Is this hymn heretical?

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Well, I don’t know if you are speaking to everyone who has issues or if you have only certain people in mind, so forgive me if I am responding as a person you weren’t referring to.

I don’t believe something has to be heretical to be problematic,
Thanks, I wasn’t addressing anyone in particular. I guess you hit what bothers me. As long as it is not heresy, but problematic, then the possibility exists that such a song may be prudently allowable in some situations. If the readings for the day were from 1 Corinthinans 12, what would be the problem using this song for an offetory or meditation?
 
Thanks, I wasn’t addressing anyone in particular. I guess you hit what bothers me. As long as it is not heresy, but problematic, then the possibility exists that such a song may be prudently allowable in some situations. If the readings for the day were from 1 Corinthinans 12, what would be the problem using this song for an offetory or meditation?
Well, personally I think the lyrics are rather oversimplified and ambiguous in meaning, but I recognize that my views on the matter are not de fide of course 😉
 
Well, personally I think the lyrics are rather oversimplified and ambiguous in meaning, but I recognize that my views on the matter are not de fide of course 😉
:eek: It is good, if somewhat shocking to see someone here who does not consider their point of view de fide.😃

It is the melody I find insepid, personally.
 
Looks like you never paid attention all the times you heard it. It’s “story”, singular, not “stories”. The story of our redemption by Christ’s death and resurrection, the greatest story ever told. If that’s heretical, I’m a Dutchman. “leaves out”, shmeaves out. On that l;ogical principle you could ban every hymn, because they all “leave out” some important things. Unless somebody has set the entire Catechism to music! 🙂 Looks like I missed another memo, “Thou shalt not use any hymns which were written by heretics”. Too bad for all those popular traditional hymns which were written by protestants. Like “Away in a Manger”, reputedly by Martin Luther - now there was a guy with an “agenda”!
The hymn in question is theologically and doctrinally deficient. First of all, it stresses the meal aspect of the Mass while ignoring the Sacrificial aspect. I refer you to what our Holy Father, Pope Benedict XVI, said regarding sacred music in Sacramentum Caritatis:
Liturgical song
  1. In the ars celebrandi, liturgical song has a pre-eminent place. (126) Saint Augustine rightly says in a famous sermon that “the new man sings a new song. Singing is an expression of joy and, if we consider the matter, an expression of love” (127). The People of God assembled for the liturgy sings the praises of God. In the course of her two-thousand-year history, the Church has created, and still creates, music and songs which represent a rich patrimony of faith and love. This heritage must not be lost. Certainly as far as the liturgy is concerned, we cannot say that one song is as good as another. Generic improvisation or the introduction of musical genres which fail to respect the meaning of the liturgy should be avoided. As an element of the liturgy, song should be well integrated into the overall celebration (128). Consequently everything – texts, music, execution – ought to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons (129). Finally, while respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed (130) as the chant proper to the Roman liturgy (131).
You may challenge what we say, but, when it comes from the Holy Father, himself, it is perhaps best to rethink your position. I would suggest that you read what the Holy Father said while he was Cardinal Ratzinger regarding sacred music. It may very well serve to enlighten you as to why this particular song is so problematic in so many ways.
 
The hymn in question is theologically and doctrinally deficient. First of all, it stresses the meal aspect of the Mass while ignoring the Sacrificial aspect.
Again your only objection is what it **doesn’t *say. And again I point out that the Church has never demanded that every hymn must include every dogma of the faith in its lyrics. Is Schubert’s Ave Maria *“theologically and doctrinally deficient” because it doesn’t explicitly mention the Immaculate Conception and Assumption?
I refer you to what our Holy Father, Pope Benedict XVI, said regarding sacred music in Sacramentum Caritatis:
You may challenge what we say, but, when it comes from the Holy Father, himself, it is perhaps best to rethink your position. I would suggest that you read what the Holy Father said while he was Cardinal Ratzinger regarding sacred music. It may very well serve to enlighten you as to why this particular song is so problematic in so many ways.
Thanks for your kind and o-so-patronising offer to “enlighten” this poor dumb fool. I am very familiar with Sacramentum Caritatis, and being involved in music ministry I have closely studied it. Therefore I know for a fact that there is nothing in it which condemns hymns which omit any particular dogma/s as “problematic”, much less “heretical”. This hymn is perfectly capable of being used “to correspond to the meaning of the mystery being celebrated, the structure of the rite and the liturgical seasons”. It’s not a good look to try to twist the pope’s words to pretend that he condemns something just because it’s not to your personal taste.
 
