What do you think about guitars during mass?

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I’m not really sure that your point about the origins of all past hymns etc is totally to the point? I have no disagreement that there are some horrendously bad hymns out there, and some that are actually unchristian. (I had to stop attending the church I had been going to because I thought I would have a stroke if they asked me to sing “Gather Us in” again.:() But to my mind, writing text specifically intended for music is not a problem if it is good and theologically sound. I am unsure why more people still don’t take texts from other sources these days.

But I can’t think of any of the posts that suggested that we shouldn’t question whether music is really appropriate, though a few said they don’t feel qualified to have an opinion.
You cannot divorce the instruments and the music. The traditional music was not written for the guitar. There are not guitar parts for the traditional music. That’s a major problem. The music for which there are guitar parts is not traditional, and in many cases not Catholic. The point of this was that if we look at how the guitar is used, it is used to accompany music that does not belong in the service. The music that does belong in the service doesn’t have much room for guitars. The two are absolutely connected. That’s my point. Look at the guitar music and you will see that the guitar music is not really appropriate. Look at the appropriate, traditional music and you will see that it does not have guitar parts written for it. While a composer could, in theory, reconcile this, I haven’t seen it done in any church I’ve ever been to with a guitar mass. How can you claim an instrument is appropriate when none of the music that exists for it is appropriate. And I ask again, where is the evidence of the guitar in mass before Vatican II? Can someone, anyone prove that this is not part of the “Spirit of Vatican II” movement that the pope is trying to correct? Many things have been done in the name of said “spirit,” but few, if any, have been correct. This seems to me just one more thing that was changed to try to make mass fun and interesting and has just undermined tradition. I’ve a feeling this will disappear faster than anyone expects, as I have already seen the change coming in my diocese, which is one of the most liberal in the US.
 
Last I checked, Johnny Cash is not a saint and claiming that he is in heaven is not something that is in any sense appropriate, given his life. I’m not suggesting that he is definitively in hell either, but let’s not get carried away. Also, last I checked, the Catholic church never taught that animals have souls, and without them, they are not going to be talking in heaven.
OT, but yes, all living things have souls - they correspond functionally to the forms of non-living things. Plants have vegetative souls, animals have sensitive souls, and human beings have immortal souls.

The distinction made is that mortal souls are fully attached to the material body and so cease to exist when that body is no longer a living thing. Immortal souls do not. Since there are no bodies in Heaven, no animals either.

However, after the remaking of the new Earth and the resurrection of the dead etc, many people think that there will be other living creatures again. The Church allows for this as a possibility, but says it is impossible to know for sure.
 
We have a 5:30pm mass with a classical guitar (or is it a violin de gamba?). It is so beautiful. The mass is very quiet and reflective. Normally I would not think anything other than voice or organ should be used in the liturgy - but if you heard how this works, I think most hard core trads would be swayed.
 
You cannot divorce the instruments and the music. The traditional music was not written for the guitar. There are not guitar parts for the traditional music. That’s a major problem. The music for which there are guitar parts is not traditional, and in many cases not Catholic. The point of this was that if we look at how the guitar is used, it is used to accompany music that does not belong in the service. The music that does belong in the service doesn’t have much room for guitars. The two are absolutely connected. That’s my point. Look at the guitar music and you will see that the guitar music is not really appropriate. Look at the appropriate, traditional music and you will see that it does not have guitar parts written for it. While a composer could, in theory, reconcile this, I haven’t seen it done in any church I’ve ever been to with a guitar mass. How can you claim an instrument is appropriate when none of the music that exists for it is appropriate. And I ask again, where is the evidence of the guitar in mass before Vatican II? Can someone, anyone prove that this is not part of the “Spirit of Vatican II” movement that the pope is trying to correct? Many things have been done in the name of said “spirit,” but few, if any, have been correct. This seems to me just one more thing that was changed to try to make mass fun and interesting and has just undermined tradition. I’ve a feeling this will disappear faster than anyone expects, as I have already seen the change coming in my diocese, which is one of the most liberal in the US.
If someone wrote a Mass for the banjo, and it actually transported people in the way music for the Mass is meant to do, then there would be appropriate Mass music for the banjo. It would presumably be played if it were really so good, and would enter the tradition of the Church, which is and always has been a living thing. We are not restricted to the compositions of the past, which clearly have no good place for the banjo. In fact the Church very much encourages new compositions.

