Even the most cursory glance at what is available in children’s literature and entertainment offers ample evidence that the paganization of the imagination is well underway. In the late 19th century there appeared in children’s fiction a trickle of books that began the process of redefining Christian symbols and the presentation of occult themes in a favorable light. Until then, witches and sorcerers, an important element of traditional fables and fairy tales, were consistently portrayed as evil. With the advent of the occult revival (which entered the West primarily through certain British writers involved in esoteric religion) more and more material appeared that attempted to shift the line between good and evil. The characters of the “white witch”, the pet dragon, and the wise wizard became familiar figures. During the last quarter of the twentieth century the trickle became a torrent, and by the final decade before the Millennium it entered the mainstream of culture, powerfully augmented by the interlocking mechanisms of television, film, video, marketing techniques and spin-off industries, and applauded by a class of critics who told us that this was all a long-overdue broadening of our horizons.