Does musical inculturation apply to the use of pop and rock styles in American liturgies?

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Regarding the recordings of Matt Maher…

Listen to the chord progression, tempo and lyrics.

Synthesizers are not how its played at mass.
 
I like what Peter Kreeft once said. All that is need to believe any of the 100 most absurd things in the world is a Ph.D. Thanks be to God that he chose the base things in the world to confound the wise.
I like this statement too. But, in a backhanded way, this seems to be meant as an insult. I do not take offense at it, as it was not necessarily aimed at me,.but want to point out that as there are base things in the world that confound the wise, there are also base things in the world that just remain base things, and out of pride, comment on things that they know nothing of.

And while many a PhD has fallen into darkness due to pride and arrogance, there are many who have achieved sainthood. Like Blessed John Paul. (Who offered useful guidelines for liturgical music) …and all of the educated saints and doctors of the Church.

Like I said, I admittedly find it difficult to follow all of the liturgical technicalities found on these threads - that’s not my area. I need to seek people who are learned in those areas and are faithful to the Church in order to increase my understanding.

One thing is for sure - my comment was not directed at you personally. You are not the center of the universe, and when someone makes a comment it is not necessarliy directed at you. My comment was directed at the types of church musicians that I personally have been in contact with during the last 15 or so years of my life. Some had a bitterness toward any Church guidelines, would not even discuss things in a civil manner with those of opposing points of view, and the music that they offered the parish would make the song suggestions made by buc_fan33 sound like Gregorian chant or the gates of heaven. Others were not as bad, but misinterpreted guidelines (such as what “popular sacred music” is) and were not at all open to any type of clarification. In other words, they refused to learn. They refused to accept the fact that there was more to this than what they, as amateur musicians, could grasp. Talk about insulting.
 
Although some of the above mentioned, through ignorance, may interpret guidelines incorrectly because of an inability to make musical distinctions, and might have false ideas in their minds about what certain terms mean (such as “popular sacred music”), this does not excuse them from seeking guidance from those who have extensive backgrounds in this area. Part of servanthood is the ability to admit that you are wrong.
I think the concept of right or wrong can not be applied to the majority of opinions on this thread. I do not think there is some resource out there that is familiar with the needs of each and every parish that one can contact. The Catholic Church does not operate under any sort of principle whereby the most learned make decisions, but under subsidiarity where the most immediate make decisions. Again, authority trumps education. There is not one of us here in this situation that does not do everything we can to follow the guidelines of the Church, both the documents, and the authority of the bishop and priest. The opinion of anyone not in the parish, no matter how well educated, is missing the most important data.
 
I like this statement too. But, in a backhanded way, this seems to be meant as an insult. I do not take offense at it, as it was not necessarily aimed at me,.but want to point out that as there are base things in the world that confound the wise, there are also base things in the world that just remain base things, and out of pride, comment on things that they know nothing of.

And while many a PhD has fallen into darkness due to pride and arrogance, there are many who have achieved sainthood. Like Blessed John Paul. (Who offered useful guidelines for liturgical music) …and all of the educated saints and doctors of the Church.

Like I said, I admittedly find it difficult to follow all of the liturgical technicalities found on these threads - that’s not my area. I need to seek people who are learned in those areas and are faithful to the Church in order to increase my understanding.

One thing is for sure - my comment was not directed at you personally. You are not the center of the universe, and when someone makes a comment it is not necessarliy directed at you. My comment was directed at the types of church musicians that I personally have been in contact with during the last 15 or so years of my life. Some had a bitterness toward any Church guidelines, would not even discuss things in a civil manner with those of opposing points of view, and the music that they offered the parish would make the song suggestions made by buc_fan33 sound like Gregorian chant or the gates of heaven. Others were not as bad, but misinterpreted guidelines (such as what “popular sacred music” is) and were not at all open to any type of clarification. In other words, they refused to learn. They refused to accept the fact that there was more to this than what they, as amateur musicians, could grasp. Talk about insulting.
I have a Bach in Sci in Music Education, including a decent amount of music history. I am a professional musician, both in church and outside of church.

