D
Donald45
Guest
…continued from Post #79 above]
~ God’s creative activity is treated not literally, but anthropomorphically (using finite human imagery to describe the divine). God “speaks,” “sees,” “moves,” “breathes,” etc. These are clearly figurative descriptions, familiar features of ancient poetry. We know (as the ancient Hebrews did) that God doesn’t literally do these things, since he is a Spirit (Jn. 4:24), and these are the activities of a finite physical being. But literary license permits these colorful images.
~ The biblical writer uses numbers 3, 7, and 10 in a very specific and coherent way. The account starts with three elements to be formed----earth, darkness, and watery deep. These are dealt with within two sets of three days. Create is used at three points. The phrase “and it was so” appears seven times, as does “God saw that it was good.” The phrase “God said” appears 10 times, as does “make” and “according to its kind.” All of these numbers carry significant symbolic meaning within Hebrew literature, particularly in poetry.
~ These are particular places in the Genesis 1 account where the words rhyme, an obvious and well-known feature of poetry. As in the case of the alliterations and parallelisms mentioned above, this is completely lost in the traslation from Hebrew to English.
~ The elaborate internal structure of the Genesis 1 creation account is far more characteristic of poetry than of a straightforward historical narrative. No scientific literature or modern historiography ever uses these kinds of literary devices. If this account is contrasted with, say, the story of Abraham and Isaac, it immediately becomes clear that this is a very different type of literature.
~ Finally, when the creation story is discussed elsewhere in the Bible, it is absolutely evident that its literary form is poetry (see, for example, Job 10:8-11; 38:1. 4-9).
So, then, there are many reasons, evident within the very structure and mode of expression of the biblical text itself, why we should not require that modern science agree with the Genesis account of creation, nor that it be approached in a strictly literalistic manner. Genesis 1 is highly poetic in form, a fact that modern “creationism” simply must face and conform to if it is to be true to the ancient biblical text as it was composed.
Blessings,
Don
+T+
~ God’s creative activity is treated not literally, but anthropomorphically (using finite human imagery to describe the divine). God “speaks,” “sees,” “moves,” “breathes,” etc. These are clearly figurative descriptions, familiar features of ancient poetry. We know (as the ancient Hebrews did) that God doesn’t literally do these things, since he is a Spirit (Jn. 4:24), and these are the activities of a finite physical being. But literary license permits these colorful images.
~ The biblical writer uses numbers 3, 7, and 10 in a very specific and coherent way. The account starts with three elements to be formed----earth, darkness, and watery deep. These are dealt with within two sets of three days. Create is used at three points. The phrase “and it was so” appears seven times, as does “God saw that it was good.” The phrase “God said” appears 10 times, as does “make” and “according to its kind.” All of these numbers carry significant symbolic meaning within Hebrew literature, particularly in poetry.
~ These are particular places in the Genesis 1 account where the words rhyme, an obvious and well-known feature of poetry. As in the case of the alliterations and parallelisms mentioned above, this is completely lost in the traslation from Hebrew to English.
~ The elaborate internal structure of the Genesis 1 creation account is far more characteristic of poetry than of a straightforward historical narrative. No scientific literature or modern historiography ever uses these kinds of literary devices. If this account is contrasted with, say, the story of Abraham and Isaac, it immediately becomes clear that this is a very different type of literature.
~ Finally, when the creation story is discussed elsewhere in the Bible, it is absolutely evident that its literary form is poetry (see, for example, Job 10:8-11; 38:1. 4-9).
So, then, there are many reasons, evident within the very structure and mode of expression of the biblical text itself, why we should not require that modern science agree with the Genesis account of creation, nor that it be approached in a strictly literalistic manner. Genesis 1 is highly poetic in form, a fact that modern “creationism” simply must face and conform to if it is to be true to the ancient biblical text as it was composed.
Blessings,
Don
+T+