(I wouldn’t recommend anyone spend their days trying to compose such a thing. It seems rather a Moby Dick scenario to me.)

I also think that even if people are very responsible, occasionally there will be musical failure. Something new will be tried that seems like a good idea in line with the direction from the Church, and it won’t work, and it will be consigned to the scrap-heap. This isn’t normally a problem as long as the new thing isn’t prematurely adopted as commonplace across the board.

I certainly think the RC Church needs to look at how it is going to really encourage the composition of excellent music. They don’t seem to entirely be putting their money where their mouth is. My parish church pays a good part-time salary to the music director, has an organ scholar they support, and even gives some small bursaries to some music students who sing in the choir. It is hard to have excellence in music ministry if you don’t support it.
 
But, the banjo is suitable for secular music only, since it is commonly used in the country and folk musical genres. That would not make it suitable for use in the Holy Sacrifice of the Mass per Musicam Sacram.
We live in the USA I don’t care for loud music with drums and bongos but the guitar is a classical and the violin it is a stringed instrument and if you happen to open your bible you can read Psalms 33 again i have reminded you of this.There is nothing wrong with this instrument. i herd the devils instrument wa the horn so isn’t Jesus going to sound the trumps also at the last day?:rolleyes:
 
We live in the USA I don’t care for loud music with drums and bongos but the guitar is a classical and the violin it is a stringed instrument and if you happen to open your bible you can read Psalms 33 again i have reminded you of this.There is nothing wrong with this instrument. i herd the devils instrument wa the horn so isn’t Jesus going to sound the trumps also at the last day?:rolleyes:
Nancy, once again I suggest that you avail yourself of the authoriative documents of the Holy See regarding what constitutes sacred music and the instruments for same. Psalm 33 is not relevent to this discussion, as David is not speaking of the cultic sacrificial worship practiced by Ancient Israel, as dictated by God to Moses. As I read your posts, you seem to not want to make that distinction.

As has been stated throughout this thread, chant is proper to both Ancient Israel and the Church, who is the New Israel. The psalms were chanted by Ancient Israel. The Church, as the New Israel appropriate this element, along with that of the sacrificial (through Jesus’ supreme sacrifice) into her cultic form of worship, which is called the Mass.
 
Last I checked, Johnny Cash is not a saint and claiming that he is in heaven is not something that is in any sense appropriate, given his life. I’m not suggesting that he is definitively in hell either, but let’s not get carried away. Also, last I checked, the Catholic church never taught that animals have souls, and without them, they are not going to be talking in heaven.
FYI you look in Revelations and Father has an egal near to the thrown who can talk check it out! You have never been to heaven to know if Johny Cash is there or not. You have no Idea who God loves and takes to be his own, no one should make that call but God. Wont you and alot of people here be surprized when you see just who is in heaven, in fact a few poeple they banned here will be there because they are and were defending the faith, when they were put off. Untill you walk a mile in someones shoes don’t condem! Thank You!😦
 
