Well, I think one reason is because of certain aspects of Michelangelo’s life. He was said to have been a devout Catholic and lived a frugal lifestyle (he was at one time even claimed to have a “monk-like chastity”) but he seemed to have had liaisons with younger men - often his models - like
Tommaso dei Cavalieri or
Cecchino dei Bracci, to whom he usually dedicated poems with homoerotic overtones. (A few of the men he was attached to even took advantage of him by extorting money or stealing from him.)
That itself isn’t unusual for the time; pederasty (and sodomy) was rather common in Italy in those days, especially in Michelangelo’s native Florence. (So much so that Germans adopted the term
florenzer to refer to a sodomite) But this coming from such an eminent artist like Michelangelo later became a source of embarrassment that when his nephew published his poems he bowdlerized them by changing the pronouns.
To be fair though, scholars today still debate whether there really was an element of same-sex attraction in these relationships that he had or whether it was all platonic.
Today is the anniversary of the unveiling of ceiling art of the Sistine Chapel. Which he didn’t want to do, but the Pope insisted. He claimed to be a sculptor, not a painter. He was on 60 foot scaffolding…and had to complete each section of painting before the fresh plaster dried. He lived on bread and wine.
God bless him.
Fun anecdote: when Michelangelo completed his Pieta, he overheard some people who thought that it was the work of
a rival artist. His pride hurt, he wrote his own name onto the sculpture. (
Michaelangelus Bonarotus Florent(inus) Facieba(t) “Michelangelo Buonarroti of Florence made this”) The Pieta is the only work Michelangelo ever signed, and it’s really because his emotions got the best of him. (To be fair, he was only 23 when he completed the Pieta!)