H
Hugh_Farey
Guest
I find myself unable to agree. The proposal is so extraordinary that I cannot believe Undead_rat really means what he says, So I will enumerate some particular details I the hope he might explain whether he really thinks the “famous early Mandylion Icon” could have made while the painter was able to “view his subject.”Eleventh century Icons of the Mandylion are spitting images of the Shroud’s face.
I will suppose, with those who equate the Shroud with the Mandylion, that it was folded up so that only the face was visible, and perhaps that it was a little brighter than we see it today. But:
- The Shroud is famously a pseudo-negative image. Its nose and forehead are dark and its eye-sockets are light. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The Shroud image is entirely monochrome. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The Shroud has prominent trickles of ‘blood’ on the forehead and down the sides of the hair. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The Shroud has no ears. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The Shroud has a bushy, rather than a narrow, moustache. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The Shroud does not have ringlets of hair flowing outwards from the cheeks on both sides. Nobody painting a copy and able to “view his subject” could have failed to notice that.
- The overall shape of the Shroud face is rectangular, not oval. Nobody painting a copy and able to “view his subject” could have failed to notice that.