I’m not really sure how you find Musicam Sacram and Tra le Sollecitudini compatible. The latter basically bans virtually every intrument, except a a select few that can only be used with special permission. The former has no such list, and allows “common opinion” to decide which instruments are purely secular. It doesn’t say “the opinion of Pope St Pius X” or “the opinion of posters of an online forum who think everything but the organ is illegitimate for mass”. If the organ really were the only instrument suitable for mass, then why would Musicam Sacram have language like:
In the celebrations of the word of God,[27] let the Liturgy of the Word in the Mass[28] be taken as a model. In all popular devotions the psalms will be especially useful, and also works of sacred music drawn from both the old and the more recent heritage of sacred music, popular religious songs, and the playing of the organ, or of other instruments characteristic of a particular people.
“The use of other instruments may also be admitted in divine worship,** given the decision and consent of the competent territorial authority, provided that the instruments are suitable for sacred use, or can be adapted to it,** that they are in keeping with the dignity of the temple, and truly contribute to the edification of the faithful.”[43]
I’ll refrain from adding any emphasis to the next one, because I already know which part some of you will focus on. 😉
  1. In permitting and using musical instruments, the culture and traditions of individual peoples must be taken into account. However, those instruments which are, by common opinion and use, suitable for secular music only, are to be altogether prohibited from every liturgical celebration and from popular devotions.[44]
It does not make any clear reference to specific instruments other than the organ, and nowhere does it mention the instrumental limitations of Pope St Pius X, although this line does reference Tra le sollecitudini:
(a) By sacred music is understood that which, being created for the celebration of divine worship, is endowed with a certain holy sincerity of form.[2]
If they took the time to make a reference to something commonly understood like that, surely they would have cited the document’s limitations on instruments (probably less commonly known after six decades) if they were still in effect?

Also in this article: newadvent.org/cathen/10657a.htm
In the name of Gregory XVI, the Cardinal-Vicar of Rome, Patrizi, prohibited (1842) the use of instruments in the Roman churches, with the exception of a few to be used in a becoming manner in accompanying the singing, and then only after permission had been secured from the proper authority. This order was renewed in 1856 by the same cardinal in the name of Pius IX.
It was renewed within 14 years, by the same person in a different position. Why, if it wasn’t abrogated? And if it were abrogated, “renewed” obviously would not be the proper word to use, and I assume the Catholic Encyclopedia would mention it.
 
I’m not really sure how you find Musicam Sacram and Tra le Sollecitudini compatible. The latter basically bans virtually every intrument, except a a select few that can only be used with special permission. The former has no such list, and allows “common opinion” to decide which instruments are purely secular. It doesn’t say “the opinion of Pope St Pius X” or “the opinion of posters of an online forum who think everything but the organ is illegitimate for mass”. If the organ really were the only instrument suitable for mass, then why would Musicam Sacram have language like:

I’ll refrain from adding any emphasis to the next one, because I already know which part some of you will focus on. 😉

It does not make any clear reference to specific instruments other than the organ, and nowhere does it mention the instrumental limitations of Pope St Pius X, although this line does reference Tra le sollecitudini:

If they took the time to make a reference to something commonly understood like that, surely they would have cited the document’s limitations on instruments (probably less commonly known after six decades) if they were still in effect?

Also in this article: newadvent.org/cathen/10657a.htm

It was renewed within 14 years, by the same person in a different position. Why, if it wasn’t abrogated? And if it were abrogated, “renewed” obviously would not be the proper word to use, and I assume the Catholic Encyclopedia would mention it.
👍:rolleyes:👍😃 You are Loved!
 
That is very clear; I’m sorry I misunderstood you. That said, you need to understand what we’ve been saying. I’m not asking you to believe me because I said something on the forum. I’m asking you to read the documents that the Vatican has issued and see for yourself. I’m asking you to understand that a motu proprio from 1903 that has never been abrogated is still, therefore, in full effect. I’m asking you to understand that being faithful to the church is a matter of being faithful to its source: Jesus, and to his vicar on earth, the pope. I’m not asking anyone to be disobedient to their priest or their bishop, even if these authorities accept things that the Church Universal does not. Obedience is a virtue at all levels. That said, no matter how many priests decide to allow guitars or other secular instruments in church, that will not make it correct. Plenty of priests in my diocese are vastly out of line with the rubrics of the mass and change things ad hoc. The bishop does not correct them. That doesn’t make this practice correct. I certainly wouldn’t walk up to them and start a fight, or try to correct them mid-service, but I have written letters reminding the clergy of the obligation to follow the rubrics with quotes from the GIRM and such. Strictly speaking, it doesn’t even matter how many bishops are okay with guitars, pianos, kazoos, or banjos, unless and until they gather together at an ecumenical council to change the standard ruling on the matter. The bishops and priests do not have the right to be disobedient to the papacy. My suspicion, however, is that they are mostly just uninformed and mean to do the right thing, but don’t always know all the rules. They’ve got so much on their plates sometimes, especially in the US where we don’t have enough priests. Sometimes it is best to bring the documents to their attention. The average priest may not have read them; I don’t know how much music they teach in seminary school.
Referring to boldface above.

