Every time I read this passage I’m a bit disturbed by “The King’s” reaction to what appears a minor hitch in the dress code. I want to know what I may be missing in the parable?
I think what I said in another thread is also relevant here.
[The parables are] stories told to make a point. There’s that whole ‘suspension of disbelief’ thing at play here: they don’t need to be ‘logical’ or ‘plausible’ in order to work - I’d say even that they
shouldn’t be ‘logical’ or ‘plausible’ in order to work. After all, the point is what’s important - the story is just an illustration to convey it. Suspension of disbelief is actually essential for
any kind of storytelling, I’d say.
The thing about the king destroying the whole city and throwing out the man who did not follow the dress code is not supposed to make any ‘sense’ - it’s not meant to be a real-life story after all. You might say that at this point, any real-life logicality is sacrificed for the sake of illustration. The destruction of the city that killed the king’s messengers is a metaphor for the eventual destruction of Jerusalem (the city that murdered the prophets and rejected the Messiah).
As for the man being kicked out, I’ll just say that Matthew’s gospel has two related key themes running through it: (1) a dualistic worldview (where everyone is divided neatly into two camps: those who listen to Jesus and those who do not); and (2) the motif of reward and punishment.
Quoting myself again:
Matthew basically has a sort of dualistic worldview where either you listen to Jesus or you do not, where either you are ‘inside’ or ‘outside.’ …] Look at various sayings and parables in Matthew such as the narrow and the wide gates, the house built on rock and the house built on sand, the wheat and the weeds, the foolish and wise bridesmaids, the sheep and the goats. In each cases Matthew divides humanity into neat pairs. There is no third option: you either belong here or there. …] For Matthew’s Jesus, it was not just enough to point out the obvious (building a house on a shaky foundation such as sand is less desirable and just plain stupid), He intensifies the difference by pointing out the destruction of the sand-based house. This is another common theme in Matthew: punishment and reward reinforce one another, and Matthew rarely includes one without the other.
One of the particular quirks of Matthew is the pet phrase “weeping and gnashing of teeth,” which appears six times throughout the gospel (8:12; 13:42; 13:50; 22:13; 24:51; 25:30). This phrase ties in perfectly with Matthew’s dualistic worldview and emphasis on reward and punishment. Strangely enough, however, one of the instances in which this phrase appears is at the end of a story that does not easily lend itself to punishment - the parable of the wedding feast (22:1-14; cf. Luke 14:16-24). There we can notice the Matthean reward and punishment motif: the ones who rejected the invitation meet a nasty, if somewhat disproportionate, end for their refusal - not only were the ungrateful guests killed, their city was also burned (!) In fact, the disproportionate response goes both ways: whereas in Luke, the guests simply offer different excuses for not going to the banquet, in Matthew the guests kill the messengers (for inviting them to a wedding feast?), which prompts the king to slaughter them in turn.
The Matthean version also ends in a rather odd note, about a man who was bounced out of the party “into the outer darkness” (another Matthean pet phrase, which accompanies “weeping and gnashing of teeth” at least thrice; 8:12; 22:13; 25:10) for not following the party dress code. The ending raises a few intriguing questions: if “many are called but few are chosen,” why then invite them to a party where they are going to be thrown out? Where was this person supposed to get a garment? Did he even know that he needed to wear one? We cannot answer these questions right now, but simply raising them indicates the general framework of Matthew’s storytelling. Even if the narrative logic does not call for a clear delineation of outsider from insider, Matthew crafts his episodes such so that the dualistic framework remains intact.