Again your only objection is what it **doesn’t *say. And again I point out that the Church has never demanded that every hymn must include every dogma of the faith in its lyrics. Is Schubert’s Ave Maria *“theologically and doctrinally deficient” because it doesn’t explicitly mention the Immaculate Conception and Assumption?
A rather distorted presentation of the concerns of course. There is a difference between not mentioning every dogma and limiting oneself to a partial understanding that is incorrect because it is partial.

If I refer to Jesus as a great man, for example, because He was God and man, that statement does not accurately state what Jesus was.
 
Petergee, in the spirit of fraternal charity, I have tried to address your statements in a respectful and professional manner. I would be most appreciative if you were to respond in kind.

No one is twisting the Holy Father’s words. He is very clear in what he has written. The hymn in question is, indeed doctrinally and theologically deficient. Look at the words:
Refrain: We come to share our story,
we come to break the bread,
we come to know our rising
from the dead.
  1. We come as your people,
    we come as your own,
    united with each other,
    love finds a home.
  2. We are called to heal the broken,
    to be hope for the poor;
    we are called to feed
    the hungry at our door.
  3. Bread of life and cup of promise,
    in this meal we all are one.
    In our dying and our rising,
    may your kingdom come.
It is more about “us” than about God. It celebrates what “we” do; rather than what He has done for us. No mention is made of the Sacrifice of Jesus; the composer reduces the Mass to a mere meal. Furthermore, before we can go out and save the world, as this hymn implies in the second verse, we need to ground ourselves in the Holy Sacrifice of the Mass. The first commandment is to love God. We love God by worshipping Him and adoring Him in the Mass, the Church’s prayer par excellence. Furthermore, the coming of the Kingdom of God is not dependent on our dying and our rising (this particular phrase is nebulous).

Your reference to Ave Maria is not germaine to the discussion, as there is no comparison. Furthermore, Schubert takes this song directly, word for word, from the Hail Mary, which is a prayer of the Church whose first part comes from Sacred Scripture. The prayer is part of our Church’s heritage.

The bottom line is that this song emphasizes “the community” more than the Lord. It also reduces the Mass to merely a meal. That is the Protestant viewpoint because it does not recognize the Sacrificial element of the Mass. That is where the heart of the problem lies.
 
If I refer to Jesus as a great man, for example, because He was God and man, that statement does not accurately state what Jesus was.
So you would say that a hymn which praises Jesus as a great Man but does not explicitly mention His divinity, is “incorrect because it is partial”??
 
Petergee, in the spirit of fraternal charity, I have tried to address your statements in a respectful and professional manner. I would be most appreciative if you were to respond in kind.
It is not respectful to tell someone who disagrees with you that you are “enlightening” him. I believe I responded in kind to you. “Professional”? I was not aware that posting to a web forum has now become a “profession”.
No one is twisting the Holy Father’s words. He is very clear in what he has written. The hymn in question is, indeed doctrinally and theologically deficient.
(a) He does not say anything like “hymns which are doctrinally and theologically deficient are forbidden (or even discouraged)”. And (b) “doctrinally and theologically deficient”, whatever that means, seems to be a phrase which you, not the Holy Father, invented.
It is more about “us” than about God. It celebrates what “we” do
No, it urges us to do what “we are called to” do. Big difference. I’m sorry but I’ve examined the words carefully many times and I can’t detect a hint of the self-congratulation and self-celebration which you seem to think is so obvious.
rather than what He has done for us. No mention is made of the Sacrifice of Jesus;
Hmmm, I wonder Who it is talking about in the part you (no doubt quite accidentally) omitted:
You will lead and we shall follow,
you will be the breath of life;
living water,
we are thirsting for your light.
5. We will live and sing **your **praises”
the composer reduces the Mass to a mere meal.
Nonsense. “Mere” is **your **word. All that the hymn, on the contrary, says about the meal is that “we are called to break the bread, the Bread of Life and the cup of promise, in this meal we all are one.” Just as the New Testament says. I’m very sorry to hear you have a problem with that.
Furthermore, before we can go out and save the world, as this hymn implies in the second verse, we need to ground ourselves in the Holy Sacrifice of the Mass. The first commandment is to love God. We love God by worshipping Him and adoring Him in the Mass, the Church’s prayer par excellence. Furthermore, the coming of the Kingdom of God is not dependent on our dying and our rising (this particular phrase is nebulous).
So your point is that they’ve got the verses in the wrong order? In that case sing verse 2 at the end if it makes you happy. I’m sure God doesn’t mind if we first remind ourselves to heal the broken, give hope to the poor, and feed the hungry, and then remind ourselves why we have to do those things. Or vice versa.
Your reference to Ave Maria is not germaine to the discussion, as there is no comparison.
Because…?
Furthermore, Schubert takes this song directly, word for word, from the Hail Mary, which is a prayer of the Church whose first part comes from Sacred Scripture. The prayer is part of our Church’s heritage.
And the parts of this hymn which you object to also come directly from Sacred Scripture, as I mentioned.
The bottom line is that this song emphasizes “the community” more than the Lord.
The Catechism, the Scriptures, and the Mass, all spend more time talking about us and what we must do and getting us oriented in the right direction. That in no way means that they are saying that we are more important than God. :eek: You don’t apply this idea to these things, so don’t apply it to this hymn.
It also reduces the Mass to merely a meal. That is the Protestant viewpoint because it does not recognize the Sacrificial element of the Mass. That is where the heart of the problem lies.
Again, “reduce” and “merely” are your words, not the hymn’s*. Not explicitly mentioning* something is not the same as not recognizing it. If someone gave a short speech introducing me, and omitted to mention my wife, I wouldn’t accuse him of denying that I am married.
 
