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Edward_H
Guest
Joe, answered your hurried and off-base comment elsewhere. Don’t confuse intelligence with biases.I think that P&W fans might be insulted at the insinuation that they are intellectually obtuse.
Joe, answered your hurried and off-base comment elsewhere. Don’t confuse intelligence with biases.I think that P&W fans might be insulted at the insinuation that they are intellectually obtuse.
You basically said that anyone who liked “P&W” not smart enough to understand chant. That’s totally absurd. I have 2 degrees in music, including a master’s degree and I enjoy any number of styles of liturgical music. I’m guessing there are any number of others, with or without music degrees, who feel the same way.Calm down. Not what I said. My point is that their love of such music will over ride internalization of the great points that Fr. Smith makes.
Such biases exist in other fields…medical hypotheses override the data and disease base rates all the time, leading to medical errors. Has nothing to do with “intelligence”
So calm down.
It’s also true that many such people - my parish’s music director included - see no distinction between music appropriate for Mass and other music. That is, there is a perfectly overlapping set of P&W music with Mass music. Not so.
Well it’s true. It’s not just our preferences. P&W style music is not suitable for Mass. It is not sacred music.You also content that there isn’t any music that can be considered both appropriate for Mass and “P&W” in style. That kind of generalization demonstrates your biases about music. We all have preferences. That’s fine. What isn’t fine is when we call those biases facts.
No, for the second time, that’s not at all what I said. I didn’t “basically” say any such thing.You basically said that anyone who liked “P&W” not smart enough to understand chant. That’s totally absurd. I have 2 degrees in music, including a master’s degree and I enjoy any number of styles of liturgical music. I’m guessing there are any number of others, with or without music degrees, who feel the same way.
You also content that there isn’t any music that can be considered both appropriate for Mass and “P&W” in style. That kind of generalization demonstrates your biases about music. We all have preferences. That’s fine. What isn’t fine is when we call those biases facts.
I thought I was on-base.Joe, answered your hurried and off-base comment elsewhere. Don’t confuse intelligence with biases.
If your question is serious, yes, there is something you can do.My pastor really needs to read stuff like this, but I know if he does, it will be with a closed mind. He’s already made it clear that he wants HIS will to be done at the Church and while he’ll nod his head in agreement with Church documents on music, he practices the opposite in what he allows (and wants). Short of the Pope issuing an official declaration on music, is there anything we can do to get people to wake up? Sheesh!
Oh, yes, I’m quite aware of the situation of music as a whole in the United States. I’m not quite as negative about it as you might think, however, and certainly not to the degree that you seem to be. In regard to what I am doing about it…So, are you up for the challenge? Or would you rather just complain? It’s easy to complain. It’s hard to fix things.
I’m glad to hear that you are active and working to advance music.Oh, yes, I’m quite aware of the situation of music as a whole in the United States. I’m not quite as negative about it as you might think, however, and certainly not to the degree that you seem to be. In regard to what I am doing about it…
I think you probably have no clue what I do, so I’ll inform you. I am an organist, pianist, choir director, music director. I’ve worked with adult choirs (both chant and non-chant), soloists, and children choirs (though not as much as I would have liked with the latter). I’ve given aid to singers on my own time absolutely free of charge. This included the adult choirs, the children’s choirs, and individuals. If they asked me, I would do it. I think that’s pretty close to paying their way, right? So, think again before you accuse someone of merely complaining without doing anything.
And yes, I know the price of pipe organ lessons. They are exactly the same as piano lessons where I come from and are easily affordable. That’s how I got my start in the organ. I’ve been known to give tips on organ playing to other people free of charge as well, as well as donating my services on numerous occasions. I’ve also provided music for the church I worked for at my own expense because it could not afford anything extra. Actually financing a scholarship fund, however, isn’t within my means as music directors around here tend to be woefully underpaid.
Obviously, this isn’t all about me and I’m certainly not trying to brag, but since you were wondering if anyone does anything, I thought I’d give a concrete example.
Want to take your foot out of your mouth now?
That would explain the price. Move out of the big city area and it’s not nearly as expensive, although I am not that far from Chicago.You are fortunate that things are different where you live. We live close to Chicago, BTW.
The assumption that no one is doing anything but sitting around complaining.Pay for young children to learn the kind of music that you (and apparently the Church) want to become the “norm” in Mass.
I am not negative towards the music that the Church wants. I love classical music and polyphony. I love the pipe organ and own several excellent albums of pipe organ music. I am not fond of chant, but I respect it as a genre and appreciate its historic and religious significance. I also respect that others do find it ethereal and are touched in their soul by chant.Cat,
I’m noticing several attitudes in your posts:
A great negativity towards the music the church wants:
The assumption that no one is doing anything but sitting around complaining.
This is quite untrue. Many of us are doing much work in real life to bring back the music of the church and end abuses.
it is a valid point… I’m fine with P&W music outside of Mass, but in the Mass, Gregorian chant is best. (Just as the Church and Pope Benedict teachHere is a section of an article by Fr. Christopher Smith about Praise and Worship music. Here is one of his best points. Anyone who cares about sacred music should read the entire article, at the link below.
The constant spiritual tradition of the Church has taught to distrust feelings and to prize the transcendent holiness of God. It also teaches that human manipulation of other people’s intellects and wills is a violation against the freedom of the human person. When done in the name of God, it is also a violation of God’s sovereignty over the intellect and will of man, as it replaces the free action of God in the soul with a gimmick to make that action in theory possible.
- P&W music confuses transcendence with feeling.
