B
Bluegoat
Guest
camera obscuraIf Leonardo had a camera, it was well hidden… this is a load of baloney!
![]()
camera obscuraIf Leonardo had a camera, it was well hidden… this is a load of baloney!
![]()
That isn’t entirely accurate. The East has a very definite opinion on depicting Christ in a way that suggests his appearance is irrelevant.Christ is painted in many different ways and it’s not important.
If you go to the far East, he looks Chinese. If you go to Africa, he looks black. If you go into the Sistine Chapel he looks Greek and so forth.
The truth is that he was a semite. Semites have dark wavy hair, dark eyes, olive complexion and often have pronounced noses.
It has always been a mystery to me why Jesus’ physical appearance is not a concern to clergy, religious and theologians, but it seems to be a concern for everyone else. Do we live in two different worlds? I hope not.
The important thing is that he was truly human and had very human features. He had a genetic code, like every other human being and yet we don’t know how this was possible, since he did not have a human father. He took his physical looks from that genetic map.
Accuracy is not important. Veneration is important.
Fraternally,
Br. JR, OSF![]()
Easterners, as a people, Christian or other, are very sensitive to such things. But this is a local concern, not a concern of the universal Church. It’s not something that Eastern and Western theologians spend to much time discussing. There are a few books on the subject, but it’s not a theological area of concern. In Christology, which is the branch of theology that focuses in on Christ himself, his physicial attributes are not important, other than to know that he has all of the attributes of a human being, because he is truly man. Once you have established that point, Christology moves on to the important questions about Jesus Christ: identity, mission, historical existence, hypostaci union, the heresies around Jesus, his work and teachings, what was beleived about him and transmitted by the Apostles.That isn’t entirely accurate. The East has a very definite opinion on depicting Christ in a way that suggests his appearance is irrelevant.
That has been the popular opinion since the 1930s when Dr. Pierre Barbet conducted experiments. Recently, however, Dr. Frederick Zugibe has defended and proved the viability of the traditional location, pointing out that many of Barbet’s methods and conclusions were flawed.I have heard that according to modern science, that Jesus was crucified through his wrists because they would not have done it through the hands because the hands could not hold the weight of the entire body, Thoughts?
Yes and no!. . .did you google it?
jonathan
ve purchased a number of books about the Shroud, the later ones mentioning McCrone, so I was aware of him and his stance. Id also come across his web site over the last four years while looking for updates on Shroud research. He obviously wanted the whole world to know his views. s worth, my own conviction is that its authentic. Theres too much evidence in its favor, including details which dont at first make sense, but do make sense after careful analysis.s book "A Doctor at Calvary" has some flawed conclusions, but its worth reading as long as you keep its faults in mind. Theres a heap on line, though. Just stay away from Joe Nickell: hes a fan of McCrone! The images of Christ have remained fairly consistent from the earliest times. I’m sure that at some point an second century image will be found bearing his image. The only western feature depicted in 19th century art of Christ tends to be blue eye,s though this I think was done to signify his Royal blood. Depictions of King David however always seem to show very strong :twocents::nerd:western features.given that christ was a jew who lived in the palestine area over 2000 years ago, he did not look like popular artwork has depicted him for centuries. what do any readers of this thread think that has meant to christianity in general? have we christians become more ethnocentric because of the erroneous depictions? have tall guys with long hair who resemble the erroneous depictions been selected for evolutionarily? etc…
Not exactly.The images of Christ have remained fairly consistent from the earliest times. I’m sure that at some point an second century image will be found bearing his image.
Christ being a Nazirite would have made a vow to cut or shave his hair once a year when visiting the temple. The hair would be placed in the fire with the offering.They also had to refrain from wine and grape based products and other intoxicating products after the passover meal, that is why Christ refused the vinegar and hyssop whilst hanging on the cross, it was not an act of kindness by the Roman soldier but a last cruel temptation.Not exactly.
1.) Young, beardless Jesus with short hair
http://img27.imageshack.us/img27/7467/womanwell.jpg
Art History | College of Liberal Arts | University of Minnesota
http://img149.imageshack.us/img149/6114/800px1407milanoslorenzo.jpg
2.) Beardless Jesus with long hair
http://upload.wikimedia.org/wikiped...rchBpChapelXt.jpg/170px-RavArchBpChapelXt.jpg
http://img84.imageshack.us/img84/9601/meisterdesmausoleumsder.jpg
3.) Bearded Jesus with short hair
http://img684.imageshack.us/img684/967/6thsinaipantocrator.jpg
http://img514.imageshack.us/img514/4467/solidusjustinianiichris.jpg
http://new.rejesus.co.uk/images/area_uploads/faces/faces_black_jesus3.jpg
The first two images in variant 3 (an icon and a coin from Justinian II’s reign, both from the 6th century) is the most intriguing for me. These are specimens of an artistic fad during the Byzantine period in portraying Jesus with ‘Semitic’ features such as a beard and a short, curly (almost frizzy) hair which coexisted with the ‘standard’ long-haired depiction we know today.