I frequent these boards to make sure I stay balanced, and to truly hear what people are thinking about music-- well, this board is most certainly not the norm. I’ve made sure to include ALL types of music from chant to Praise and worship. All of the compliments I get on song choices— ALL of them, are when I use praise and worship.

I do NOT agree that the actual authoritative documents declare in the narrow way that some think it does, what should be used in mass. And you know what? I’m with Burke. He was in my diocese, and supported the Lifeteen masses, and the Steubenville conferences. As well now, as Rice, Hermann, and Carlson in St. Louis.

I’m with the many other bishops that support it in their diocese.

You threw out a song because of the recording instrumentation. That is not how its played at mass. I’ll bet you you would think it was halfway decent if you heard me play it at mass.

You are the one insulting when you claim such narrow interpretation that is much much more narrow than so many bishops do. You are insulting when you say that people that don’t agree with you are “refusing to learn”…
 
I think the concept of right or wrong can not be applied to the majority of opinions on this thread. I do not think there is some resource out there that is familiar with the needs of each and every parish that one can contact. The Catholic Church does not operate under any sort of principle whereby the most learned make decisions, but under subsidiarity where the most immediate make decisions. Again, authority trumps education. There is not one of us here in this situation that does not do everything we can to follow the guidelines of the Church, both the documents, and the authority of the bishop and priest. The opinion of anyone not in the parish, no matter how well educated, is missing the most important data.
IMO, your post has nothing at all to do with this thread. I’ve heard you repeat similar things in the past ad nauseum, and , quite frankly, it seems that there might be a bit of self-righteous defensiveness involved here.

The thread was meant to address Bishop Sample’s letter, and his clarifications about the use of pop culture music in the Mass. You are very, very wrong that “there is not one of us here in this situation that does not do everything we can to follow the guidelines of the Church”, etc. There are many, many church musicians who have a complete disregard for any guidelines other than their own taste.Good grief. Visit most parishes (at least around here) and that should be sufficient proof. Again, why are you thinking that my words are directed specifically at you and your particular situation?

One reason why I posted this thread was because so many people think that the Church’s concessions for inculturation mean that the secular and folk music of a region is the type of music that is being encouraged. But this is not true! It is the native music of that culture that is considered sacred that can be “baptized” so to speak, and incorporated somehow into the Mass. Also, many, many people think “popular sacred music” refers to secular pop religious music. This is not so. It was so delightful to have an American Bishop come out and explain this Church guideline clearly. For me, that meant that I could finally present this position without being maligned and called an arrogant person who presents her own “opinions” as fact, and without others taking unnecessary offence. (sp?)
But I guess not.
 
I have a Bach in Sci in Music Education, including a decent amount of music history. I am a professional musician, both in church and outside of church.

I frequent these boards to make sure I stay balanced, and to truly hear what people are thinking about music-- well, this board is most certainly not the norm. I’ve made sure to include ALL types of music from chant to Praise and worship. All of the compliments I get on song choices— ALL of them, are when I use praise and worship.

I do NOT agree that the actual authoritative documents declare in the narrow way that some think it does, what should be used in mass. And you know what? I’m with Burke. He was in my diocese, and supported the Lifeteen masses, and the Steubenville conferences. As well now, as Rice, Hermann, and Carlson in St. Louis.

I’m with the many other bishops that support it in their diocese.

You threw out a song because of the recording instrumentation. That is not how its played at mass. I’ll bet you you would think it was halfway decent if you heard me play it at mass.

You are the one insulting when you claim such narrow interpretation that is much much more narrow than so many bishops do. You are insulting when you say that people that don’t agree with you are “refusing to learn”…
An example of what I meant when I said that even music majors might not understand the guidelines. Heck, no one will understand them if they don’t read them!!!agapewolf, the fact that you get compliments on certain selections means nothing at all. All that means is that those who made them are just as clueless about things. Sincere, nice, charitable…and clueless.

