I like talk of “emerging” because “emerging” has an “event” quality.
At some point in the past, “disclosure” happened. What this means is that there is a history to “meaning” itself. You could say that, at the some point in the past, “meaning” happened.
Of course, the next question is: “to whom” did “meaning” happen? But the “to whom” and “meaning” happened at the same time.
But how was there a time before meaning? “Past”, “present” and “future” are themselves meanings. So how can we say, “at some point in the past”?
O, what a strange history this is that describes the beginning of “meaning”.
You may say, wait a minute, what about the dinosaurs and all the rest.
Well, if “meaning” hadn’t happened, then would “there” be dinosaurs? How can you have dinosaurs without the “meaning” of dinosaurs?
Something to ponder.
One way to think about meaning, a way I’ve kind of settled into fairly recently, is that meaning is a function of the relationships subsisting between entities. This might seem obvious, but I think because we are so used to dealing in the
concepts of things and experiences, we consider meaning in much the same light - as a relationship between concepts, that can exist in the absence of more concrete phenomena. That leads to the notion that we could, for example, somehow “see” in the absence of eyes, or “think” in the absence of a brain - never really appreciating that the
meaning of sight and thought actually depend upon the existence of the organs involved in these processes. It is only by taking the concepts already established by the experiences produced by our faculties of sight and thought that we can appreciate the figurative meaning of statements like, “A blind man sees the world more clearly,” or “My computer thinks in literal terms.”
Thus, when we speak of the “meaning” of dinosaurs, say, we tap in to our mental constructs that represent dinosaurs (or at least the reconstructions and interpretations of them in museums, books and more recently, animated documentaries - some of which are beautiful works of art in their own right), and of the idea of these (sometimes enormous) animals that existed in a world devoid of any creatures like ourselves. But what would dinosaurs mean to us if we had no such reconstructions as our point of reference? What could they mean if they had never existed? Moreover, what could they mean if we had not the wherewithal to look at drawings or animations of dinosaurs and understand that these refer to animals that lived long before we existed?
Meaning has many layers, but without an objective or experiential basis to which we might refer, it seems to me that meaning cannot obtain, since it depends upon reference.