This depiction of a shorter-haired Jesus also enjoyed the support of some personages, such as Theodorus Lector in the early 6th centuy, who once recorded the story of a certain painter who painted an icon of Christ “in the likeness of Zeus” (tou en taxei Dios) for a pagan (‘Hellene’) patron in Constantinople, whereupon his hands withered. It wasn’t until Gennadius I (Patriarch of Constantinople 458-471) prayed for the painter that his punishment was relieved. St. John of Damascus quotes this story, and adds the description: “the hair on the head was painted as dividing on either side so that the eyes were not hidden. For in such manner, the Greeks painted their Zeus.” He goes further: “The historian says that the other type of the Savior, the curly and short-haired (to oulon kai oligotrichon), is more truthful.”
This has led some writers to opine that one possible root of the longer-haired Jesus in iconography is the portraiture of Zeus (the statue of Zeus at Olympia was believed by some to be at Constantinople during the earlier half of the 5th century, where it was destroyed in the great fire of the Lauseion in 475), but it cannot have been convincingly solely derived only from there, since the exact iconography of Christ’s long hair seems to deviate from that of Zeus as well. This issue is also brought up in a text attributed to St. Epiphanius of Salamis, which also complains about depictions of Jesus with long hair - based on what the author believes to be an illogical opinion: that since Christ was called a Nazarene, He ought to have long hair (cf. Nazarite). Another theory is that the (other) source for the long-haired depictions of Jesus is the Mandylion of Edessa - sometimes connected with the Shroud of Turin.
Some iconophile writers during the 9th century even go on to describe that in paintings and mosaics in the Holy Land Constantine the Great depicted our Lord “as the ancients described, with eyebrows that joined+, fine eyes, a long nose, frizzy hair, flesh tones like His Mother’s, the color of wheat.” This description eventually became more detailed as time went on (Epiphanius the Monk describes Jesus in very detailed terms - for example He is now described as being a handsome man, six feet tall with not-too thick blondish lightly waved hair and beard, clear and beautiful eyes, a long nose, black eyebrows, a slightly-bent neck, and a face pointed towards the chin)*.
- This corresponds with St. Andrew of Crete’s rather dubious citation of Josephus which supposedly says Jesus had “meeting eyebrows”!
- I think this might be also where the roots of the medieval Publius Lentulus letter might lie.
There are two possibilities here and both would have been allowed by Jewish law. Because his mother was Nazarene, he could have followed the Nazarene customs. However, because he himself was from Bethlehem of Judea, he could have followed those customs, which were a little different.Christ being a Nazirite would have made a vow to cut or shave his hair once a year when visiting the temple. The hair would be placed in the fire with the offering.They also had to refrain from wine and grape based products and other intoxicating products after the passover meal, that is why Christ refused the vinegar and hyssop whilst hanging on the cross, it was not an act of kindness by the Roman soldier but a last cruel temptation.
Well, we don’t know for sure whether Jesus was really a Nazirite. That idea mostly rests on an interpretation of the epithet ‘Nazarene’/‘Nazorean’ applied to Jesus.Christ being a Nazirite would have made a vow to cut or shave his hair once a year when visiting the temple. The hair would be placed in the fire with the offering.They also had to refrain from wine and grape based products and other intoxicating products after the passover meal, that is why Christ refused the vinegar and hyssop whilst hanging on the cross, it was not an act of kindness by the Roman soldier but a last cruel temptation.
Even if it were not Christ, why call the shroud a “hoax”? A hoax implies deceit. It could be a number of other things. For instance, a devout artist’s rendition and vision of Christ’s death. I am always amazed that people can assume to know the motivation a person who lived hundreds of years ago.The Church has NOT declared the Shroud to be genuine. Catholics are free to believe or not believe.
For me its a middle ages hoax produced by a camera obscura, a technology hundreds of years old before da vinci. Absolutely everything required to produce the shroud was known and available to leonardo.