Furthermore, Schubert takes this song directly, word for word, from the Hail Mary, which is a prayer of the Church whose first part comes from Sacred Scripture. The prayer is part of our Church’s heritage.
It is a “sideshow” to the main discussion, but in fact, Schubert does not.

The original words are not the Hail Mary at all, as Sarabande explained on another thread recently. The original text is a poem in German, not the Hail Mary. The text it was not written for, in a language that to me has always clashed with the character of lieder in general and this example in particular, were imposed on it after the event.
 
I have a bad impression of this song. Taking this hymn on its own, its lyrics are acceptable. But sung during mass along side with other questionable hymns, weak homilies, and various liturgical abuses, it’s easy to see its heresy. Every time I heard this song, it was usually at parishes that promoted progressive ideas.

It is right to suspect that these contemporary hymns are undermining our faith. A Church as old as ours has thousands years of hymns to choose from. Yet we hear only from one generation of writers, always with the same “spirit of Vatican II” mindset. Why? What’s wrong with singing a traditional hymn now and then?

Just to illustrate how tenacious music directors can be with this style of music – last week our parish had Madrigals singers during Sunday mass. These singers were richly dressed in Renaissance costumes. Filled with expectation that this mass would be filled with beautiful sacred music, maybe even Gregorian chant, I was flabbergasted when these talented singers sung the most ridiculous bubble gum hymns ever - complete with guitar and drums. This could have been a wonderful opportunity to show the richness of our Catholic heritage. But the music director could not let go, for even one mass, these modern hymns we sing each Sunday.
 
I have a bad impression of this song. Taking this hymn on its own, its lyrics are acceptable. But sung during mass along side with other questionable hymns, weak homilies, and various liturgical abuses, it’s easy to see its heresy.
Now this is getting just too ridiculous. How on earth is it this hymn’s fault that some parishes who sing it have “other questionable hymns, weak homilies, and various liturgical abuses”? Let alone make this hymn into “heresy”? I’m getting really, really sick of some people around here throwing the “H” word at everything that’s not exactly to their taste. There are plenty of real heresies out there to combat. There’s no need to dream up imaginary heresies in hymns you dislike.
Every time I heard this song, it was usually at parishes that promoted progressive ideas.
Oh, the horror! Progressive ideas! Fetch my clove of garlic, silver cross and a stake to drive through the heart of anyone with progressive ideas!:rolleyes:
It is right to suspect that these contemporary hymns are undermining our faith. A Church as old as ours has thousands years of hymns to choose from. Yet we hear only from one generation of writers, always with the same “spirit of Vatican II” mindset. Why? What’s wrong with singing a traditional hymn now and then?
Maybe your parish is an exception, but every one of the dozen or so parishes I’ve lived in, in 4 different dioceses and 3 different states, had a mixture of old and “new” (<40 years) hymns at just about every Mass. And even if they don’t in your parish, how is it THIS hymn’s fault? As another poster mentioned earlier, this thread is about a particular question about a particular hymn. Not yet another opportunity for a thousandth thread full of crushingly boring and lengthy gripes about everything certain people dislike that’s happened in the last 40 years.
And how on earth is the singing of contemporary hymns “undermining our faith”? Our faith would be the same whether we had old hymns, new hymns or no hymns. The faith is not made up of hymns, and as long as they are not heretical (as people keep alleging of this one but have failed to show) they cannot undermine our faith. .
 
