Also, Palestrina is a composer of sacred polyphony, which is considered one of the greatest forms of Catholic music.
Why do people keep insisting that music at Mass is a matter of taste and preference? That is just false.
I accompany (during rehearsals) an independent Catholic school that teaches Latin from K through 12th grade, attends the Latin Mass and keeps the traditional Catholic calendar of feast days and solemnities, prays the Rosary daily in Latin–you get the idea. The families are delightful and the children and teens are so wonderful to play for.
And these teens KNOW how to read music–it is taught to them while they are young, and they can sight read a score and sing Bach, Mozart, etc.
But…we met our match when we tried Palestrina! I tried to accompany during rehearsal, but even though I have over 50 years of accompanying experience, I simply could not hit all the notes in the Palestrina score–many of his harmonies are quite unexpected.
And the teens–well, they tried and tried, and tried again and again to learn their Palestrina piece.
Eventually it was shelved. It just wasn’t working out for us.
What I’m saying is that if these talented and devoted teenagers and their teachers could not manage to sing a Palestrina piece, I can’t imagine regular everyday Catholics-in-the-pews, or even the typical volunteer Catholic choir, managing Palestrina.
That composer wrote some durn difficult pieces! :crazy_face: