T
tomarin
Guest
Yes, there’s the movie business that wants to capitalize on the ‘brand’ value of familiar franchises from the past and milk them dry before moving on to new things, but also what about the way music references and recycles older cultural touchstones but in a way that doesn’t point to any larger truth or statement? I think it’s a sign of civilization exhaustion that will prefigure some kind of collapse. Depending on how long we can keep going like this.
In the Simon Reynolds book I keep referencing when we have these conversations he describes in detail the two-tone ska movement in late 1970’s Britain that took a pre-existing music genre - Jamaican ska - and tinkered with it enough to create something new by speeding the tempo up and changing the subject matter of songs to deal with contemporary issues. (In the same way the glam music coming out of the UK in the early 1970’s was very similar musically to 50’s rock but obviously it was altered in ways - I suppose by making it more ironic and knowing - to make it sound new.) Today’s music doesn’t seem to create new reformulations but rather has an overly reverential obsession with the past. Maybe I’m wrong about that but it certainly seems that way. Cue the Apocalypse.
In the Simon Reynolds book I keep referencing when we have these conversations he describes in detail the two-tone ska movement in late 1970’s Britain that took a pre-existing music genre - Jamaican ska - and tinkered with it enough to create something new by speeding the tempo up and changing the subject matter of songs to deal with contemporary issues. (In the same way the glam music coming out of the UK in the early 1970’s was very similar musically to 50’s rock but obviously it was altered in ways - I suppose by making it more ironic and knowing - to make it sound new.) Today’s music doesn’t seem to create new reformulations but rather has an overly reverential obsession with the past. Maybe I’m wrong about that but it certainly seems that way. Cue the Apocalypse.
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