Now this is getting just too ridiculous. How on earth is it this hymn’s fault that some parishes who sing it have “other questionable hymns, weak homilies, and various liturgical abuses”? Let alone make this hymn into “heresy”? I’m getting really, really sick of some people around here throwing the “H” word at everything that’s not exactly to their taste. There are plenty of real heresies out there to combat. There’s no need to dream up imaginary heresies in hymns you dislike. Oh, the horror! Progressive ideas! Fetch my clove of garlic, silver cross and a stake to drive through the heart of anyone with progressive ideas!:rolleyes:
Maybe your parish is an exception, but every one of the dozen or so parishes I’ve lived in, in 4 different dioceses and 3 different states, had a mixture of old and “new” (<40 years) hymns at just about every Mass. And even if they don’t in your parish, how is it THIS hymn’s fault? As another poster mentioned earlier, this thread is about a particular question about a particular hymn. Not yet another opportunity for a thousandth thread full of crushingly boring and lengthy gripes about everything certain people dislike that’s happened in the last 40 years.
And how on earth is the singing of contemporary hymns “undermining our faith”? Our faith would be the same whether we had old hymns, new hymns or no hymns. The faith is not made up of hymns, and as long as they are not heretical (as people keep alleging of this one but have failed to show) they cannot undermine our faith. .
Petergee, first of all, I do not know what background you have regarding liturgy. Second, it would help if you step back and look at this song for what it really is. This particular hymn does undermine the Faith because the Mass is not a meal in and of itself. There is also the sacrificial element that is very important. Do you not know that at every Mass, we become just as present at Calvary as the Blessed Mother, St. John and St. Mary Magdalene? Do you not realize that the Mass is a mystery whose depths we may never plumb ?

David Haas does not take any of this into account.

One last thing. You have been somewhat condescending regarding this topic. When I say professional, I mean courteous and respectful. I have tried to be that with you, please respond in kind.
 
Petergee asks, how on earth is it this hymn’s fault that some parishes who sing it have “other questionable hymns, weak homilies, and various liturgical abuses”?

It is just as I had said. The hymn by itself is all right. However, many here have the interpretation that it celebrates the “us” instead of “God”. Where did they get that idea from? Weak homilies, other questionable hymns, and various liturgical abuses.

Petergee: I’m getting really, really sick of some people around here throwing the “H” word at everything that’s not exactly to their taste.

**Really? I’m sorry that this makes you ill but that’s no excuse for rudeness. **

Petergee: There are plenty of real heresies out there to combat.

**What is your definition of “real heresies”? **

Petergee: There’s no need to dream up imaginary heresies in hymns you dislike.

** This is not about what I like or dislike. It is about what is right. Judging by the amount of people who are responding to this post, it’s not a dream.**

Petergee: Oh, the horror! Progressive ideas!

**Progressive ideas are horror when they promote beliefs that contradict our Creed. Examples such as denying the physical resurrection of Christ, the belief that the bread and wine are just symbols and the denial of the miracles of Christ to be supernatural are dangerous. The list can go on but this is not the point of this thread. Many of these modern hymns provided the sugar coating for such teaching. **
 
So you would say that a hymn which praises Jesus as a great Man but does not explicitly mention His divinity, is “incorrect because it is partial”??
If it merely calls him a man, I would say it is incorrect because it is partial (even if the person is in good faith and merely did not consider the ambiguity). Muslims and Jews believe Jesus was a man. We believe He is more.
 
Please keep the discussion civil, everyone. Assume good will, and leave the disciplining of fellow members to us moderators. Thank you.
 
It is a “sideshow” to the main discussion, but in fact, Schubert does not.