FrancisB and benedictgal, when I was evangelical Protestant, I read, studied, and drew conclusions myself.

This is the hallmark of evangelical Protestantism, especially Baptist evangelical Protestantism–reading, studying, and drawing conclusions ourselves.

Pardon me–not by ourselves, but with the help of the Holy Spirit. Jesus promised that the Holy Spirit will lead us into all truth, and so someone who reads and studies can be fully assured that the Holy Spirit will help them to draw the correct conclusions.

When I was evangelical Protestant, I was a diligent reader. I studied much, and arrived at my own conclusions by myself.

And my conclusions were dead wrong, even relying on the Holy Spirit

FrancisB and benedictgal, perhaps it’s OK for Catholics to do what you are saying, to read and study Church documents and draw conclusions that are contrary to what most of the bishops teach or practice, and to state that the bishops are wrong and you are right.

But don’t think it’s a wise plan for ex-evangelical Protestants to return to a practice that caused them to utterly miss God’s plan.

We who are ex-evangelicals, for the most part, will and should flee ANYTHING that gives the appearance of setting ourselves up as an authority. We’ve been there, done that, and nearly died spiritually.

Certainly we can study and learn, but we allow our Church to draw the conclusions, not us.

For us, authority issues are of top importance. I’m not sure that Catholics can understand this. But it’s the truth.

The Catholic Church assigns men as bishops. These men are modern-day apostles, and it is my duty as a Catholic to obey them as I obey Jesus. That’s how I see it as an ex-evangelical.

I do not obey “documents” because it is through the Catholic Church, which is a Church of men, that the documents make any sense at all. I can’t read “the documents” and draw my own conclusions. There are many intelligent evangelical Protestants who read and study Catholic documents and draw utterly ridiculous conclusions about the Catholic Church from their self-study. I shudder to think what my conclusions would be if I didn’t have the Church to tell me!

As I’ve said many times, I HAVE read several of the musical documents that benedictgal references, and I came to completely different conclusions than benedictgal!

FrancisB and benedictgal, it makes no sense to me that the men who are given special charisms by the Holy Spirit, God Himself, to be able to serve as Bishops, and who have received a thorough education in seminary and in their daily service in the Church–it makes no sense to me that a large number, a fraternity, so to speak, of these august and honorable and intelligent, godly men are “wrong” about the use of instruments in the Church, and two people on an online forum are “right.”

You two are actually pitting yourself against the very upper echelons of Church leadership in this thread, and declaring that they are propagating “error” in the Mass!

I humbly suggest that it is not the bishops and the Pope who are incorrect in their interpretation and practice of allowing pianos and guitars in OF Masses, but it is YOU who have drawn incorrect conclusions from your self-study of the documents.

The bishops have the advantage over you of CONTEXT. They not only study all the documents regarding music, but they study ALL the documents and writings of the Church (at least as many as a mortal man can study in one lifetime), and also serve on the front lines in the Church as priests ministering to real people in every country in the world.

Bottom line: I think they know more than you. And even if they don’t, they’re in charge.

I hope yet to hear from my Bishop. But in the meantime, I would suggest that you avoid asking ex-evangelicals to read and study and draw their own conclusions. It’s not a good thing for them to do. It’s like telling an alcoholic to just have a little drink.
 
