You are indeed āGodās childā.
The shortest verse of the Bible is:
āJesus wept.ā
Sometimes His love for us does overwhelm us and the people you worked with were
showing you His love. You were probably overwhelmed for a few minutes is all. (Same thing at Mass, it would be alright to come back after you had composed yourself.) Of course you were probably embarressed,

but hey, it happens. A great Priest, Padre Pio, now St. Pio often use to cry during Mass, he was so over come at the concencration. (He was the one who had the stigmata.)
Since you like symbolism, you would probably relate more to art then. There is a good article on the symbols in Scritpure at Adoremus (another great Catholic site)here:
adoremus.org/1108ScriptureSymbols.html
It is titled: In Search of Lost Symbols in Scripture.
The article explains how Scripture relates to art. Like this for example:
This is a way of seeing ā and understanding ā the causal relations among historical, meta-historical, and supernatural events, a way different from our own: this manner of seeing ā and understanding ā influenced the manner in which the contents of the text were read, imagined, and depictedā¦
For example, it explains the symbolism of āTree of Jesseā, (Used often at Christmas.)
and this:
By the liturgy, we mean the entire complex of ecclesiastical rites, with ā at the center ā the Eucharistic liturgy or Mass. The texts of the Mass, which vary according to the feasts or periods of the year, effectively require a sort of community ālectio divinaā, a docility in the interpretation of the event or person celebrated, which we must call contemplative.
Everything is continually brought back to the mystical center of the Christian faith, the sacrifice that Christ accomplished by dying on the cross, and to the new life of His resurrection. Even **on Christmas Eve, the readings at Mass require connecting the joy of birth with the dramatic fact of death on the cross; the infant body in the manger, the crucified body of the adult man, the āCorpus Christiā really present in the Eucharistic bread and the āMystical Bodyā constituted by the community gathered in prayer become one and the same thing. **
This is why
the fresco in the basilica of Assisi, depicting Saint Francis placing the Child in the manger of the crĆØche in Greccio, is situated beneath a large cross and next to the altar. (my bold)
(St. Francis has always been one of my favorite Saints.)
It explains how in a monastary:
The objects, even the humble ones, suddenly are perceived as signs that reveal the solidarity between man and the sacred, steps on the ladder reaching from earth to heaven. Precisely in this spirit, Saint Benedict says that even the ordinary implements of the monastery must be treated as if they were sacred vessels for the liturgy (Regula 31:10).
This is a sacramental way of seeing, in which the surface of things becomes transparent in order to reveal an infinite perspective, granting power to images.
A depiction of the Last Supper in a monastic refectory, like the one by Leonardo da Vinci at Santa Maria delle Grazie in Milan, is not only a decoration, but also a functional object that communicates and nourishes the faith from which it emerges.