Fr. Zuhlsdorf answers the question, "Why Gregorian chant is better than 'Gather Us In' "

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“Taking” sounds like you’re reaching into the ciborium or at least has that kind of connotation. “Receiving” connotes more of a “wait until it’s actually given” behavior. So there is a difference in English theology and attitude. But if we sing the Latin, there would not be that problem. One would hope, anyway.
Mtt 26:[26] And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to his disciples, and said: Take ye, and eat. This is my body.

Since when is the Duoay-Rheims usage of the verbs is incorrect? Like every participant of the passover Seder, the Apostles waited until the bread was handed to them.
 
Mark,

Is it your claim then that “to take a gift” and “to recieve a gift” are synomous actions?

Or that if you read in the paper that someone took a diamond ring and in another paper that someone recieved a diamond ring, that it was the same thing happening?
Those analogies ring false. Better, one might ask if hearing that a person “took the daily Times” or “received the daily Times” meant the same thing, and the answer would be yes. “Taking a paper” is an idiom, and carries no connotation in the slightest of helping oneself. The same goes for “taking Communion,” which is why it has been used in that sense for centuries. See further, e.g., [4], [5], [6].

If one still insists on making analogies to a gift, then please note that many gifts, no matter how lovely, can be refused. That’s why we have phrases like, “It’s yours; go on, take it.” “Taking” and “gift-giving” are scarcely the mutually exclusive pair that some think. I’d think it would bring out an important theological fact to point out that our Communion with Christ must be the result of a conscious and deliberate choice to accept what he freely offers. That is, if one insisted on ignoring, as I say, the fact that “take Communion” and “receive Communion” mean exactly the same thing.
 
Nevermind, I got the answer to my question by posting it on a new tread.

So Brendan, what’s with the green Cardinal-looking sheep?
 
It happens a lot the poster post an “ignorant” reply, but never responds to any of the other post the challenge his/her statement. Not trying to be uncharitable, but usually what we call trolls do this online.
Ironic that the poster has left this conversation after spouting his rant and does nothing for rebuttal no? Troll…I think yes.
 
Mtt 26:[26] And whilst they were at supper, Jesus took bread, and blessed, and broke: and gave to his disciples, and said: Take ye, and eat. This is my body.
Since when is the Duoay-Rheims usage of the verbs is incorrect? Like every participant of the passover Seder, the Apostles waited until the bread was handed to them.
So what do you think it should be? (Note two uses of the verb accipere. Can they have the same connotation?)
26 Ἐσθιόντων δὲ αὐτῶν λαβὼν ὁ Ἰησοῦς ἄρτον καὶ εὐλογήσας ἔκλασεν καὶ δοὺς τοῖς μαθηταῖς εἶπεν: λάβετε φάγετε: τοῦτό ἐστιν τὸ σῶμά μου.
26 Cœnantibus autem eis, accepit Jesus panem, et benedixit, ac fregit, deditque discipulis suis, et ait : Accipite, et comedite : hoc est corpus meum.
 
Bishop Slattery’s take on the subject:

I know that for two generations now, Catholics have been expected to sing an opening hymn at Mass and in many parishes the faithful are regularly browbeaten to “stand up and greet this morning’s celebrant with hymn #so-and-so” which, depending upon the parish, might be taken from the red hymnbook, or the blue hymnbook, or the nicely disposable paperback missalette. So deeply has this ‘opening hymn mentality’ shaped our consciousness that most Catholics would be astounded to hear me say that hymns have no real place in Mass.

Hymns belong in the Liturgy of the Hours and in the common devotions of the faithful, but the idea that the parish liturgy committee should sit down sometime early in the month and look through a hymn book, trying to find pretty hymns which haven’t been overdone in the past three or four months, which explore the themes of the Sunday Masses and which brings the people together as a singing community is an idea completely alien to the spirit of the Catholic liturgy.

It is alien first of all because the singing of hymns as Sunday worship was a Protestant innovation, better suited to their non-Sacramental worship than to the Mass, and alien secondly because an opening hymn introduces - at the very inception of the sacred action - that element of creative busy-ness, which is, as we have seen, antithetical to the nature of salvation as a gift we receive from God.
WHOA THERE!!! The concept of Hymn existed before Christianity itself! I had to learn that in a music-history class. And there are examples of Hymns BEFORE Luther anyway: Christe Redemptor omnium (it’s an old chanted hymn), most of the old German hymns we sing in the CATHOLIC church are of CATHOLIC origin, like Grosser Gott (Holy God, We Praise Thy Name) and Hail Holy Queen. The German hymns are a TYPE of hymns called “Chorale”, which IS a type of polyphony, but simpler, and easier to sing. Be Thou My Vision is also of Catholic origin.

