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7_Sorrows
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James Mitchener’s books were very popular.
The Godfather by Mario Puzo.
The Godfather by Mario Puzo.
I saw the “English Patient” movie and wondered what the point was. So I tried to read the book but gave up halfway through. It was so boring. The writing style was terrible.These are definitely two books that like them or not changed the paradigm for what was considered literature. (“The English Patient” by Michael Ondaatje - another one to consider.) They spawned an enormous number of imitators. That could be one indication of a future classic.
The writers of the classic Greek and Roman epics would disagree with you. They begin in media res, then cover the beginning of the story later on.I you have a story to tell, begin at the beginning and work you way through to the end. Don’t forget to have universal meanings about the human conditions associated with the situations that are applicable to all.
I very much enjoyed the video-thank you for posting.There’s a great video on YouTube on the subject of reading the classics.
It’s “Jeffrey Brenzel: The Essential Value of a Classic Education”
Of especial interest here are his criteria for defining a classic.
That is unfair. There are many classic works that are by Catholic writers and that have a Catholic outlook and themes. Even looking at just writers in the post-1960 period, Flannery O’Connor, Walker Percy, and Shusaku Endo are a few of that periods’s most respected authors.they will not be classics as they are Catholic
A book about a Catholic can become a classic,they will not be classics as they are Catholic
Francois Rabelais is my favorite Catholic novelist. I know he’s not usually thought of as a Catholic writer, but he was a Franciscan monk, and then later a Benedictine. The (collected) Adventures of Gargantua and Pantagruel is a classic by anyone’s measure!That is unfair. There are many classic works that are by Catholic writers and that have a Catholic outlook and themes. Even looking at just writers in the post-1960 period, Flannery O’Connor, Walker Percy, and Shusaku Endo are a few of that periods’s most respected authors.
A fine writer, but dead over 500 years too earlier to have written a post-1960 work.Francois Rabelais is my favorite Catholic novelist. I know he’s not usually thought of as a Catholic writer, but he was a Franciscan monk, and then later a Benedictine. The (collected) Adventures of Gargantua and Pantagruel is a classic by anyone’s measure!![]()
Well, yeah, Francois isn’t exactly a contemporary author, but he won’t ever get “old,” if you take my meaning. There’s so much life and joy in his work; he’s easily the funniest writer I’ve ever read. What about Graham Greene? His novels are enjoyable, fast paced and highly readable. Most of them are pre-1960, but I believe he was still writing into the nineteen eighties. I’ll have to check that because I’m really not sure. And just as an aside, I gotta say that the movie they made of The Third Man was also top notch!A fine writer, but dead over 500 years too earlier to have written a post-1960 work.
Hey Viki, I just thought I’d let you know I purchased that Connie Williams Doomsday book on Amazon a coupla minutes ago. I scored a brand new copy for 74 cents! (plus shipping)I like Michael D. O’Brien’s books: Father Elijah, The Father’s Tale, Strangers and Sojourners. Especially the first, they will not be classics as they are Catholic, but they seem great to me.
Also I just read Connie Willis’ Doomsday Book, an amazing work about a historian transported back to the time of the Black Plague.
I never even heard of Pynchon or his book until it was mentioned on this thread.The novel mentioned in the first post, To Kill a Mockingbird, is certainly a very good novel, but it is insignificant and minor next to :bigyikes: Pynchon’s achievement. Lee wrote a fine novel; Pynchon changed the way we see the novel.
You have to argue the worth of a book by its literary merits, not its sales figures. Take a look at the New York Times bestsellers lists and you will quickly see that most of those books listed have little or no literary value.I never even heard of Pynchon or his book until it was mentioned on this thread.
Amazon Bestselling Rankings:
To Kill A Mockingbird…#52
Gravity’s Rainbow…#332,000
You neglected to mention time of first publication.You have to argue the worth of a book by its literary merits, not its sales figures. Take a look at the New York Times bestsellers lists and you will quickly see that most of those books listed have little or no literary value.
Sounds like a mess.The narrative contains numerous descriptions of illicit sexual encounters and drug use by the main characters and supporting cast, sandwiched between dense dialogues or reveries on historic, artistic, scientific, or philosophical subjects, interspersed with whimsical nonsense-poems and allusions to obscure facets of 1940s pop culture. Many of the recurring themes will be familiar to experienced Pynchon readers, including the singing of silly songs, recurring appearances of kazoos, and extensive discussion of paranoia.