E
elliotfc
Guest
At my prideful and stubborn worst, and this has happened four or five times in the last 15 years, I will purposely play a song as it “ought” to be played, knowing full well that I will be demonstrating to the congregation that the cantor doesn’t know what he/she is doing.he funny thing is that often times the organist would try to play over the bad singing cantor, but the cantor would just sing louder into the microphone. It did not make for a good spiritual experience.
I learned this from an obstinate cantor while I was in high school who had no tolerance for my learning on the job. She would get shouty when I would get clueless. I hated it, but I was meek and hapless.
The way I see it, the accompaniast should always do whatever is necessary to support the cantor during a mass, even if what she/he is doing is out-of-order. That can be discussed after mass. I am really concerned with how the cantors appear to the congregation, and when they look bad, I cringe. Because if a congregation doesn’t respect a cantor, they won’t follow a cantor’s lead.
And when asked, I never blame a cantor for anything. At least not directly.
Congregations LOVE young musicians and young cantors. Nothing against everybody else, but it’s true. Which means if there are baby organists out there they will be treated very well at whatever church they land in. I just turned the bad side of 30 so I really don’t qualify anymore.So, instead of me complaining away and at the encouragement of the people I mentioned above, I decided to become one of two teenaged cantors at our parish. And for me it has been a wonderful spiritual experience for the last 10 years. But if the Church decided that it is no longer necessary to have cantors and that the instrumentalist musicians and the choirs are good enough, I’ll be fine with that as well. The little rural parish, I talk about so often with admiration never had a cantor. They just have an organ and they sing very well without one.