Well, yes, you can bear it. I understand your complaint, but let’s not over-dramatize your suffering, OK?
Fr. Driscoll lives in the Archdiocese of Portland, so I can assure you that he’s had to sing music put out by OCP. In defense of OCP, they usually do include standard hymns that my grandfather would recognize and sing quite happily. Those are in the minority of selections simply because contemporary music directors are not fond of choosing those songs. OCP does include offerings in keeping with what their customers want, although of course the contemporary offerings are limited to those pieces for which OCP has secured publishing rights.
Can we have the faithful choosing to sing or not sing at Mass, based on their personal preference or on their personal evaluation of those who were given the office of planning the music? Must the choir director please everyone with his or her choices before everyone will sing? That is not how Heaven is.
If the song is not theologically false or clear violation of the GIRM, but merely a poor choice for its place in the Mass, ungrit your teeth and sing it. Sing it even if the musicians perform poorly or no one within earshot can carry a tune. If it is violation of conscience to sing it, then just refrain from singing what is wrong. If you have a complaint to make to the music director, mentally mark it up as an unintentional mistake made out of ignorance and bring it to the music director’s attention humbly at a later time.
There is a small hope of change if you actually get onto the liturgy committee at your parish, which is highly unlikely. Your best bet is to find a parish or a regularly-offered Mass that is planned according to a set of boundaries you find more acceptable. Your attendance will be evidence that the faithful do want Masses to be planned with those boundaries in mind, so in that sense you’ll be “casting your vote” with the pastor and even your bishop. Keep in mind, though, that the composers you despise have many partisans, which is why OCP publishes so many of their compositions. Music directors like them because more people sing them. That’s just reality.