Germany, England, Ireland and Scotland, Australia, the United States: a common element of the last two generations has been the misguided and dissenting preponderance of touchy-feely church music, specifically “hymns.”
Because of the illicit introduction of Protestant hymns, the gay-friendly St. Louis Jesuit songs, Oregon “Catholic” Press songs, etc, a trajectory away from honest, communal worship of God, especially in the Eucharist, was established under “Ecclesiastical approbation.” These touchy-feely, “lite” hymns were notable for their effeminate qualities, including their textual abandonment of doctrine and soft-swingin’ musical style. Truly it can be said that hymnody was the vehicle by which our Catholic faithful sang their way out of the Catholic churches.
So that you can yourself make a comparison between the above-mentioned hymnody versus authentic contemporary Catholic hymnody, I invite you to visit the Nicholas-Maria Publishers website at
www.nicholasmaria.com. There you may read commentary regarding the corruption of hymns, sanctioned by the church in America through its Bishops’ Committee on the Liturgy, chaired by none other than the musically brilliant, but decidedly homosexual Bishop Rembert Weakland. Also, under “Gate of Heaven,” you may hear samples of truly Catholic hymnody, and also view hymn texts.
Have you ever wondered why there were never any hymns celebrating the sanctity of life and the holiness of family life? These are as much a horror to gay songsters and clerics as the crucifix to a vampire. Hear “Jesus, the Lord of Life”; read the text at
www.nicholasmaria.com under Gate of Heaven. And please spread the word about this truly worthy Catholic hymnody. (
www.wholesalecatholic.com and
www.catholiconline.com feature three CDs from this collection: Gate of Heaven, Parts I, II and III.)
St. Cecilia, pray for us!