Exactly, fratello. It is probably my favorite “story” of St Francis. It shows his love for humanity and especially, I think, for children
It also shows Francis’ great love for natural beauty and how smoothly he integrates it into the liturgical life. There are three big Franciscan elements in Catholic tradition that people don’t know are Franciscan: the Christmas pageant, the passion play and the stations of the cross.
Tradtionalists kill to protect them from change. But what people don’t realize is that they were changed. You see, Francis did not invent any of them. He was inspired by the Christians in Jerusalem, during his famous trip to convert the Saracens. So he brings these ancient customs back to Europe, tweaks them and makes them very popular.
What people fail to understand is why he brings these back to Europe. There were two powerful reasons and one does not obscure the other.
Reason 1: These devotions and practices had stirred his heart. Francis always went from the heart to the head, which leads to the second reason for bringing them back to Europe.
Reason 2: Most Europeans could not read, even among the nobility. The Latin language was no longer the language of the common man. In Southern Europe, the Romance languages were emerging. They were really dialects of Latin, not real languages, yet. But that’s what the common man spoke. So he did not understand the readings of the scriptures at mass, which were in Latin. The use of visual images was a wonderful catechetical tool in an era where there were no DVDs or picture books.
Francis proceeded to modify the Eastern Catholic traditions to fit the Italian context of his time. He even wrote a prayer that we use during the Stations of the Cross.
“We adore you O Christ and we bless you
Because by your holy cross, you have redeemed the world”
He introduces the Living Stations of the Cross and the Passion Play into Holy Week. As we know, they became popular practices used through the year, not just Holy Week.
It’s important to understand that Francis makes a significant contribution to the liturgical life of the Church here. What he does is help the Church show the continuity between Christ’s entrance into human history and his redemptive sacrifice on the cross. In Francis’ mind, Christ and Easter are meaningless without each other.
Again, this was not a new thought. The Fathers of the Church had written about this and at the Councils of Chalcedon and Nicea the Nativity and Passion are locked together forever in the dogmas that had developed concerning the nature of Christ and expressed in the Nicene Creed. There is no more question about Christ’s human & divine natures.
What was missing during Francis’ time was a comprehensible expression of what the Church defined at Chalcedon and Nicea and what she professed in the Creed. Francis provides this through his pageants. He uses God’s creation and the beauty of the created world to illustrate the great mysteries of our redemption.
A Trent, the liturgy became very formal and the Latin Rite is formatted. It would later be promulgated by Pope Pius V. These very elaborate representations of the Nativity and Passion became less common; but they were preserved by many Franciscans and we’re seeing them resurface.
They’re elaborate, because they are choreographed, but in another sense, they are very simple, because they deliver the message in a way that is easy for people of all ages and cultures to understand. While putting it together may require a little work, it effectiveness is quite simple. People understand what they see better than what they hear.
It makes you wonder about the expression “active contemplative”. Active is one who is engaged in apostolic work and contemplative is one who looks at God and his work with the awe and wonder of a child. Francis blends the two together seamlessly.
Merry Christmas
Br. JR, OSF :christmastree1: