D
delsydebothom
Guest
Is the process for getting a new composition approved for liturgical use similiar or the same as that for getting an Imprimatur on a theological book?
I only wish it were. All that is needed is for a music publishing company to accept it, and editorial standards vary greatly from one publisher to another.Is the process for getting a new composition approved for liturgical use similiar or the same as that for getting an Imprimatur on a theological book?
I think that the comoposer’s local Ordinary should examine the piece, especially the lyircs, to ensure that they conform to the teachings of the Church. Leaving it to the publishing house is not something I would recomment, considering OCP’s (and GIA, to a certain extent) track record with songs.I only wish it were. All that is needed is for a music publishing company to accept it, and editorial standards vary greatly from one publisher to another.
Yes, this should be done, but it doesn’t appear to happen very often.I think that the composer’s local Ordinary should examine the piece, especially the lyrics, to ensure that they conform to the teachings of the Church.
Thank you for that!I think that the comoposer’s local Ordinary should examine the piece, especially the lyircs, to ensure that they conform to the teachings of the Church. Leaving it to the publishing house is not something I would recomment, considering OCP’s (and GIA, to a certain extent) track record with songs.
Musicam Sacram might provide some insight. Here is the link to the documents:
adoremus.org/MusicamSacram.html
I hope this helps.