I’m not really sure how you find Musicam Sacram and Tra le Sollecitudini compatible. The latter basically bans virtually every intrument, except a a select few that can only be used with special permission. The former has no such list, and allows “common opinion” to decide which instruments are purely secular. It doesn’t say “the opinion of Pope St Pius X” or “the opinion of posters of an online forum who think everything but the organ is illegitimate for mass”. If the organ really were the only instrument suitable for mass, then why would Musicam Sacram have language like:

I’ll refrain from adding any emphasis to the next one, because I already know which part some of you will focus on. 😉

It does not make any clear reference to specific instruments other than the organ, and nowhere does it mention the instrumental limitations of Pope St Pius X, although this line does reference Tra le sollecitudini:

If they took the time to make a reference to something commonly understood like that, surely they would have cited the document’s limitations on instruments (probably less commonly known after six decades) if they were still in effect?

Also in this article: newadvent.org/cathen/10657a.htm

It was renewed within 14 years, by the same person in a different position. Why, if it wasn’t abrogated? And if it were abrogated, “renewed” obviously would not be the proper word to use, and I assume the Catholic Encyclopedia would mention it.
The most recent is to allow for the expansion of the Church in areas such as Africa where, in light of various other concerns and documents, a degree of inculturation is permissable. As highlighted earlier in the thread this might mean, for example, including drums because of the long standing tradition of drums in Africa as part of their sacred worship. In such situations it can by “common opinion and use” be seen that it is entirely appropriate for use in the Mass. Musicam Sacram in this case merely expands upon the earlier document, by not contradicting, and indeed echoing its position on certain areas. It can not be taken that just because it does not provide a gloss of every sentence in Tra le Sollecitudini that those parts no longer hold. Further it should perhaps be seen in the sense of the hermeneutic of continuity rather than that of rupture, something Pope Benedict has written about at length.

The most important aspects tend to be repeated the most often, perhaps it suggests a desire that the music be created for “divine worship” rather than thrown out on the pop conveyor belt? Or is a gentle reminder that music should be composed for the Mass texts themselves rather than the more usual hymn sandwich?

The word of a Pope carries more weigth than that of a Cardinal, particularly if the Pope exercises that authority which is the perogative of his office. It’s also not uncommon for a Pope to continue on working on those areas with which he is familiar e.g. in the current case much of Pope Benedict’s work builds on what he did while Prefect of the CDF, and indeed prior to that.
 
The most recent is to allow for the expansion of the Church in areas such as Africa where, in light of various other documents, a degree of inculturation is permissable. As highlighted earlier in the thread this might mean, for example, including drums because of the long standing tradition of drums in Africa as part of their sacred worship. In such situations it can by “common opinion and use” be seen that it is entirely appropriate for use in the Mass. Musicam Sacram in this case merely expands upon the earlier document, by not contradicting, and indeed echoing its position on certain areas. It can not be taken that just because it does not provide a gloss of every sentence in Tra le Sollecitudini that those parts no longer hold. Further it should perhaps be seen in the sense of the hermeneutic of continuity rather than that of rupture, something Pope Benedict has written about at length.

The most important aspects tend to be repeated the most often, perhaps it suggests a desire that the music be created for “divine worship” rather than thrown out on the pop conveyor belt? Or is a gentle reminder that music should be composed for the Mass texts themselves rather than the more usual hymn sandwich?

