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1holycatholic
Guest
I usually take my copy of Magnificat to Mass. The Christmas issue has a traditional Christmas hymns section so I decided to refer to the lyrics in it at Mass this morning. I was surprised to find that some of the Christmas hymns in the missalettes were partially rewritten in gender neutral language.
No thanks Oregon Catholic Press.
:twocents:
At least they admit to the changes.
Why are the texts of some of your hymns and carols different from the familiar texts I grew up with?
These are the principles that we follow: Our fundamental concern for traditional hymnody/carols is to preserve the integrity of our musical heritage as it has been handed down from ancient to modern times, yet in language that is comprehensible to people today. Our music editors have done extensive research from many available sources and texts are selected using the following criteria:
No thanks Oregon Catholic Press.
:twocents:
At least they admit to the changes.
Why are the texts of some of your hymns and carols different from the familiar texts I grew up with?
These are the principles that we follow: Our fundamental concern for traditional hymnody/carols is to preserve the integrity of our musical heritage as it has been handed down from ancient to modern times, yet in language that is comprehensible to people today. Our music editors have done extensive research from many available sources and texts are selected using the following criteria:
- *]faithfulness to the original version of the hymn/carol, whenever possible,
*]adherence to the essential theological meaning of the original text, especially as it relates to Trinitarian theology,
*]inclusive references to the people of faith, and
*]adoption of contemporary language in place of antiquated words or phrases, unless popular usage dictates otherwise (e.g., “O Come, All Ye Faithful”)
In the credit line of a hymn/carol, you may sometimes see the term “alt.” The abbreviation is for alternative—which means a section of the text has been altered. For example, the credit of the carol “Lo, How A Rose E’er Blooming” is as follows; Text: 76 76 6 76; Isaiah 11:1-10; German Carol, 15th cent.: tr. by Theodore Baker, 1851-1934, alt; Music: Alte Catholische Geistiliche Kirchengesang, Cologne, 1599. The “alt” therefore indicated that the original text has been altered or changed.
Most hymnals from both Catholic and Protestant traditions published since 1985 use these adapted texts for Christmas carols and hymnody.
A theme of the Second Vatican Council can be summed up in these words: “in essentials unity, in non-essentials liberty, in all things charity." The slight changes in texts of carols and hymns are not part of some “political” agenda by a group of music editors or publishers of hymns and carols; rather, our common goal is find the best texts to express our praise and worship of God.
Why would they have to write such a thing?
