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FabiusMaximus
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Which is why I love them so much. They are so theologically rich.Most Gregorian chant has a deep theological message because most Gregorian chant happens to be Bible and Psalm verses. Dies Irae, a sequence, and In Paradisum, an antiphon are among the exceptions; not to day that they don’t have deep theological meaning although Dies Irae is no longer used at the Requiem Mass but is now the hymn for the 34th week of Ordinary Time in the Liturgy of the Hours.
The general rule for hymns of the Divine Office/Liturgy of the Hours is that they are not taken from scripture but were in general intended to combat heresy and are thus mini-theology lessons. Except that Pope Urban VIII in trying to make them into classical Latin more or less messed them up. It was Vatican II that restored the ancient texts of the hymns.
Of course some did try to use the hymns to introduce heresy but fortunately those texts have long been flushed out.
It depends on what you call “modern.” If you’re speaking like a song like “This is the Air I breathe,” then I’m pretty skeptical. If you mean modern as in it was composed recently, but still conform to chant or polyphony, then I’m OK with that XD.I agree though, that the aesthetics of liturgy is very important. The problem though is that aesthetic qualities often lie in the eye/ear of the beholder, and while I love chant, some hate it and prefer polyphony or even (gasp!) modern hymns. Modern hymns don’t necessary have to be bad just because they are modern!
I think sounds about correct in terms of intention about the Ordinary Form. I’m assuming that an Eastern liturgy is restricted in variations much like the EF. I wonder if the Council Fathers and the successive popes realized how much “variation” would occur in how the liturgy is celebrated in certain areas.Ora, it seems to me after reading your posts, that the OF was designed so that it could be customized to culture, to parish, to diocese, etc. Multiple EP’s are offered, and there are basically no real limits to the type of music et alia that liturgical committees and such can plan. Given this scenario, what’s there not to like about the OF? Unless of course, one can’t find one that’s in his language and/or comfort level.
The EF has no such variations. One language, one Canon, Latin chant, ad orientem, and some vernacular. Very limited in options but many folks like that too.