My interpretation is not “narrower” than that of many bishops. It may be different, but it is the SAME as that of Bishop Olmsted, Bishop Sample, AND CARDINAL BURKE forum.musicasacra.com/forum/discussion/5255/cardinal-burke-speaking-on-sacred-music/p1 (where he spoke of “chant, polyphony and ‘worthy’ hymnody”) and is also the same as that proposed by all of the recent popes including Benedict XVI.

It would be great if the Bishops could lead in union with the Pope on these matters. It would be a great sign of unity.
 
IMO, your post has nothing at all to do with this thread. I’ve heard you repeat similar things in the past ad nauseum, and , quite frankly, it seems that there might be a bit of self-righteous defensiveness involved here. …For me, that meant that I could finally present this position without being maligned and called an arrogant person who presents her own “opinions” as fact,…
You are right that no one should have used such a word, just like no one should try and judge another’s heart by calling them self-righteous, or another’s motive by calling them defensive.

Obviously I think my posts have related to the topic, so we get to disagree on that too. I would like to clarify what I said about musicians being servants. I was only referring to the ones here, maybe a dozen, who seem very devoted to service of the Church and following all the guidelines, though they may not all agree on what those guidelines are.

As to our opinions, yes, I do think they are often presented as more factual than they really are. Even this letter by Bishop Sample contains some opinion, all of which is now authoritatively the disciple to be followed in his diocese. Not all bishops have the same guidelines. I am sure what he is doing is for the best up in Michigan. I will end with this appropriate verse:
If I speak in human and angelic tongues,
but do not have love,
I am a resounding gong or a clashing cymbal.
 
An example of what I meant when I said that even music majors might not understand the guidelines. Heck, no one will understand them if they don’t read them!!!agapewolf, the fact that you get compliments on certain selections means nothing at all. All that means is that those who made them are just as clueless about things. Sincere, nice, charitable…and clueless.

My interpretation is not “narrower” than that of many bishops. It may be different, but it is the SAME as that of Bishop Olmsted, Bishop Sample, AND CARDINAL BURKE forum.musicasacra.com/forum/discussion/5255/cardinal-burke-speaking-on-sacred-music/p1 (where he spoke of “chant, polyphony and ‘worthy’ hymnody”) and is also the same as that proposed by all of the recent popes including Benedict XVI.

It would be great if the Bishops could lead in union with the Pope on these matters. It would be a great sign of unity.
So I guess you are saying that Burke failed in leading St. Louis according to his own take on sacred music. Right

The point that I get compliments is that the music works. It does its job.

An I am not clueless. I HAVE read them.
 
I’m going to respectfully bow out of this discussion. First, I want to thank all involved.

opus101, I just wanted to respond to this very briefly.
In one of your posts, which you termed a “rant”, you complained of those who wrote as if they knew more about the liturgy than you, a trained priest who has been educated by renowned liturgists with doctorates in the field. You asked that we not see this statement as arrogant. I wholeheartedly agree with you, and do not see it as arrogant at all. It’s just plain fact.
Thank you. I do not, ever, want to be guilty of clericalism. Paraphrasing Augustine, “For you, I am a priest. With you, I am a Christian.” I sincerely hope that we can respect, and love (in the best, Christian sense of the word, “agape”) each other as brother and sister in Christ. You are quite right, I am not a trained musician. Indeed, I must rely on the wisdom and knowledge of others more learned in the field. Simply because I wear a Roman collar should not, in my estimation, earn me any more respect than anyone else. As Benedict said, “I am but a humble servant in the vineyard of the Lord.”

But, perhaps this thread can give some insight into what we priests face on a daily basis “behind the scenes” so to speak. Every political faction in the Church wants their voice to be heard and wants their point of view implemented. Every one of those respective points of view will argue that they are in union with the Church and if our parish wants to “think with the mind of the Church,” we will immediately implement whatever they may be pushing. And, as sure as the sun rises in the east and sets in the west, someone in the parish will have the exact opposite view. Music is just one example. How do we do liturgy? How do we do RCIA and religious education? Should we keep the Catholic school open or close it? Should we use Latin or not? Do we support this social justice cause or that one? Even things that most would regard as trivial, SOMEONE in the parish thinks is the biggest issue facing the Church since the great schism, for instance, how the flowers in front of the church are trimmed or something like that.

