B
benedictgal
Guest
Again, with all due respect, you seem to play the obedience card a bit in these threads. After awhile, the argument becomes old. The bishops are also bound to obey the same documents that I cite, which are the authoritative ones from the Holy See. While they are granted limited authority within their diocese regarding the Liturgy, bishops need to use these documents as a guide when making their decisions and determinations.Or the ballgame or a horror movie, or for me specifically, the skating rink.
Real sacred. I can just feel the reverence.
It’s all personal opinion. And fortunately, the Catholic Church does not base its teachings on the whims of personal opinion. “An adult faith does not follow the waves of fashion and the latest novelty.” (Or also the most ancient novelty.)
Those of you who inspired captainbernie to quit playing guitar in his local Mass have an awful lot to answer for. Silencing someone who is using a gift from the Lord is serious business.
I agree, the statement about concentrating on the Sacrifice instead of strumming folk hymns is absolutely insulting, and calls into question everything this poster has ever said. As a pianist in Mass, I worship on two planes, and one of those planes is the practical–which hymnal do I need to have open and ready, following the cantor during the Psalm, waiting for Father to finish the Consecration, etc.
I understand how captainbernie feels because I felt the same way during this thread. I just decided that the best thing to do was follow the written teachings of the Catholic Church and obey the bishop and priest whom I know and love, rather than cave in to people on a computer forum who I don’t know from Adam, and who might not even be who or what they say they are.
The organ has had pride of place for several centuries. In this article, which appeared in Musicam Sacram, the former Joseph Cardinal Ratzinger outlines the importance of the organ and the overall character of what constitutes genuine Sacred Music:
musicasacra.com/publications/sacredmusic/pdf/liturgy&music.pdf
Here is one snippet of the article, which is a reprint of the lecture he presented on Sacred Music and the Liturgy:
The statements that he presents here are echoed throughout this thread by folks, well-meaning as they are, who mischaracterize the organ as sounding spooky, without even taking the time to understand why the Church makes the statements that she does.And so, conventional (indeed, even conciliar!) terms like the
“treasury of sacred music,” the “organ as queen of instruments” or the “universality of Gregorian chant” now appear as “mystifications” whose purpose is “to preserve a particular form of power.” A certain administration of power (so we are told) feels threatened by the processes of cultural change. It (allegedly) reacts by masking its effort at self-preservation in the guise of love for tradition. Gregorian chant and Palestrina are said to be the tutelary deities of a mythicized ancient repertory, ingredients of a Catholic counter-culture supported by re-mythicized and super-sacralized archetypes. In fact, the entire historical liturgy of the Church is claimed to be more concerned with the representation of a cultic bureaucracy than with the singing activity of the congregation. And finally, the content of Pope St. Pius X’s motu proprio on church music is called a “culturally shortsighted and theologically worthless ideology of sacred music.”