Also, I dislike how many “Traditionalists” abhor any and all composers that wrote church music after Vatican II and clump them with Marty Haugen like there’s no difference. There are PLENTY of decent young composers out there, like myself, who can right good reverent Mass music that doesn’t take forever to learn, like extremely melismatic chants. And they certainly have more creativity than whoever wrote Kyrie XVI, Sanctus XVIII, and Agnus Dei XVIII (although, back in the first centuries, and up until the Renaissance era, music wasn’t supposed to be creative, just pitches to say words to). Mind you, there is good chant, but is seems to be very hard to come by now-a-days.

And then there’s the “Instruments in Church = Mortal Sin” thing (I know it’s not quite that emphasized, but I tend to exaggerate things…don’t know why 🤷 ) . The organ was used in Churches because it imitated the sound of every instrument with different stops and ranks and such. Trombones (or Sakbuts, if you want to get periodical) were first church instruments. As a trumpet player and someone who cannot sing for the life of me with many vocalist friends, I know that achieving a’capella take LOTS of practice, even for simple chorales. Because nobody has the time to rehearse this, besides maybe two or three people, and many can’t read music, it’s just SMART to use instruments. Does this mean I think that we shouldn’t ever have a’cappella and switch to Christian pop music in Church? Heck No!!! I do think it’s acceptable to use guitars, if, and only if there’s no better option, which many times is the case. Also, I hope people realize that the accordion is a type of organ…

Anyway, I’m not usually this…angry-sounding(?)…It just upsets me when people make claims without much knowledge on things and assume thing like “Hymns are Protestant”, and go on to say things that discourage newer young musicians to make music for the Church. And thus ends my vent.:rolleyes:
 
Anyway, I’m not usually this…angry-sounding(?)…It just upsets me when people make claims without much knowledge on things and assume thing like “Hymns are Protestant”, and go on to say things that discourage newer young musicians to make music for the Church. And thus ends my vent.:rolleyes:
My suggestion is that you send an appropriately worded e-mail to Bishop Slattery (Diocese of Tulsa, Oklahoma) and correct him. This was something he wrote after all, not something I came up with out of my own little imagination.

I’ve had correspondence with him in the past – he is very good about answering his e-mail (even though I don’t live in his diocese) and is a true gentleman.
 
The problem is that the modern “happy clappy” songs tend to draw us away from the real purpose of the Mass.

St Paul said that “Christ our Passover is sacrificed for us.” (I Cor 5:7). The purpose of the Mass is to draw us into that great Mystery. The CCC not only indicates that this is a remembrance of what he did for us, but it is a re-presentation of this sacrifice and it is a reflection of heaven, as well (See CCC 1090).

The chanting within the Mass is supposed to support that worship and draw us deeper into the paschal mystery so that we can truly worship God in spirit and in truth.

Unfortunately, most of the modern “happy clappy” songs are so banal in nature that they drive us away from that heavenly worship: the consecration of the bread and wine into the Body and Blood of Christ and the oblation of the Victim to God. And what we’re left with as the highlight of the mass being a communal seder dinner, as it were.

Lex Orandi Lex Credendi. As we pray, we believe. As a result of this banality, our very theology and belief in the real presence is diluted.
This is opinion.

I dislike chant of any kind, and I am personally distracted away from worship and the contemplation of Jesus Christ when it is droning in the background.

I love traditional and modern hymns, especially “Gather Us In.” I appreciate the poetry in this hymn, and I like the lilting melody. The first time I ever heard Gather Us In, I started crying because it spoke to me right where I was.

Hymns draw me into worship and they help me to be quiet and joyful in my soul. Chant gives me the creeps and makes me want to get away.

If the Church eventually pronounces that chant is in and hymns are out–which will never happen, BTW, because the Church is wise enough to know that such a decision will drive people away from the Church–I will certainly submit and no doubt I will get used to chant and perhaps even come to appreciate the historical significance of this musical style created by human beings.

I know some of you think that if people will just listen to chant, they will love it. Well, sorry to disillusion you, but since becoming Catholic in 2004 and joining this forum, too, I’ve had plenty of opportunities to listen to chant, both Gregorian and other, and I still don’t like it.
 