My job as a priest is to get everyone in my flock to heaven. Change takes time in the Church. Heck, it took the early fathers about 400 years just to give a clearly stated understanding on the Divinity of Christ, something which today is regarded as such a simple and basic tenet of our faith.

If you are correct in your premise, trust that the Holy Spirit is working in and guiding the Church. The change may not come as quickly as you would like, but if it truly is from the Holy Spirit, it will come in time.

At that, as I said, I’m going to respectfully remove myself from the debate. This has been very educating for me. Thank you.
 
You are right that no one should have used such a word, just like no one should try and judge another’s heart by calling them self-righteous, or another’s motive by calling them defensive.

Obviously I think my posts have related to the topic, so we get to disagree on that too. I would like to clarify what I said about musicians being servants. I was only referring to the ones here, maybe a dozen, who seem very devoted to service of the Church and following all the guidelines, though they may not all agree on what those guidelines are.

As to our opinions, yes, I do think they are often presented as more factual than they really are. Even this letter by Bishop Sample contains some opinion, all of which is now authoritatively the disciple to be followed in his diocese. Not all bishops have the same guidelines. I am sure what he is doing is for the best up in Michigan. I will end with this appropriate verse:
Thank you for the the sermon on I Corinthians. I return the same words to you, with the addition of “love does not take offense.”

I did not call you self-righteous or defensive. I suggested that there “might be” a “bit” of those things involved in your seeming hundreds of posts that are basically carbon copies of the one I was referring to.

Let’s get this clear: I’m not referring to you and your parish in ANY of this. Personally, you seem to me to be a pretty moderate guy, and probably don’t engage in any of the hair-raising liturgies that I have unfortunately been in attendance at. If you travel about the country, and go to about 100 different parishes, you will probably encounter numerous instances of what I’m talking about.

You’re right, not all of the Bishops have the same guidelines. While they might have different needs in different dioceses, they should not be in conflict about the actual meaning of Papal directives! The actual MEANING of the directives given by Bishops Olmsted, Sample, Cardinal Burke and the Popes are different than that of some Bishops (if it is true that all of their church musicians are following thier directives).

Like I said before, it would be a great sign of unity if the Bishops could be in union with Rome on these issues… and if a Bishop finds himself so unversed in music that he is unable to make the proper distinctions, he should defer to the ones that are more well-formed in it, especially the Popes.

A lot of the grief that comes on these boards is due to the lack of specific guidance by Bishops and their lack of unity and or action on these matters.
 
My conclusion from this thread is anything goes. We can’t get past that.
 
If you are correct in your premise, trust that the Holy Spirit is working in and guiding the Church. The change may not come as quickly as you would like, but if it truly is from the Holy Spirit, it will come in time.
Thank you for your post, I greatly appreciate the whole of it. And I agree with the above. Thanks and prayers,
Opus101
 
My conclusion from this thread is anything goes. We can’t get past that.
I think a lot of the differences is so much in the understanding as the application. No one thinks truly “anything goes” that I have seen post here, but one can conclude the the guidelines seldom give specifics. That is the nature of the operation of the Church. Doctrine dictates the liturgy (lex crendi, or however that goes). This is set as principles and guidelines. The bishops then apply them to their diocese. In doing so, the can choose to set specifics. Then the priests can make all the choices, or set further guidelines and let someone else choose.

That is how it is supposed to work. This letter is but one step in one diocese, though I think one of the best I have seen. Personally, I would love specifics. They are easier to deal with and take less work.
 
My conclusion from this thread is anything goes. We can’t get past that.
This is probably one of the best posts I have seen about music on CAF. :yup:

It’s not quite true. There are some limits on Mass music. But not nearly as many as some people seem to think there are.

I think a more accurate “conclusion” would be, “It’s up to the Bishop.”
 
