K
Kaninchen
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She’d have been a very early adopter of new technology then.Most paintings of the Annunciation depict her having just put down a book that she was reading.
She’d have been a very early adopter of new technology then.Most paintings of the Annunciation depict her having just put down a book that she was reading.
A contributory factor would have been the high cost of writing materials, I think. Papyrus was an expensive luxury product, and parchment more expensive still. Even so, some children, at least, must have been taught to write. Did they use wax tablets, or was that strictly a Roman thing?It should be noted that the Rabbinic ideal [of education] does not include writing alongside reading
As was the high cost of written material. Any books that were available were written by hand, which was expensive, using, as you said, materials that were very expensive.A contributory factor would have been the high cost of writing materials
I think it was a Roman peculiarity. Young’s article cites a number of studies on Greco-Roman literacy, which are used comparatively to assess literacy in other societies of antiquity. Even in ancient Greece, the literacy rate is generally not assumed to be over 10%. Most studies point out that widespread literacy did not feature in any society until the Industrial Revolution. While the technological advancements were important (steam powered printing presses allowed for more automation), more important were the shifting perceptions of children’s welfare and the formalisation of national education systems.Did they use wax tablets, or was that strictly a Roman thing?
I’ve conjectured here in the past whether the style of parts of the NT suggests that they were written to be read or performed (depending on circumstances) - “Scene 1: Jesus & Apostles chatting, Enter Scribes and Pharisees, muttering and complaining, Stage Left” - possibly in what would have been the very familiar style of Greek Theatre.It was a predominantly oral culture, and reading and writing served to support this ‘orality’: reading was done aloud for others
Most certainly read aloud. Luke is probably the author most attuned to the Hellenistic ear, and the incipit to his Gospel has a very common rhetorical flourish in its alliteration of the p sound: epeideper polloi epecheiresan. It seems rather pedestrian and whimsical to us, but this alliteration (and other devices) was very much part of the formal ‘theatricality’ of Greek rhetoric.I’ve conjectured here in the past whether the style of parts of the NT suggests that they were written to be read or performed
Augustine’s famous passage in the Confessions about watching Ambrose reading silently and without moving his lips has often been understood to mean that, in antiquity, that was an unusual, or even unique, achievement. But was that really the case? Was reading aloud to yourself really thought to be the right way, or even the only way, to do it? Nietzsche reportedly disapproved of silent reading and wanted to bring that back, though I doubt he went so far as to follow his own advice.reading was done aloud for others, usually in public scenarios,
My suggestion was more about much smaller group interactions than would be accommodated by those kinds of entertainment arenas that are a ‘must see’ on the tourist itinerary of Ancient Greek/Roman world.Greek (and Roman) theatre suffered quite heavily in the Christian era.
I don’t think it was. I think most contemporary analyses of Augustine’s observation of Ambrose sees it more as Augustine’s wonderment at Ambrose attentiveness to reading: that he could find small opportunities to read amid the noise and bustle of his household, and that he could not be dissuaded from reading even when there were guests present.But was that really the case?