The original words are not the Hail Mary at all, as Sarabande explained on another thread recently. The original text is a poem in German, not the Hail Mary. The text it was not written for, in a language that to me has always clashed with the character of lieder in general and this example in particular, were imposed on it after the event.
Thanks, Guitar! I was just going to respond to that. Here was my quote from the other thread, although I think I might have mentioned it in another thread. I put some words in bold and condensed some things.
Actually the original German lied is called Ellen’s Gesang III (Ellen’s Third Song). It is a German translation from Sir Walter Scott’s “Lady of the Lake”. It is a prayer to the Virgin, but not the actual “Hail Mary”. In the original, Ellen Douglas is praying to the Virgin while in hiding. She does pray the words, “Ave Maria” in each verse. The German is absolutely beautiful and the prayer is beautiful. Schubert also set a few other German translations from Scott’s work. (There is an Ellen’s Gesang I and Ellen’s Gesang II)

Here is the translation of the German from Ellen’s Gesang III (a.k.a. Ave Maria)…

Ave Maria! maiden mild!
Listen to a maiden’s prayer!
Thou canst hear though from the wild,
Thou canst save amid despair.
Safe may we sleep beneath thy care,
Though banish’d, outcast and reviled -
Maiden! hear a maiden’s prayer;
Mother, hear a suppliant child!
Ave Maria!

Ave Maria! undefiled!
The flinty couch we now must share
Shall seem this down of eider piled,
If thy protection hover there.
The murky cavern’s heavy air
Shall breathe of balm if thou hast smiled;
Then, Maiden! hear a maiden’s prayer;
Mother, list a suppliant child!
Ave Maria!

Ave Maria! stainless styled!
Foul demons of the earth and air,
From this their wonted haunt exiled,
Shall flee before thy presence fair.
We bow us to our lot of care,
Beneath thy guidance reconciled;
Hear for a maid a maiden’s prayer,
And for a father hear a child!
Ave Maria!
Just to clarify, the Latin is the “Hail Mary” prayer, but the original was a poetic prayer to the Virgin taken from one of Schubert’s “Ellen’s Gesangs”. It was “Ellen’s Gesang III”. Schubert had no intention originally for it to be used as the actual “Hail Mary”.
 
Thanks, Guitar! I was just going to respond to that. Here was my quote from the other thread, although I think I might have mentioned it in another thread. I put some words in bold and condensed some things.

Just to clarify, the Latin is the “Hail Mary” prayer, but the original was a poetic prayer to the Virgin taken from one of Schubert’s “Ellen’s Gesangs”. It was “Ellen’s Gesang III”. Schubert had no intention originally for it to be used as the actual “Hail Mary”.
Thanks for the clarification. It helps to have someone who’s very knowledgeable about music on hand to clear the muddy waters.

Regarding the issue of heresy, I think that Chesterton’s definition is quite appropos:
Heresy is a truth gone wild.
When looking at the Song of the Body of Christ, the problem is that, while there is some truth to it (“break the bread”, which is what St. Paul and the Didache mention-although both have immediate qualifiers after this term), to just stop at that is wrong. It is very nebulous in how it treats the Holy Mass.

St. Thomas Aquainas’s great Eucharistic hymn, Pangia Lingua Gloriosa, although too long to print here (you will find it in the Magnificat in the Benediction section) is very crystal clear regarding the mystery of the Holy Eucharist. In fact, this is the hymn that the Church sings on Holy Thursday for the procession to the altar of repose, and, once again, on the Solemnity of Corpus Christi. This particular hymn pretty much sets the bar for all other Eucharistic hymns. Song of the Body of Christ pales in comparison to this doctrinally and liturgically theologically rich hymn.
 
I pray for the day when we get to have a massive bonfire using all of these hymnals that were produced after Vatican II. 😛
As cheaply as they are made, I doubt the fire would last very long- you’d barely drop the match and they’d all go up in flames- heretical hymns (burning heretical hymns…haha), trashy modern art, cheap pages and all.
 
Petergee, first of all, I do not know what background you have regarding liturgy.
You mean, you think I know nothing about liturgy?
Second, it would help if you step back and look at this song for what it really is. This particular hymn does undermine the Faith because the Mass is not a meal in and of itself.
And there is nothing in this hymn which states that the Mass is a meal in and of itself.
There is also the sacrificial element that is very important. Do you not know that at every Mass, we become just as present at Calvary as the Blessed Mother, St. John and St. Mary Magdalene? Do you not realize that the Mass is a mystery whose depths we may never plumb ?
How informative.:rolleyes: And yet in the next breath you call **me **“condescending”.
 
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