I’m also curious about OP’s question. Additionally, does anyone here give any credence to the claim that Freemasons are connected to the ancient Templars? Or is it just a case of Masons playing make-believe and pretending they’re ancestors were knights, etc.? Does this explain the alleged animosity and thirst for “vengeance” Masons have for the Church? I still remember kids I knew growing up talking endlessly about their De Molay club, and as we got older those same kids always did express a lot of bile toward the Church…
en.wikipedia.org/wiki/Knights_Templar
reemasonry
Main article: Knights Templar (Freemasonry)
Since at least the 18th century, Freemasonry has incorporated Templar symbols and rituals in a number of Masonic bodies,[5] most notably, the “Order of the Temple” the final order joined in “The United Religious, Military and Masonic Orders of the Temple and of St John of Jerusalem, Palestine, Rhodes and Malta” commonly known as the Knights Templar. One theory of the origins of Freemasonry claims direct descent from the historical Knights Templar through its final fourteenth-century members who took refuge in Scotland whose King, Robert the Bruce was excommunicated by the Roman Catholic Church at the time, or in Portugal where the order changed its name to Knights of Christ, other members having joined Knights of St. John. There have even been claims that some of the Templars who made it to Scotland contributed to the Scots’ victory at Bannockburn. This theory is usually deprecated on grounds of lack of evidence, by both Masonic authorities[88] and historians.[89]
The Roman Catholic Church has historically opposed Freemasonry since it began to emerge, under the belief that the group is a “Secret Society” and has a deeply hidden agenda that opposes the church and its beliefs. Members of the Church found to be Freemasons were commonly excommunicated. This has often led to the misguided belief that the Church somehow also opposed the Knights Templar, however the Church makes distinction between the Templars, a public monastic order, and “Secret Societies”.
The penalty of excommunication for joining the Masonic Lodge was explicit in the 1917 code of canon law (canon 2335), and it is implicit in the 1983 code (canon 1374). Because the revised code of canon law is not explicit on this point, some drew the mistaken conclusion that the Church’s prohibition of Freemasonry had been dropped. As a result of this confusion, shortly before the 1983 code was promulgated, the Sacred Congregation for the Doctrine of the Faith issued a statement indicating that the penalty was still in force. This statement was dated November 26, 1983 and may be found in Origins 13/27 (Nov. 15, 1983), 450.[90]
Modern popular culture
Main article: Knights Templar in popular culture
Based on Freemasonic speculation and popular literature since the 19th century, the Templars and associated “legends” or “mysteries” have become a common trope in modern pop culture.
Beginning in the 1960s, there have been speculative popular publications surrounding the Order’s early occupation of the Temple Mount in Jerusalem and speculation about what relics the Templars may have found there, such as the Holy Grail or the Ark of the Covenant,[91] or the historical accusation of idol worship (Baphomet) transformed into a context of “witchcraft”.[92]
The association of the Holy Grail with the Templars has precedents even in 12th century fiction; Wolfram von Eschenbach’s Parzival calls the knights guarding the Grail Kingdom templeisen, apparently a conscious fictionalization of the templarii.[93]
Modern fictionalization of the Templars begins with Ivanhoe, the 1820 novel by Sir Walter Scott, where the villain Sir Brian de Bois-Gilbert is a “Templar Knight.” The popular treatment of the Templars as a topic of esotericist “legend” and “mystery” begins in the later 20th century. Les Rois Maudits or The Accursed Kings (1973 et seq) by Maurice Druon depicts the death of the last Grand Master of the Order, and plays with the legend of the curse he laid on the pope, Philip the Fair, and Guillaume de Nogaret. Esotericist treatments become common in the 1980s. Among them, the 1982 The Holy Blood and the Holy Grail would prove most influential. The 1988 novel by Umberto Eco, Foucault’s Pendulum, a 1988, satirizes the presentation of the Templars in esotericist or pseudohistorical conspiracy theories. A revival of the 1980s themes took place in the 2000s due to the commercial success of The Da Vinci Code, the 2003 novel by Dan Brown (adapted into a film version in 2006).