I also don’t buy the “limited funds” excuse. Sometimes “limited funds” means “low budget priority” - well, that’s just poor planning. Sometimes the only options a pastor has explored are whether to go with OCP or go with WLP. Those can be exorbitant prices, because once you’re locked into a vendor, they find more ways to charge you for stuff. Parishes pay incredible amounts of money for licensing fees, worship aids, disposable newsprint hymnals, and they’re just throwing money away (not to mention the Word of God). Why pay for copyrighted stuff of dubious liceity when there is old stuff and new stuff that is not encumbered by licensing and copyrights? Human voices are no extra charge - and the best instrument in the world. Just ask a Byzantine, or the Churches of Christ Protestants. So if you have a “limited budget” for instruments, there’s an obvious answer.
The cost of OCP hymnals is miniscule compared to the cost of hiring and paying the salary of a musician who is actually knowledgeable enough about traditional/ancient music styles and literature (and their proper place in the Mass liturgy) to implement and TEACH them to a
surly congregation who has been raised in the school system of the last 40 years in which music education was given the boot in many schools.
Of course parishes could start with the children. The parish school could hire a music teacher that is knowledgeable about ancient music and able to teach it–IF the parish school actually hires a music teacher. In our city, there is ONE full-time music teacher in ONE parish school, and the other parish schools get by with a volunteer.
But it wouldn’t matter anyway–once a kid grows up, he/she stops singing in the Mass. This is a problem across the boards in Protestant churches as well as Catholic churches–people do not sing in church. They sit and listen. So you think you’re going to get them to start singing chant?! I think that’s unrealistic.
Also, as I mentioned earlier, there’s a 50/50 chance that any musician/music teacher who is actually qualified to teach Gregorian chant is gay and proud of it. What’s a diocese to do?! All over the country, we see gay music/liturgy directors getting fired in Catholic dioceses and the media making a big stink out of it. Pretty discouraging.
It probably won’t get better. Unless they are rich, many Catholic parents will discourage their children from majoring in music education because they don’t want their adult children starving and coming home to live in their basements. Music education continues to be cut out of public and many private schools, and Catholic churches simply do not spend the money hiring musicians.
And then there’s that pesky megachurch down the street from the Catholic parish–you know, the one that attracts a 10th of the population of the city every Sunday?! The megachurch hires professional jazz/rock musicians to play glorious praise and worship music not only in English, but Spanish as well. The priests have to be discouraged seeing a steady stream of parishioners exiting their parish because of the good music at the megachurch. And even those who don’t actually leave the Church will often head for the megachurch AFTER Mass to hear the good music.
One option that I wish that the parishes would explore is setting aside a substantial portion of their budget to educate interested laypeople (e.g., me). Send us back to school to learn about ancient music and how to teach it. Or at least send us to the various music seminars around the country (I had to pay for my own Pipe Organ Encounter for the last four years.) Give us a bone here!
But I can understand why the congregation might get a trifle irritated to see their offering monies wasted sending Cat to the Gregorian Chant Colloquium while families in the parish struggle to pay their bills, and parish children can’t afford to attend the parish school.
Priorities, priorities, priorities!
IMO, those who want traditional/ancient music in their parish Masses should step up and pay for it, and if they don’t have the money, then they should find it (fundraising, 2nd jobs, etc.)
And honestly now, do you really think people can “just stop whining and do it” without a knowledgeable music teacher? Without a knowledgeable music teacher and a systematic program designed to gradually educate the entire congregation, chant will sound as bad as much of the contemporary music now sounds in the parish!! If you think the contemporary music ensembles and bands sound awful, wait until you hear some self-taught Gregorian chant! MEEEOOOOOWWWWW!