The word of a Pope carries more weigth than that of a Cardinal, particularly if the Pope exercises that authority which is the perogative of his office. It’s also not uncommon for a Pope to continue on working on those areas with which he is familiar e.g. in the current case much of Pope Benedict’s work builds on what he did while Prefect of the CDF, and indeed prior to that.
vatican.va/archive/hist_councils/ii_vatican_council/documents/vat-ii_instr_19670305_musicam-sacram_en.html

If you scroll to the bottom of the page, Musicam Sacram seems to “provide a gloss of every sentence” of Constitution on the Liturgy (from 1963, four years before Musicam Sacram, and it is cited the most; it also does not specifically bar any instruments, instead allowing the pipe organ and instruments suitable for sacred use), Inter Oecumenici (1964, doesn’t even mention instruments), and Instruction of the Sacred Congregation for Religious (1948, doesn’t mention instruments) Tra le sollecitudini is cited only once. And something as important as the actual musical instruments used is not cited from the document at all. Instead, they cite a statement that is fairly commonly understood. Why, if it’s supposedly still in effect after six decades?

And for the sake of argument, assume it is not still in effect. Since apparently “given the decision and consent of the competent territorial authority, provided that the instruments are suitable for sacred use, or can be adapted to it” only applies to Africa for some reason, what can we use besides the organ? Some of you seem to suggest that any instruments other than the organ have only entered the liturgy in the past century, and illegitimately. Which is clearly false considering documents from previous centuries, such as “Annus qui nunc vertentem” (1749) and “Regolamento” (1884).
 
Referring to boldface above.

FrancisB and benedictgal, when I was evangelical Protestant, I read, studied, and drew conclusions myself.

This is the hallmark of evangelical Protestantism, especially Baptist evangelical Protestantism–reading, studying, and drawing conclusions ourselves.

Pardon me–not by ourselves, but with the help of the Holy Spirit. Jesus promised that the Holy Spirit will lead us into all truth, and so someone who reads and studies can be fully assured that the Holy Spirit will help them to draw the correct conclusions.

When I was evangelical Protestant, I was a diligent reader. I studied much, and arrived at my own conclusions by myself.

And my conclusions were dead wrong, even relying on the Holy Spirit

FrancisB and benedictgal, perhaps it’s OK for Catholics to do what you are saying, to read and study Church documents and draw conclusions that are contrary to what most of the bishops teach or practice, and to state that the bishops are wrong and you are right.

But don’t think it’s a wise plan for ex-evangelical Protestants to return to a practice that caused them to utterly miss God’s plan.

We who are ex-evangelicals, for the most part, will and should flee ANYTHING that gives the appearance of setting ourselves up as an authority. We’ve been there, done that, and nearly died spiritually.

Certainly we can study and learn, but we allow our Church to draw the conclusions, not us.

For us, authority issues are of top importance. I’m not sure that Catholics can understand this. But it’s the truth.

The Catholic Church assigns men as bishops. These men are modern-day apostles, and it is my duty as a Catholic to obey them as I obey Jesus. That’s how I see it as an ex-evangelical.

I do not obey “documents” because it is through the Catholic Church, which is a Church of men, that the documents make any sense at all. I can’t read “the documents” and draw my own conclusions. There are many intelligent evangelical Protestants who read and study Catholic documents and draw utterly ridiculous conclusions about the Catholic Church from their self-study. I shudder to think what my conclusions would be if I didn’t have the Church to tell me!

As I’ve said many times, I HAVE read several of the musical documents that benedictgal references, and I came to completely different conclusions than benedictgal!

FrancisB and benedictgal, it makes no sense to me that the men who are given special charisms by the Holy Spirit, God Himself, to be able to serve as Bishops, and who have received a thorough education in seminary and in their daily service in the Church–it makes no sense to me that a large number, a fraternity, so to speak, of these august and honorable and intelligent, godly men are “wrong” about the use of instruments in the Church, and two people on an online forum are “right.”

You two are actually pitting yourself against the very upper echelons of Church leadership in this thread, and declaring that they are propagating “error” in the Mass!

I humbly suggest that it is not the bishops and the Pope who are incorrect in their interpretation and practice of allowing pianos and guitars in OF Masses, but it is YOU who have drawn incorrect conclusions from your self-study of the documents.

