After the recessional hymn our organist will play a flourish of music as if he’s trying to get people to say “hey look at that him, wow he’s great” and people will always begin to clap.
As a musician and knowing devout, humble AND very talented organists, I do know that this is not the case at all. I can’t say for the organist in question as I do not know him, but I do know that these organists are not doing it for themselves. They are playing classical repertoire as dictated by the composer and have been passed down through the centuries of organ repertoire for after mass. They definitely don’t do it for applause. If you go to Europe and you hear the same repertoire (at least in the churches I’ve visited over there), you don’t hear people applauding. They appreciate the musician who has helped add musical prayer for after mass and don’t look at it as a performance. So, although there are most certainly musicians out there who might be doing it for their own glory, many times that is not the case.
I think the problem lies within the attitude of people in the congregation. In the US we tend to clap for everything. Many works that were always used for mass and before/after mass are also performed in secular venues. Now, you don’t get many churches that do Palestrina, de Machaut, Victoria, Monteverdi, Tallis, Byrd. Nor do you hear as many talented organists, at least in Catholic churches, who play pieces by Couperin, Lebegue, Charpentier, Clerambault, Bach, Buxtehude, Praetorius, etc. Most of time you hear this sacred and organ repertoire in concerts nowadays, either in halls or in church concerts or in Protestant services such as in an Anglican or Episocopal service.
So… I believe when many of these Catholics hear this music actually being performed in the setting in which is was meant to be, they are taken off-guard and react to it as if they are in a concert hall. Honestly, even though I knew it was first and foremost meant to be music for mass, some of the first places where I heard chant and polyphony were in the concert halls and singing in concert choir in college. Not until I traveled in the UK and Europe, attending mass there and also visited Protestant churches in the US when I experienced it as a true oneness in musical prayer.
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