While not every church can look as fancy and plush as St Mary’s Cathedral in Sydney, the before and after photos where kinda sad.
But did V2 allow for the removal of sacred art or was it misunderstood? It was missunderstood. Those who make such claims I wonder if they have ever read the docs. For eg Vat II said us faithful should be able to chant the Mass in Latin. Yep, I kid you not.
Sacrosanctum Concilium said…
Let bishops carefully remove from the house of God and from other sacred places those works of artists which are repugnant to faith, morals, and Christian piety, and which offend true religious sense either by depraved forms or by lack of artistic worth, mediocrity and pretense.
Altar rails, statues of Mary, old Altars etc hardly seem repugnant or mediocre
And when churches are to be built, let great care be taken that they be suitable for the celebration of liturgical services and for the active participation of the faithful.
To be suitable there would need to be kneelers for example. Some churches do not have kneelers though.
Ordinaries must be very careful to see that sacred furnishings and works of value are not disposed of or dispersed; for they are the ornaments of the house of God.
I would have thought statues, altar rails and esp old Altars should thus not be disposed or dispersed
Laws which seem less suited to the reformed liturgy are to be brought into harmony with it, or else abolished; and any which are helpful are to be retained if already in use, or introduced where they are lacking.
And there was no subsequent law calling for the ransacking of churches
According to the norm of Art. 22 of this Constitution, the territorial bodies of bishops are empowered to adapt such things to the needs and customs of their different regions; this applies especially to the materials and form of sacred furnishings and vestments.
And yet they have never called for the removal of Altar rails etc
- During their philosophical and theological studies, **clerics are to be taught **about the history and development of sacred art, and about the sound principles governing the production of its works. In consequence they will be able to appreciate and preserve the Church’s venerable monuments, and be in a position to aid, by good advice, artists who are engaged in producing works of art.