Your favorite SUPPORTING actor or actress?

Status
Not open for further replies.

meltzerboy

New member
This question is mainly for film aficionados. Who among supporting actors or actresses do you admire the most? These are actors that may never have been big stars. They are often character actors who play a wide range of parts but they are not leading men or women.

My own favorite in this category is Donald Crisp, who, to the best of my knowledge, never played a leading role. However, he played a vast array of character roles, most of them brilliantly.
 
Thelma Ritter

Nominated for an Oscar 6 times, never won. Been in countless movies: How the West Was Won, Rear Window, Miracle on 34th Street, etc
 
So many favorites! Michael Ironside is a great choice! I adore him. He’s a really nice guy, too.

Walter Brennan
Herbert Marshall, though he starred in a few pictures himself.

Actresses… Let me narrow down!
 
Humphrey Bogart had a stable of great ones, who were sometimes stars but more often supportive - Claude Rains, Sidney Greenstreets, Peter Lorre…
Character actors are a little different from other kinds of Supporting actors. A character actor was type cast into a certain role; police officers, reporters, “mothers of the star”, or something. Character actors flourished during the Depression, when a steady paycheck from a studio was crucial. They were not trying too hard to be major stars. They could be counted on to not steal a scene. You could put Thelma Ritter in a movie, and right away the audience knows a lot about her character - trustworthy, source of good advice, often a rock of stability, steady background against whom the starlet could be contrasted as she goes through changes. The audience had seen Thelma in dozens of similar stories so her “backstory” is established without taking time from the plot.

A “Supportive” Actor might be someone on the rise, or it might be some actor who is past their prime but still marketable, like Edward G. Robinson. Unlike character actors, who accepted or even sought out typecasting, supportive actors complain about it and turn down certain roles too much like their last one.

I suspect character actors disappeared mostly after the 1960s. It’s frustrating that I can picture this or that character actor from countless movies, but when they are on screen I can’t usually remember their names. Nowadays I rely on Wikipedia or IMDB. This is what I do instead of needed work around the house, spiritual and corporal works of mercy, etc.
 
Humphrey Bogart had a stable of great ones, who were sometimes stars but more often supportive - Claude Rains, Sidney Greenstreets, Peter Lorre…
Character actors are a little different from other kinds of Supporting actors. A character actor was type cast into a certain role; police officers, reporters, “mothers of the star”, or something. Character actors flourished during the Depression, when a steady paycheck from a studio was crucial. They were not trying too hard to be major stars. They could be counted on to not steal a scene. You could put Thelma Ritter in a movie, and right away the audience knows a lot about her character - trustworthy, source of good advice, often a rock of stability, steady background against whom the starlet could be contrasted as she goes through changes. The audience had seen Thelma in dozens of similar stories so her “backstory” is established without taking time from the plot.

A “Supportive” Actor might be someone on the rise, or it might be some actor who is past their prime but still marketable, like Edward G. Robinson. Unlike character actors, who accepted or even sought out typecasting, supportive actors complain about it and turn down certain roles too much like their last one.

I suspect character actors disappeared mostly after the 1960s. It’s frustrating that I can picture this or that character actor from countless movies, but when they are on screen I can’t usually remember their names. Nowadays I rely on Wikipedia or IMDB. This is what I do instead of needed work around the house, spiritual and corporal works of mercy, etc.
So you would not consider an actor like Donald Crisp a character actor because he played many DIFFERENT kinds of supporting roles, as well as perhaps only one or two leading roles?
 
I think this one is a character actor, who often played supporting rolls.

Vito Scotti.

From the 60’s to the 80’s it seems anytime an ethnic roll needed to be cast, they called him.

He was born in the US to Italian Parents and lived in Italy as a boy.

I remember him on Gilligan’s Island, The Monkees, The Golden Girls, Who’s the Boss, Fantasy Island.

I saw part of a film last night, Cactus Flower and there he was, playing Senor Sanchez.

He has a small part in the Godfather as well.
 
A character actor was type cast into a certain role; police officers, reporters, “mothers of the star”, or something. Character actors flourished during the Depression, when a steady paycheck from a studio was crucial. They were not trying too hard to be major stars. They could be counted on to not steal a scene. You could put Thelma Ritter in a movie, and right away the audience knows a lot about her character - trustworthy, source of good advice, often a rock of stability, steady background against whom the starlet could be contrasted as she goes through changes. The audience had seen Thelma in dozens of similar stories so her “backstory” is established without taking time from the plot. …
I suspect character actors disappeared mostly after the 1960s.
How about someone like Dennis Farina?
 
Good character actor, former cop, sometimes leading man (the great TV series “Crime Story”) He is missed.
Or Allison Janey? I think she’s basically a character actor.

A lot of times it’s in the physiognomy. (On a related note, stage actors also tend to have bigger, bolder features than film actors, for better visibility on stage.)
 
Easily the best actor to have never won an Oscar. Among his roles playing real people:
  • Sid Vicious in “Sid & Nancy” (1986)
  • Lee Harvey Oswald in “JFK” (1991)
  • Beethoven in “Immortal Beloved” (1994)
  • Pontius Pilate in “Jesus” (TVM, 1999)
He’s practically new Man of a Thousand Faces. No disrespect to Lon Chaney.
I sometimes don’t even recognize him in a film, only realizing who it was when I see the credits. IMHO, one of the rare actors who’s mannerisms completely change based on the character he’s playing.
 
So you would not consider an actor like Donald Crisp a character actor because he played many DIFFERENT kinds of supporting roles, as well as perhaps only one or two leading roles?
There are always individuals on the edge of categories, or don’t exactly fit into my categories.

I’m on the edge of a few categories myself, though not in acting.
 
Back in the 50’s and 60’s there were a lot of good supporting actors and actresses. Thelma Ritter is a good selection. I also liked Tony Randall.
 
Status
Not open for further replies.
Back
Top