I think you start out on a great foot here. There are things such as objective beauty and objective ugliness. To apply a rough definition, I would say that things that seek to take man’s focus outside of himself and towards God are beautiful while things that encourage man to revel in his own sin, banality and fallenness are ugly.
Well actually, since there is one God only, whatever God thinks is beautiful is beautiful. That must be the final definition. But I can’t imagine we don’t agree on that.
Now, intent may make a beautiful thing more beautiful, or less so. Or an ugly thing more ugly or less ugly but it cannot make an ugly thing beautiful.
That’s where we differ. I feel convinced that even a bad song sung with true faith is beautiful to God. The singing being beautiful does not, however, mean that the composing or spreading of that song is beautiful to God.
This is where my problem lies. Modern edifices or music, which seek to emphasize the works of man, to take his eyes away from the splendor of God and focus it on the work of an “artist” or modern “visionary” are ugly. These things say “let us make this building plain and boring, or this music dull and lifeless because that is what we are” reeks of a skewed philosophy. And ultimately, it speaks to an underlying protestant mentality: the idea that we are little more than, as Luther put it, a pile of dung with snow covering it. That, at the end of the day, people are fundamentally worthless and bad.
I don’t think so. I think most of the ugly examples of 20th century art is ugly not because it tries to point to the believers as piles of dung hoping to be covered with snow. I think it is a case of lowering God to the standards of the modern man. God’s house should look like any old house so that people will be more comfortable. God’s music should sound like normal music so that we can speak to God in our own tongue. God’s art should prompt us to look into ourselves so that we can tell God what we’re like.
And yet - even though I have this very severe opinion of modernism - I still believe God can take an ugly thing and make it into something beautiful.
Now, our culture is a morally subjective one that is telling us precisely the contrary. Every day we’re bombarded with messages that beauty is what you say it is, good is what you make of it, and an action is only bad if you mean it to be. Perhaps hearing this day in and day out makes us become less likely to complain when we see abuses, more likely to argue that there’s no real difference between a modern edifice and the gothic churches of old, more likely to say that the use of Gregorian chant in the Mass was no more beautiful than “On Eagles Wings” accompanied by a guitar, because, hey, that guitarist had good intentions!
I totally agree. But I do not think this has to do with intention. “If I like it it is beautiful” is not the same as “If I do it in love it is beautiful”. The first is relativism, the second is the sad faith of any man still living on earth. Nothing of our beauty can compare to the beauty of heaven (or paradise). Our music and singing has nothing to the great angelic choirs. We must realize that all we can do is sing with cracked voices and cracked hearts. Our heavenly father is good enough to proclaim it beautiful, anyway.
Again, my bottom line is that we are quickly losing sight of the crucial interplay between intent and truth. Intent can cast a thing in a good or bad light but it cannot change the underlying nature that thing. Because of this, it is impossibly for me say that Gregorian is objectively equal to Eagles Wings or that the LA Cathedral is just as beautiful as St. Peter’s.
I am not american. I don’t know the song or the church. But I can pretty much imagine it. I agree with you this far: Gregorian chant (or my favorite, Palestrina) is better than guitar music because the underlying idea for the older types of music was better than the underlying idea of pop music.
Some go so far as to claim we should only have music in our churches written prior to 1900 or 1800 or 1700. I think that’s madness. If we would do that we would not have
Rachmaninov or
Bruckner or
Pärt
And even though I am very impressed with the way the national shrine in Washington looks even modern architecture (modern not modernist nota bene) can be fantastic. Keep in mind that
Gaudi is up for beatification …