A
ASimpleSinner
Guest
I have never been a big fan of contempoarary Christian praise & worship music. In many orthodox faithful communities and places it seems to have achieved a status of respectability. It is even frequently used in the Mass by some groups and in some places.
Recently, talking to an aquaintance who is a full time church musician at a Catholic parish, who has a preference for this style over organ music or more traditionaly hymnody or chant, I have been forced to confront what it is about praise music that I just don’t care for. She is certainly orthodox, loyal to the Magisterium and very supportive of the teen ministry groups that promote the same…
But in attempting to apply the maxim “In essentials, unity; in non-essentials, liberty; in all things, charity,” I am still left with misgivings about that style of music that I can’t just attribute to “personal taste”
Not meaning to be sarcastic or rude, but my experience with praise worship music is that it has a certain vapid top-40 sensibility to it… it comes accross as very sensual at times in a way I find incongruent with matters and situations of worship. Too much of it comes accross sounding like a sensual “Boyfriend Jesus” *a la *Celine Dion’s sappy Titanic theme, or some sort of Hillary Duff-esque light-rockin “Jesus as my crush” or maybe a type of soft-rock ballad like Journey used to offer… Next time you are hear some of these songs, replace "Savior" with "boyfriend" or "Lord" with “Baby”… You will see what I am getting at.
The effect of “swooning” comes to mind. It seems very much to especially appeal to young women who close their eyes, clasp a hand to their chest, put one in the air and have a look to them like they are about to get the “big romanitc hollywood kiss” in a movie…
It seems to lend itself to a sort of sensuality that is just odd to me at the Eucharistic sacrifice. Passions that get sparked… Well, they seem out of place in that setting.
Is this simply my aesthetic sensibilities showing up on the radar, or are others here bothered by this sort of music in the context of a Mass?
Am I just a young fogey or fuddy-duddy because when I compare chant or hymnody to CP&W music I see a radical and slightly unsettlling difference?
Recently, talking to an aquaintance who is a full time church musician at a Catholic parish, who has a preference for this style over organ music or more traditionaly hymnody or chant, I have been forced to confront what it is about praise music that I just don’t care for. She is certainly orthodox, loyal to the Magisterium and very supportive of the teen ministry groups that promote the same…
But in attempting to apply the maxim “In essentials, unity; in non-essentials, liberty; in all things, charity,” I am still left with misgivings about that style of music that I can’t just attribute to “personal taste”
Not meaning to be sarcastic or rude, but my experience with praise worship music is that it has a certain vapid top-40 sensibility to it… it comes accross as very sensual at times in a way I find incongruent with matters and situations of worship. Too much of it comes accross sounding like a sensual “Boyfriend Jesus” *a la *Celine Dion’s sappy Titanic theme, or some sort of Hillary Duff-esque light-rockin “Jesus as my crush” or maybe a type of soft-rock ballad like Journey used to offer… Next time you are hear some of these songs, replace "Savior" with "boyfriend" or "Lord" with “Baby”… You will see what I am getting at.
The effect of “swooning” comes to mind. It seems very much to especially appeal to young women who close their eyes, clasp a hand to their chest, put one in the air and have a look to them like they are about to get the “big romanitc hollywood kiss” in a movie…
It seems to lend itself to a sort of sensuality that is just odd to me at the Eucharistic sacrifice. Passions that get sparked… Well, they seem out of place in that setting.
Is this simply my aesthetic sensibilities showing up on the radar, or are others here bothered by this sort of music in the context of a Mass?
Am I just a young fogey or fuddy-duddy because when I compare chant or hymnody to CP&W music I see a radical and slightly unsettlling difference?