This is opinion.

I dislike chant of any kind, and I am personally distracted away from worship and the contemplation of Jesus Christ when it is droning in the background.

I love traditional and modern hymns, especially “Gather Us In.” I appreciate the poetry in this hymn, and I like the lilting melody. The first time I ever heard Gather Us In, I started crying because it spoke to me right where I was.

Hymns draw me into worship and they help me to be quiet and joyful in my soul. Chant gives me the creeps and makes me want to get away.

If the Church eventually pronounces that chant is in and hymns are out–which will never happen, BTW, because the Church is wise enough to know that such a decision will drive people away from the Church–I will certainly submit and no doubt I will get used to chant and perhaps even come to appreciate the historical significance of this musical style created by human beings.

I know some of you think that if people will just listen to chant, they will love it. Well, sorry to disillusion you, but since becoming Catholic in 2004 and joining this forum, too, I’ve had plenty of opportunities to listen to chant, both Gregorian and other, and I still don’t like it.
So how do you feel about classical accompaniments to the Mass, such as those written by most composers from Bach on up?

If Haugen and Haas helps elevate your mind to the sacred mysteries, then great. You are literally the first person I’ve heard/read who says that this is the case. (the typical justification is that the songs are relevant, beautiful, theologically correct, and encourage participation…I disagree with the above, but those are the justifications applied typically)
 
Gregorian chant is hard for most to understand, but the ephemeral floating quality of the single melismatic line always shakes people to the core.
Ephemeral floating quality?! I would say droning, creepy quality. GloriousOrder, this is purely an opinion, and I’m glad that you and others appreciate chant. But many people do not hear it with the same soul that you hear it! Like I said in my above post, I dislike Gregorian chant a lot. It does NOT “shake me to the core,” but rather, it grates on my nerves and makes me want to yell, “If you get near a melody, sing it.”
If traditionalists got “hold” of the Church again, I dare say all the people who rely on happy-clappy hymns, guitar masses, and nonsense music would leave
And do you think this would be a good thing, for all these people to leave the Catholic Church? You like the idea of getting rid of the chaff?

I hope not. We should not want things to happen that will drive people away from Christ. We should rather work to retain people and attract more people.
. If they were there only for the sense of “community” and not a sense of the terrible righteousness and awe of almighty God, they probably didn’t fit anyway.
This is quite a huge assumption about people. How can you possibly judge the state of people’s souls and assume that they are only attending Mass for the “sense of community?” How can you assume that someone who prefers contemporary music or traditional hymns does not “have a sense of the terrible righteousnes and awe of almighty God?”

This judgemental sentence alone is enough to make me distrust the rest of your post. This is a terrible thing to say about people that you do not know.
We need to evangelise all people, and we ourselves need to be evanglised… teary-eyed modernist music doesn’t put depth into anything or anyone. Neither does Gregorian chant, inherently, but it moves the soul to a non-harmonic world where only the One Voice of the saints and angels combines. It’s 100% different from hymns influenced by chorales and popular songs.
Again, this is purely opinion. There are many people who feel as I do about chant. It is foreign to our Western ears, and we have a difficult time staying focused on worship because of the irregular melody and metre, and we find the “non-harmonic world” disturbing and confusing. It makes me think of various occult practices.

And many of us find that modern music moves us in our soul, brings us closer to God, and helps us to contemplate the Lord Jesus and His amazing incarnation and His loving sacrifice.

Please don’t assume that your opinion is correct and ours is wrong. Opinions are just that–opinions. The Church has NOT–thank God!–eliminated hymnody from the Mass and hopefully–Please, God!–never will!
 
… music wasn’t supposed to be creative, just pitches to say words to).
But that’s just it. Pitches that can be added or subtracted as needed so the theological meaning isn’t compromised. In chant you can do that; in what we call hymns today, you can’t, or at least it’s difficult. You try to find the right syllables, and often even verses full of them, to fit some catchy tune. What’s your focus, writing something Mass-related and theologically correct or finding clever semi-spiritual, semi-secular lyrics to sell to a semi-perceptive crowd?
 
