Okay, I’m speaking as a retired professional dancer here: A retired professional ballerina, who danced with a big ballet company–New York City Ballet.
Dance is not appropriate in the liturgy in cultures where it is not generally a cultural expression. In part this is because incorporating dance into the liturgy would be just adding a performance into liturgy. There is no way that most of the congregation would be able to participate in the dance add-on. In the United States, dance is considered either a performing art or a social activity. In other nations, usually what the West refers to as “developing nations,” genuine cultural dance is permitted if the majority of the faithful can do it.
One of the biggest problems of dance in liturgy is that not many, probably most, cannot do it well. It’s one thing to be able to hide an off-key voice in a multitude of voices accompanied by a big booming organ, pipe or electronic. A bad dancer will stick out like a really sore thumb. There s also no room to do it: A church generally has fixed pews in close proximity. In the cultures where it is permitted, “dance” is usually reserved to the people in the pews swaying side to side in time to their music.
I have gone to some evangelical Protestant services with friends for some occasion or another where something called “praise dancing” was done, by small troupes of dancers (they were probably high school modern dance students,) and I found it superfluous and amateurish. Since these evangelical churches don’t have a set liturgy, I assume that it was considered “okay” (whatever that means) by the churches themselves; my review is strictly artistic, and “amateurish” is the most charitable remark I can make. I think that if dance ever were permitted in a Catholic liturgy, that is probably the quality of the dance that one would see.
However, dance can be used in NON liturgical celebrations, for example, an Advent concert, and it can be done reverently and in a way that is not salacious. A small group of dancers from NYCB participated in a few such concerts, along with musicians from the philharmonic, and the concert did use traditional musical scoring. These were held in churches in New York City, and during these performances (which were paid concerts with the churches in question receiving most of the proceeds) the Blessed Sacrament was reserved from the main altar. We were decently clad, much more covered up than for a stage performance, and the performances were previously approved by the archdiocese as well as the individual churches. But it was not “liturgical dance,” in the sense of dancing as part of a liturgy. And as I mentioned before, I doubt many in the audience would have been able to execute a quarter of what we did.
Okay. A professional performance done in the course of a concert left aside, I have been to a couple of Masses on various feast days where native dancers in full regalia processed in doing a dance step (a shuffle-stomp sort of thing is the easiest to describe it to a non-native dancer,) and processed out at the end of Mass. I’ve described it elsewhere in the course of one of Bruce’s threads, and won’t repeat it here. It was no different than a choir processing in and going to the choir stalls at the beginning of Mass.
With the *exciting *news that Blessed Kateri Tekawitha’s second miracle has been approved by the Holy Father, a delegation of we Iroquois will doubtless be called upon to attend her canonization ceremony and I am sure that there will be some cultural elements in part of the ceremony. I haven’t been home (Akwesasne) in awhile, but I know that already people are starting to form groups that will attend. It will be very interesting and revealing to see what is done during the course of the celebrations.
By the way, I’m thrilled at the prospect of her elevation to the altar and the Church’s calendar of saints: We have a Saint! I’ve been praying for her cause for years and years, and hearing the announcement on the radio just before Christmas was one of the nicest Christmas presents I’ve ever received!