Canto, thanks for that thorough response to my questions.Nonetheless, your claim was that If mass was facing the people for any significant part of the liturgy at St Peter’s, it’s fair to suggest that there is some basis in history at least as far back as this practice began.
Your post raises some related questions: * Why, if eastward-facing churches were the universal practice, was St Peter’s built the opposite way?
- Did everyone turn to the side for awhile at churches with a north-south axis?
- When did non-traditional orientation of churches become more routine?
Facing the east was the universal practice, however the Church was designed
In some places it meant that to face east a Priest faced the people
The point was facing east, the Lord, not the people
From what I’ve read Churches were generally built on an east west axis
This was not always the case such as St Peters, but the Priest still faced east when celebrating Mass
Pope Benedict has noted the Crucifix (and from memory the Tabernacle too) can act as a liturgical east where a literal ad orientum is not possible
dappledthings.org/essays_lightfromeast.php
For Stephen Schloeder, a noted church architect writing today with thirty more years of archaeology to draw upon, “**it is clear from **
archaeological evidence that versus populum was definitely not the norm.”20
Directional symbolism frequently trumped practical considerations in the early church, despite Jungmann’s assertions of the opposite. One of Pope Benedict’s favorite liturgical historians, the late Monsignor Klaus Gamber, devotes the latter half of his book The Reform of the Roman Liturgy: Its Problems and Background to the archaeology of the eastward position.21 While Gamber notes that the earliest altars were freestanding, he explains this was principally “so ‘the priest could walk round it’” at the incensations of the Mass.22 In certain churches in Rome, the altar was so designed that facing the apse—symbolic east—was either difficult or impossible, and priest and people had an arrangement that, as we will see was almost wholly by accident, only very loosely resembled our current practice. However, this is not a survival of a primitive collegiality that privileged the people’s view of the sacred rites, but a different way of experiencing symbolic east, one of several variant forms that had coalesced in the early Church around the same cosmic rationale. One must make a distinction between two different ways of facing East. “Unfortunately,” explains Gamber (emphasis mine):
Nussbaum [a liturgical scholar of the period, writing in favor of versus populum] fails to make a clear enough distinction between church buildings with the apse facing East and those with the apse facing West—in the latter case, with the entrance facing East. Churches with the apse facing West and the entrance facing East are almost exclusively the basilicas of the fourth century, and among them predominantly those which were built by the Emperor Constantine. …] As early as the beginning of the fifth century, however, St. Paulinus, Bishop of Nola, reports that the apse facing East was the “usual” way of building churches. …] In Christian basilicas with the entrance facing East, the celebrant had to stand at the “back” of the altar, in order to offer the Holy Sacrifice towards the East, while in churches in which the apse faced East, the priest always stood “before” the altar . . .23
…even Leonardo da Vinci has all his apostles oriented in the same direction as Christ.27
It is interesting to note that **Joseph Jungmann, **shortly after altars began to be turned around in the 1960s, became disenchanted with the idea of versus populum that he had previously advocated so firmly. This radical shift by the apostle of versus populum remains the strongest evidence for the historicity of the older arrangement. Jungmann, after years of studying the issue and supporting versus populum, concludes that “
The claim that the altar of the early Church was always designed to celebrate facing the people, a claim made often and repeatedly, turns out to be nothing but a fairy tale.”