I dislike chant of any kind, and I am personally distracted away from worship and the contemplation of Jesus Christ when it is droning in the background.
Then I guess Vatican II didn’t take your point of view into consideration. 🤷
 
WHOA THERE!!! The concept of Hymn existed before Christianity itself! I had to learn that in a music-history class. And there are examples of Hymns BEFORE Luther anyway: Christe Redemptor omnium (it’s an old chanted hymn), most of the old German hymns we sing in the CATHOLIC church are of CATHOLIC origin, like Grosser Gott (Holy God, We Praise Thy Name) and Hail Holy Queen. The German hymns are a TYPE of hymns called “Chorale”, which IS a type of polyphony, but simpler, and easier to sing. Be Thou My Vision is also of Catholic origin.

Also, I dislike how many “Traditionalists” abhor any and all composers that wrote church music after Vatican II and clump them with Marty Haugen like there’s no difference. There are PLENTY of decent young composers out there, like myself, who can right good reverent Mass music that doesn’t take forever to learn, like extremely melismatic chants. And they certainly have more creativity than whoever wrote Kyrie XVI, Sanctus XVIII, and Agnus Dei XVIII (although, back in the first centuries, and up until the Renaissance era, music wasn’t supposed to be creative, just pitches to say words to). Mind you, there is good chant, but is seems to be very hard to come by now-a-days.

And then there’s the “Instruments in Church = Mortal Sin” thing (I know it’s not quite that emphasized, but I tend to exaggerate things…don’t know why 🤷 ) . The organ was used in Churches because it imitated the sound of every instrument with different stops and ranks and such. Trombones (or Sakbuts, if you want to get periodical) were first church instruments. As a trumpet player and someone who cannot sing for the life of me with many vocalist friends, I know that achieving a’capella take LOTS of practice, even for simple chorales. Because nobody has the time to rehearse this, besides maybe two or three people, and many can’t read music, it’s just SMART to use instruments. Does this mean I think that we shouldn’t ever have a’cappella and switch to Christian pop music in Church? Heck No!!! I do think it’s acceptable to use guitars, if, and only if there’s no better option, which many times is the case. Also, I hope people realize that the accordion is a type of organ…

Anyway, I’m not usually this…angry-sounding(?)…It just upsets me when people make claims without much knowledge on things and assume thing like “Hymns are Protestant”, and go on to say things that discourage newer young musicians to make music for the Church. And thus ends my vent.:rolleyes:
:D:bowdown:
 
Let’s see …

Banal lyrics …
Theologically questionable lyrics …
Rhythms which encourages clapping and dancing …
Simple lyrics in case the congregation might have to stretch itself …
Royalties to publishers and composers …

vs.

A musical form which pre-dates Christianity, is sanctified by over a 1000 years of use in our Church and, by being in a ‘dead’ language, has no worldly connotations and is free to use. Oh, and Latin is a more musical language than Anglo-Saxon ones.

[sarcasm]It just has one big demerit; it reminds the laity of traditions which rebels want to dearly get away from. All that deference to authority and self-negation. It’s old, man, we just don’t understand it, people might apostasise if we sang it and in the 60’s we suddenly realised we had been doing Christianity wrong; for over 1500 years.

Much better to let some old dear who has a headlock on the music choice sing her sentimental favourites week-in week-out. Don’t want to upset the choir.

[/sarcasm]
 
So how do you feel about classical accompaniments to the Mass, such as those written by most composers from Bach on up?

If Haugen and Haas helps elevate your mind to the sacred mysteries, then great. You are literally the first person I’ve heard/read who says that this is the case. (the typical justification is that the songs are relevant, beautiful, theologically correct, and encourage participation…I disagree with the above, but those are the justifications applied typically)
I don’t mind classical accompaniments, but interestingly, I see it as “Protestant”–and that’s OK. I don’t have the same aversion to “Protestant” music in the Mass that some of the posters have.

Growing up, the only classical music I ever heard in church was when I visited Lutheran churches; in a few weeks, I’ll be attending the Pipe Organ Encounter–one week of learning all about the pipe organ, working in groups and individually with instructors on how to play the pipe organ, and attending daily concerts at different churches in our area (all Protestant, mainly Lutheran). I’m looking forward to it and hoping that I can learn to play the pipe organ well enough to at least accompany the Mass parts (OF) and hymns–it would be an immense help to our parish and other parishes in our city if we had a few more competent, if not talented, organists. (I hope to become competent. I know I’m not talented!)

