I can’t post this entire article here. Since the fall of the Soviet Union many of their former spies have come forward and told of the espionage and disinformation propaganda that the Soviets were involved in. One of them was an plan to discredit and destroy the Catholic Church because they were a great opponent of communism. The anti-Semitic lies about Pope Pius XII stem of a 1962 play,
The Deputy, put on by Piscator in West Berlin. Piscator was a devoted communist who was more the glad to produce a play to destroy the reputation of the Catholic Church, and more specifically Pope Pius XII.
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*Of course anti-Catholics are more then glad to grab onto this trash and use it for their own purposes.
article.nationalreview.com/?q=YTUzYmJhMGQ5Y2UxOWUzNDUyNWUwODJiOTEzYjY4NzI=
I was at the center of Moscow’s foreign-intelligence wars, I myself was caught up in a deliberate Kremlin effort to smear the Vatican, by portraying Pope Pius XII as a coldhearted Nazi sympathizer. Ultimately, the operation did not cause any lasting damage, but it left a residual bad taste that is hard to rinse away. The story has never before been told.
BATTLING THE CHURCH
In February 1960, Nikita Khrushchev approved a super-secret plan for destroying the Vatican’s moral authority in Western Europe. The idea was the brainchild of KGB chairman Aleksandr Shelepin and Aleksey Kirichenko, the Soviet Politburo member responsible for international policies. Up until that time, the KGB had fought its “mortal enemy” in Eastern Europe, where the Holy See had been crudely attacked as a cesspool of espionage in the pay of American imperialism, and its representatives had been summarily jailed as spies. Now Moscow wanted the Vatican discredited by its own priests, on its home territory, as a bastion of Nazism.
Eugenio Pacelli, by then Pope Pius XII, was selected as the KGB’s main target, its incarnation of evil, because he had departed this world in 1958. “Dead men cannot defend themselves” was the KGB’s latest slogan.
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Pius XII had served as the papal nuncio in Munich and Berlin when the Nazis were beginning their bid for power, the KGB wanted to depict him as an anti-Semite who had encouraged Hitler’s Holocaust. The hitch was that the operation was not to give the least hint of Soviet bloc involvement. The whole dirty job had to be carried out by Western hands, using evidence from the Vatican itself.
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INFILTRATING THE VATICAN
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During 1960-62, the DIE succeeded in pilfering hundreds of documents connected in any way with Pope Pius XII out of the Vatican Archives and the Apostolic Library. Everything was immediately sent to the KGB via special courier. In actual fact, no incriminating material against the pontiff ever turned up in all those secretly photographed documents. Mostly they were copies of personal letters and transcripts of meetings and speeches, all couched in the routine kind of diplomatic language one would expect to find. Nevertheless, the KGB kept asking for more documents. And we sent more.
THE KGB PRODUCES A PLAY
In 1963, General Ivan Agayants, the famous chief of the KGB’s disinformation department, landed in Bucharest to thank us for our help. He told us that “Seat-12” (Soviet code name for Pope Pius XII) had materialized into a powerful play attacking Pope Pius XII, entitled
The Deputy, an oblique reference to the pope as Christ’s representative on earth. Agayants took credit for the outline of the play*,
and he told us that it had voluminous appendices of background documents put together by his experts with help from the documents we had purloined from the Vatican. Agayants also told us that The Deputy’s producer,* Erwin Piscator, was a devoted Communist who had a longstanding relationship with Moscow. In 1929 he had founded the Proletarian Theater in Berlin, then sought political asylum in the Soviet Union when Hitler came to power, and a few years later had “emigrated” to the United States. In 1962 Piscator had returned to West Berlin to produce
The Deputy.