But Fr. Amorth said that all magic is a turn to the devil, and that distinctions between “good” magic and “black” magic are dangerous because all magic is evil.
Like it or not, this conclusion - and you don’t have to agree with Fr. Amorth, Portrait - does require one to reject Narnia, since the words “magic” and “spells” are repeatedly used of actions taken by the good characters, even the human ones:
Caspian’s use of Queen Susan’s magic horn to summon the Pevensie children/monarchs to Narnia is called magic and a spell in Prince Caspian. In Dawn Treader Lucy does cast a “spell” - two, in fact - from a “spellbook” presented as containing “magic” that is in line with the good side.
She doesn’t learn magic in a school, it’s true. But she does in fact cast two spells from a spellbook - and yes, they are called “spells” - in The Voyage of the Dawn Treader. These “spells” are presented as “good magic” that has power even over Aslan, the Christ figure of the series!
By Fr. Amorth’s standards, that’s very harmful and bad indeed.
Dear Fone Bone,
Hello again and thankyou kindly for the above. The following is also for the benefit of Mumbles140 who has also raised similar issues to your own. Thus, I hope you do not object to me killing to be birds with one stone and replying to both of you.
As regards the remarks made by Father Amorth, who as you both quite rightly state does not distinguish between “good” and “black” magic, they are not problematic for me because Father is commenting upon the Potter series of books
and on those books alone. Correct me if I am wrong gentlemen, but your argument is that if a man readily accepts what Father Amorth says repecting the Potter novels then he is somehow shut in, if he is to avoid the charge of hypocrisy and inconsistency, into applying Father’s words to the works of Lewis and Tolkein as well. If that is the import of what you are contending then, quite frankly, this is a false premise to begin with and hence what you assert does not necessarily follow by any means.
In the first place since Father was commenting on the Potter books exclusively, one is at perfect liberty, if one so wishes, to apply what he says exclusively to the Potter series, as they and they alone were the subject of his blunt warning. Period. Secondly, the issue about whether Father Amorth’s stern words should be extended to include the works of Lewis and Tolkein is an entirely separate matter and must therefore be decided upon other grounds altogether. Sorry chaps, but this is as clear to me as the sun at noonday and I am at a loss as to why it is not clear to you likewise. It is not that I do not understand the gist of your reasoning, I just do not agree with it because I think that it is invalid and unsound.
Surely, the question that you should be asking is why should we not apply what Father says to the works of Lewis and Tolkein? - A very different question.
The reason that I would not apply Father’s words to Lewis or Tolkein is that both these writers devote no narrative space to the process by which their characters
aquire their magical prowess. Whilst you could assume study as part of the back story so to speak, your wizard appears as a finished product with all his powers in place. The young reader is not encouraged to think upon or dwell upon the actual process of aquiring prowess in magic. This is fundamentally different to the Potter books where Potter’s *aquisition of mastery over *
magical forces at the Hogwarts school of witchcraft and wizardry is a central organizing principle in the story-arc of the series as a whole. Moreover, another essential difference, and why Father’s words cannot be applied to Tolkein and Lewis, is that they restrict the pursuit of magic as as safe and lawful occupation to characters who are
not human beings, thus there is not any grave danger, unlike the Potter tales where your chief characters are attractive role models with which the young will readily identify with.
As has been observed by Mickey several times, Potter and co. attend a
school of witchcraft and wizardry in order to hone up on their innate magical powers. No such thing occurs in Lewis and Tolkein and that is why the Potter tales are problematic, for they could stimulate an interest in learning about the occultic sub-culture and herein lies their danger.
Clearly, there is a substantial differentaition between the world’s of Lewis and Tolkein and Harry Potter. Therefore it is simply untenable to argue that acceptance of Lewis and Tolkein is inconsistent with a repudiation of Rowling’s Potter series. The former are as different from the latter as chalk is from cheese.
Now as regards this Lucy character, it must be remembered that Lewis includes cautionary threads in which exposure to magical forces proves to be a
corrupting influenceon their protagonists. Lucy and Digory succumb to temptation and use magic in ways that they should not and so the entire context in which everything is played out is the polar opposite to Potter world and the reason why Lewis and Tolkein’s works are in wholly different league to the Potter series.
Gentlemen, this is, as I have frequently stated, all about learning to distinguish between things which essentially differ.
God bless you both. Forgive me if I do not reply to any further posts tonight.
Warmest good wishes,
Portrait
Pax