This is probably one of the best posts I have seen about music on CAF. :yup:

It’s not quite true. There are some limits on Mass music. But not nearly as many as some people seem to think there are.

I think a more accurate “conclusion” would be, “It’s up to the Bishop.”
Catholic “liturgical” music seems to be remarkably consistent in only one thing: inconsistency. For all these documents, in effect, they are nothing but hot air. Nice little treatises, but nothing we should pay too much attention to, that seems to be the message.

De Musica Sacra? Nope
Sacrosanctum Concilium? Nope
Musicam Sacram? Nope
General Instruction? Nope
Tradition of the Latin Church? It doesn’t matter, 'cause what did tradition ever do for us? Oops…

These things mean nothing in practice, absolutely nothing.
 
Personally, I think a number of you are completely missing the point. If you read the entire pastoral letter, you might get a better understanding of the bishop’s teaching.

In it he makes a distinction between secular and “sacred” music, he is not talking about the difference between secular and simply “religious” music. Bishop Olmsted, last year, was able to describe the difference between “sacred” and “religious” music quite clearly.

Pop/secular styles of music are often used in “religious” music, but are never used in truly “sacred music”. Sacred music is music that is used specifically for the divine liturgy… “Sacred” in the sense that it is “set aside”. It has a character that is not merely “religious”, but recognizably sacred (for sacred purposes alone).

For instance, Hebrew folk music was not used in the temple sacrifices, nor in the synagogue - Hebrew chant was their “sacred music”. Amost all cultures and religions have a type of music that is associated with the sacred alone.
Also check out Tra Le from 1903. It talks very clearly about the difference between liturgical music and religious music.
 
This is probably one of the best posts I have seen about music on CAF. :yup:

It’s not quite true. There are some limits on Mass music. But not nearly as many as some people seem to think there are.

I think a more accurate “conclusion” would be, “It’s up to the Bishop.”
This is true, that it is up to the Bishop, but I would probably re-phrase that and say “the buck stops with the Bishop”. In other words, while many things may be “allowed” (through the absence of any directive on that particular point or through negligence and omission), it does not mean that we, as Catholic Christians should stop seeking guidance from the magisterium, or stop trying to understand what the Popes meant in their documents. If a bishop chooses to “allow” something that seriously contradicts the guidance of the magisterium, you are not the one who will be held responsible should it turn out to be wrong. But he will be.

If a Bishop simply “allows” certain things in his diocese, it doesn’t mean that you have to do them (unless he directs you to), especially if your understanding has led you to be more in line with the universal Church.“Allowing” something is not the same as asking for or ordering something. What is the Bishop going to do if you choose to select music according to the guidance of the Church ? Forbid you to play/sing music that has been encouraged by the Church for centuries, and still is? Would he ask you to ignore the advice of the Holy Father? Probably not.

That is why it is useful to compare our own interpretations of papal documents with the ones set forth by Bishops, particularly in our own country. It can shed more light on them for us, and help us achieve more clarity of understanding about certain terms and phrases. We might even begin to change our musical selections because of this…as long as it is allowed in our own diocese. And God knows, it probably is, as is just about everything else.
 
Catholic “liturgical” music seems to be remarkably consistent in only one thing: inconsistency. For all these documents, in effect, they are nothing but hot air. Nice little treatises, but nothing we should pay too much attention to, that seems to be the message.

De Musica Sacra? Nope
Sacrosanctum Concilium? Nope
Musicam Sacram? Nope
General Instruction? Nope
Tradition of the Latin Church? It doesn’t matter, 'cause what did tradition ever do for us? Oops…

These things mean nothing in practice, absolutely nothing.
It seems that they are just writing exercises done by the Pope and the Bishops to take up their spare time.
 
In my work as a liturgical organist and cantor at Mass, I have found many beautiful songs in the Breaking Bread hymnal provided by the Church. In fact I doubt there will ever be enough time to use all of them, and every year there are new ones. Marty Haugen, Bob Hurd and many other gifted composers give us Gods words in beautiful settings.

Why do some musicians feel the need to bring outside music to the Mass? The music is to support the Mass, not to entertain.
 
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