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JReducation
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What was beautiful about it to one who is a student of Religious Schools In The Catholic Church, as I am, was to see the stern, austere Franciscan melody followed by the almost vaporous, incense like Carmelite melody sung after Communion. Both are very old, dating back to the era of Trent. Teresa’s prayer was done with strings, just as Teresa composed it. She actually played it on the guitar, because the Discaled Carmelite nuns were not allowed to have organs. They used guitars and drums (like a bongo) for mass and the LOTH. You feel as if you’re floating when you hear it. With the Franciscan melody, you feel as if you’re planted in the ground.Not a music major, just music educated and can both read and write it. Melody is the correct word. The notes on the music sheet form the melody, while the words below are the lyrics. The melody may be using one of the ancient modes, rather than the modern major and minor scales we use today. Many of the modes have fallen out of use, some musicians, especially those in the folk and world music genre’s, compose melodies using ancient modes, or use existing ones with new lyrics. Bob Dylan was one musician who did this, Paul Simon would be another. Some of the most beautiful and haunting melodies come from one of the ancient modes. Other modes can be very simple and austere. And yet others can evoke an aura of mystery. These music traditions are something today’s youth are rarely exposed to, being that more schools are removing music education from their curriculum. The Church is rich in ancient music that makes use of these ancient modes. This is great news, to hear that these musical traditions are being incorporated into WYD and the liturgy. What an enriching experience for those attending. :clapping:
The differences have to do with the two schools. Franciscanism is Incarnational. Carmel is Transcedant. I’m sorry. I get all excited. My doctorate was a comparison of Teresa of Avila and Francis of Assisi. I wrote my dissertation on their approaches to detachment.
You can feel their detachment in their music. Francis grounds you in the mystery of the God-Man, where you cease to be you, in order to let him take over. Teresa elevates you to the mystery of the eternal God where you cease to be you, in order to be lifted up to thim as a feather is carried by a gentle breeze.
The thought of all this rich tradition being pulled together by people who are young enough to be my grandchildren, is very inspiring and hopefull. I can only pray that it will do much good for the youth of Spain who have been stripped of their Catholic identity by a decaying European culture. I hope that the other young people visiting, even though they may not know the tradition and the history, may feel the spirit of these traditions. In the end, you don’t need to be a scholar. You just need to be open to be moved by Christ.
Fraternally,
Br. JR, OSF