas” take bits & pieces of ancient stories, but don’t integrate them in the space-operas to make a new story. Tolkien did - SW (& Stargate) don’t. It’s not enough to use ancient words & names - kiten (as in ST); Marduk, Apophis (both in SG); they need to be used creatively, as if they had never been used before. Tolkien does this so well, that it is easy to forget the Old Norse, Old English, Lombardic, Egyptian, & other sources he drew upon.
If people are going to talk about trilithium, there has to be enough detail in the story to persuade the hearer that whatever trilithium may be, it exists independently of the particular occasion in which it it mentioned; photon torpedos are convincing in just this way - they are like real torpedos, yet sufficiently unfamiliar to be good as elements in a story; there is enough distance between the familar & the unfamiliar for them to work well as a device in the plot. Tolkien maintains this distance. The tribes on other planets in ST - TNG all too often do not; giving a group of actors a bit of make up, some non-human anatomy, and a language unlike English, is not the same as inventing credible aliens who give the impression of utter non-humanity, of being “other than human”, that a genuine alien would.
ST- TNG is too inward-looking; self-obsessed, almost.
Perhaps a world full of machinery is not favourable to creativity & invention (in the sense mentioned). ##