I have a hard time, though, listening to classical music in church because to me, this music is secular, and when I hear it, I go into “musician” mode and start thinking about the skill of the musician(s), his/her techniques, etc. It’s hard for me to think about Jesus when I am framing a “critique” in my mind. 😦 I try not to, but it’s like a reflex. Perhaps if I had been raised with it all the time in church, I would think of it as “worship” music.

But I do enjoy it when it is well done, as the Lutherans do it.
 
“Taking” sounds like you’re reaching into the ciborium or at least has that kind of connotation. “Receiving” connotes more of a “wait until it’s actually given” behavior. So there is a difference in English theology and attitude.
Nonsense. Mark Thompson’s reply to this argument clearly shows that the notion behind “take” and “receive” is the same, regardless of the particular word that is used. Is there really a “difference in English theology and attitude,” or are you simply being argumentative about an issue that clashes with your personal preferences?
But if we sing the Latin, there would not be that problem. One would hope, anyway.
What makes you think that Latin is the answer to every issue in the Church? There was a poster here on CAF a couple of years ago who said that his Portuguese grandmother was taught all of the Latin prayers, prayed them her whole life and never once understood what it was she was praying. Is this preferable to you? Do you think that this is the best way to commit our hearts, minds and intellects to our faith?
 
Then I guess Vatican II didn’t take your point of view into consideration. 🤷
And that’s OK. I understand that and fully appreciate that the Church has the authority, and that I don’t have authority.

I have stated over and over on CAF that whatever music the Church allows, I will accept it as liturgically correct and try to appreciate it, even if it’s not my personal preference. I cannot help that I dislike certain styles of music, any more that many of you cant’ help that you dislike certain styles of music. All we can do is accept forms of music that we personally don’t like, but that the Church has pronounced acceptable. I try to do that.

Others on this thread do not seem to hold the same viewpoint, and apparently have chosen to reject all the music that the Church allows except for the ancient forms. This is something I am troubled by. It doesn’t seem to be a very “Catholic” attitude. It seems more Protestant–“pick and choose” or “cafeteria.” I have a hard time trusting people who pick and choose from the dictums of Holy Mother Church. I don’t see how this atitude is “OK.” It’s OK to hold a personal opinion, but not OK to reject something that the Church has declared “clean.”
 
Let’s see …

Banal lyrics …
Theologically questionable lyrics …
Rhythms which encourages clapping and dancing …
Simple lyrics in case the congregation might have to stretch itself …
Royalties to publishers and composers …

vs.

A musical form which pre-dates Christianity, is sanctified by over a 1000 years of use in our Church and, by being in a ‘dead’ language, has no worldly connotations and is free to use. Oh, and Latin is a more musical language than Anglo-Saxon ones.

[sarcasm]It just has one big demerit; it reminds the laity of traditions which rebels want to dearly get away from. All that deference to authority and self-negation. It’s old, man, we just don’t understand it, people might apostasise if we sang it and in the 60’s we suddenly realised we had been doing Christianity wrong; for over 1500 years.

Much better to let some old dear who has a headlock on the music choice sing her sentimental favourites week-in week-out. Don’t want to upset the choir.

[/sarcasm]
Perhaps if people who love ancient forms of music were more charitable, those of us who dislike ancient music would be more open.

It is not charitable to make fun of someone’s preferences and label them “banal”, and accuse fellow believers of being unwilling to stretch themselves (in other words, lazy, or perhaps even ignorant), and call older women, whom the Bible says you should respect, “old dears.”

This sounds more like Hollywood than Christ’s Church.

Is it any wonder that people don’t want to hear what you have to say when it is said in such an unkind way?
 
Then I guess Vatican II didn’t take your point of view into consideration. 🤷
Lol exactly! It’s the first I’ve ever heard anyone say they dislike or hate Gregorian Chant. Even those who prefer not to participate or have chant in the mass still appreciate its value or artistic form. Heck, just read some of the comment on YouTube, some people are self-proclaimed atheist, but they say they still love the beauty of it.

As a person who loved to paint and draw in high school, and I ended up in “honors art” so I must know something to art, it annoys me when people try to compare the amazing art of the past that has stood the trials of time with “contemporary art” which in all honesty I can’t find much meaning to it. I usually call it the lazy man art, because it seems the these artist are just trying to separate themselves and try something different, but unfortunately their art just doesn’t look like art.
It may be our opinion that Chant holds a higher place in musical worship, but it’s also the opinion of the fathers of Vatican two, many saints, and popes.
 
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