The deliberate manipulation of the emotions by P&W often produces an excess of sentiment. The very strength of that feeling can induce some to think that such an event is the work of the transcendent God in them. Musical forms which truly are transcendent, in that they disengage from the emotional and bring the person above their emotions, such as Gregorian chant, are rejected because they do not necessarily cause an emotional event, which is seen as proof of divine action.
Read the full article here
the reason I like traditional music is not because it makes me feel reverent… but because it doesn’t distract me from prayer during Mass, and fits the spiritual reality of the Mass. Yes I also find it beautiful but that’s not the primary reason I like it in the Mass.I’ve read a great many posts over the years in these forums where Catholics say, “I FEEL more reverent when the music is chant (or some other form of ancient music.”
In fact, what Father Smith says about P and W music is what I say about chant/Latin/other trappings: “The very strength of that feeling can induce some to think that such an event is the work of the transcendent God in them.”
So in the future, I don’t want to see Catholics write anything on CAF about how they FEEL about the traditional music. Their feelings are meaningless.
Maybe some here in this forum don’t actually care what you want to see or not want to see.I’ve read a great many posts over the years in these forums where Catholics say, “I FEEL more reverent when the music is chant (or some other form of ancient music.”
In fact, what Father Smith says about P and W music is what I say about chant/Latin/other trappings: “The very strength of that feeling can induce some to think that such an event is the work of the transcendent God in them.”
So in the future, I don’t want to see Catholics write anything on CAF about how they FEEL about the traditional music. Their feelings are meaningless.
- P&W music confuses transcendence with feeling.
The deliberate manipulation of the emotions by P&W often produces an excess of sentiment. The very strength of that feeling can induce some to think that such an event is the work of the transcendent God in them. Musical forms which truly are transcendent, in that they disengage from the emotional and bring the person above their emotions, such as Gregorian chant, are rejected because they do not necessarily cause an emotional event, which is seen as proof of divine action.
These points are far more substantial than your bad characterization of it.The constant spiritual tradition of the Church has taught to distrust feelings and to prize the transcendent holiness of God. It also teaches that human manipulation of other people’s intellects and wills is a violation against the freedom of the human person. When done in the name of God, it is also a violation of God’s sovereignty over the intellect and will of man, as it replaces the free action of God in the soul with a gimmick to make that action in theory possible.
Foreshorten is a word that I didn’t know the meaning of. I looked it up in several places. Webster’s defines it as "1. to shorten by proportionately contracting in the direction of depth so that an illusion of projection or extension in space is obtained 2. to make more compact.Maybe some here in this forum don’t actually care what you want to see or not want to see.
You foreshorten Father’s points in order to try to twist it back on him. His main point was feeling is not transcendence.
We must decrease and He must increase.
Here is what was given to us:
These points are far more substantial than your bad characterization of it.
Great post Cat, I like the additional explanation. Very well said. Thank you.Foreshorten is a word that I didn’t know the meaning of. I looked it up in several places. Webster’s defines it as "1. to shorten by proportionately contracting in the direction of depth so that an illusion of projection or extension in space is obtained 2. to make more compact.
So you are saying that I shortened Father’s comments? Yes, I did, because I quoted from Father’s comments. I used quotation marks.
I apologize that I didn’t make my point clear.
I have seen many Christians on this forum defend the use of Gregorian chant because “it makes them feel more reverent.” I have read this over and over again in the several years that I have been part of CAF.
I actually agree wholeheartedly with Father, and again I apologize that I didn’t make my point more clear.
I think there is danger in this feelings-based approach to Church music, because everyone will have a different feeling about various styles of music, and our feelings are unreliable and should not be used as a barometer of what is appropriate for Mass. That works both ways, BTW. There are many beautiful classical pieces that should not be used in the Mass, just as there are beautiful contemporary pieces that should not be used in Mass.
I agree with Father that many Protestant churches will try to create a “feeling” in their worship services. As an ex-evangelical Protestant, I can testify that this is true.
I agree with Father Smith–we should NOT prefer a certain music form in the Mass because of the way it makes us FEEL, but rather, we should accept music in the Mass because it is the music that the Church PREFERS. It has nothing to do with our feelings.
If the Mass music produces an emotional response in us, that’s good, but if it doesn’t, that doesn’t invalidate the music. It is still the proper music for the Mass because it is what the Church has decreed.
What I was trying to say in my post is I hope that I will not see Catholics posting here on CAF that a certain form of music makes them FEEL more reverent, and that’s why we should use that form of music in the Mass. Their feelings don’t matter. What matters is what the Church teaches about music in the Mass, and what the territorial authority approves for his parishes.
"" I have 2 degrees in music, including a master’s degree and I enjoy any number of styles of liturgical music. I’m guessing there are any number of others, with or without music degrees, who feel the same way." end quote]
My response:
It isn’t a matter of what you “enjoy” or “like”, it’s a matter of what is appropriate of what is composed in a “sacred” style - meaning a style that is “set aside” for the Sacred Liturgy alone, and is not to be encountered in our non-liturgical, secular daily life. I too have two degrees in music, and two years of coursework completed toward a doctorate. If your music history courses were what they should have been, you would know the difference between sacred and secular music.
QUOTE:
"You also content that there isn’t any music that can be considered both appropriate for Mass and “P&W” in style. That kind of generalization demonstrates your biases about music. We all have preferences. That’s fine. What isn’t fine is when we call those biases facts.
- . . .Therefore sacred music is to be considered the more holy in proportion as it is more closely connected with the liturgical action, whether it **adds delight to prayer **[emphasis mine], fosters unity of minds, or confers greater solemnity upon the sacred rites. . . .