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Elijah_Baley
Guest
I’ve said it before and I’ll say it again: We aren’t just liturgically sensitive. We’re liturgically sore. I think I speak for those who are not particularly fans of the bad, bad music in pointing this out.
Music which distracts from the Mass as a prayer or as a sacrifice has no place at Mass. It must draw us in — not to our experience but to His experience. It may be quieter than silence and it may shake the stained glass, but it must not draw attention to itself as such.
The best argument against the Novus Ordo music de facto is not the volume or the content or the syrup. It is the applause erupting afterward.
It should also be noted that the GIRM on at least three occasions mentions that the choir alone should sing, that the cited prooftext in favor of the requirement to sing in fact seems more interested in the feeling of individualism or division than this behavior or that behavior.
Music which distracts from the Mass as a prayer or as a sacrifice has no place at Mass. It must draw us in — not to our experience but to His experience. It may be quieter than silence and it may shake the stained glass, but it must not draw attention to itself as such.
The best argument against the Novus Ordo music de facto is not the volume or the content or the syrup. It is the applause erupting afterward.
This is the only cogent point in favor of the GIRM, and this assumes a right reading of the GIRM. But the GIRM may be changed. If it is read correctly in this thread, it should be changed. As written, it does not reflect a real hermeneutic of continuity.Obedience in little things leads to obedience in big things.
It should also be noted that the GIRM on at least three occasions mentions that the choir alone should sing, that the cited prooftext in favor of the requirement to sing in fact seems more interested in the feeling of individualism or division than this behavior or that behavior.