The bishops have the advantage over you of CONTEXT. They not only study all the documents regarding music, but they study ALL the documents and writings of the Church (at least as many as a mortal man can study in one lifetime), and also serve on the front lines in the Church as priests ministering to real people in every country in the world.

Bottom line: I think they know more than you. And even if they don’t, they’re in charge.

I hope yet to hear from my Bishop. But in the meantime, I would suggest that you avoid asking ex-evangelicals to read and study and draw their own conclusions. It’s not a good thing for them to do. It’s like telling an alcoholic to just have a little drink.
😉 I hope the cat’s got their tongue on this one! Love of Christ Nancy:D
 
Cat, you put that so well! It does seem that two or three different people are reading the same stuff and coming to logical, but opposing conclusions. Like, what exactly does “common” mean? As another former protestant evangelical, I really like that I can just trust my pastor and my bishop (both of whom are orthodox) and not have to figure everything out myself. I know there is a responsibility not to be blindly obedient, but they are accountable so that I don’t have to be.
 
I know I’m going to be attacked for saying things so blunty; I’ll live with that.
I really do not think you deserve a word of criticism. Considering your background, your response is understandable. I also agree that such trained musicians deserve to be paid. Unfortuanately, not all parishes have the funds for such things and have to allow on non-staff musicians.
 
You cannot divorce the instruments and the music. The traditional music was not written for the guitar. There are not guitar parts for the traditional music.
You might be surprised what ignorant, untrained amateurs can do when they have to.
 
It means that the instruments that everyone knows to be secular instruments (i.e. the guitar and the piano) are still not allowed.
I do not know that. Cardinal Arinze (quoted earlier) did not know that. Who then is “everyone” and how is that an improvement on “common”. A bishop surely has the authority to conduct a poll, ask around or just dictate what he believes to be be common opinion and what is not.
 
I do not know that. Cardinal Arinze (quoted earlier) did not know that. Who then is “everyone” and how is that an improvement on “common”. A bishop surely has the authority to conduct a poll, ask around or just dictate what he believes to be be common opinion and what is not.
Also, here is something I sort of found accidentally: mq.oxfordjournals.org/cgi/pdf_extract/I/1/102

I only have access to the first page, but this article from 1915 makes it clear that we aren’t the only people who have debated the meaning of Motu Proprio, and it has been misunderstood, even among those in higher ranks in the Church, since it was first issued. Supposedly, one more reasonable interpretation is that Pope St Pius X released Motu Proprio to the whole word, but it was intended only for Italy (which would make the fact that Musicam Sacram cites it only once make a lot of sense). If anyone is subscribed to this site and has full access to the article, could you please explain the rest of it to us?
 
You might be surprised what ignorant, untrained amateurs can do when they have to.
C<DG>B>D>E> are the same in any language so are the majors and the minorsETC and the guitar is set up like an piano or rogan or harp except it has 6 strings but alot of frets and you can play bar cords to get alot of differnt tones from it and harmonizing. The steal Hawian guitar can almost talk to you and put you to sleep like some people do, only more relaxing and rememberable, BY the By how are you MR PNewton? love of Christ Nancy:D
 
My feeling about this thread is very sad. It seems that the focus of achieving sanctity is lost here and the purpose has become winning a debate. You can win a debate. You can be knowledgeable of documents and rules. You can follow them all and you can still miss the mark of sanctity.

The liturgy is meant to sanctify God’s people. It is not an object of debate, but a means to holiness. It is good for everyone to express and share their understanding. That is part of our tradition. You need a “promoter of justice”. You need to look at the strengths and weaknesses on how we celebrate liturgy. You need to share those for others to consider.

But we need to also learn when to back off and let people think about things. It seems that there are two sides here and neither wants to back off and let the other pray and think.

Silence has to be part of this process of understanding the liturgy and understanding how to celebrate it with reference and great love. Once we know the facts, then we have to retreat into silence and think, rather than continue engaged in a debate. He who debates without ceasing has little time to be holy.

Fraternally,

Br. JR, OSF 🙂
 
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