C
Christiano
Guest
According to EFE news agency, actress and filmmaker Jeanne Moreau, said today that the Catholic Church is afraid of cinema because “acting is creating life”, something that would be restricted to the divine.
“Along the years, I understood the rejection of the Catholic Church in giving religious terms away to the world of cinema, since actors are intended to give life”, she told movie students during the programming ot the Rio de Janeiro Film Festival.
Moreau said she loves the verb “to incarnate” (or “to personify”), since it means exactly to give life to a character that is the result of an fictional story.
In activity at 81 years of age, the actress reminded that, in her youth, directors came to her for her beauty, “not looking” to her “inside”. But, over the years, she became a “comedian” and started taking all the richness of the imaginary of characters and of the universe of directors.
According to her, both in film and in life, you have to use “intuition, the radar” that the artist has to adapt himself to the situations created by the speaker or the requirements of the different personality of each director.
The muse of Nouvelle Vague said that, to adapt herself to each role she played in more than 60 years of carreer, she needed disposal, energy and lots of curiosity to learn with people and her meetings.
The Rio Film Festival 2009 pays homage to Jeanne Moreau’s carreer. During the two weeks of the festival, three films starring Moreau will be shown: “Le Temps qui Reste” (2005), directed by François Ozon; “Plus tard, tu comprendras” (2008), by Amos Gitai; and the documentary “Jeanne Moreau, Côté Cour, Côté Coeur” (2007), by Josée Dayan, Pierre-André Boutang and Annie Chevallay.
The original report (in Portuguese) is at www1.folha.uol.com.br/folha/ilustrada/ult90u629691.shtml
“Along the years, I understood the rejection of the Catholic Church in giving religious terms away to the world of cinema, since actors are intended to give life”, she told movie students during the programming ot the Rio de Janeiro Film Festival.
Moreau said she loves the verb “to incarnate” (or “to personify”), since it means exactly to give life to a character that is the result of an fictional story.
In activity at 81 years of age, the actress reminded that, in her youth, directors came to her for her beauty, “not looking” to her “inside”. But, over the years, she became a “comedian” and started taking all the richness of the imaginary of characters and of the universe of directors.
According to her, both in film and in life, you have to use “intuition, the radar” that the artist has to adapt himself to the situations created by the speaker or the requirements of the different personality of each director.
The muse of Nouvelle Vague said that, to adapt herself to each role she played in more than 60 years of carreer, she needed disposal, energy and lots of curiosity to learn with people and her meetings.
The Rio Film Festival 2009 pays homage to Jeanne Moreau’s carreer. During the two weeks of the festival, three films starring Moreau will be shown: “Le Temps qui Reste” (2005), directed by François Ozon; “Plus tard, tu comprendras” (2008), by Amos Gitai; and the documentary “Jeanne Moreau, Côté Cour, Côté Coeur” (2007), by Josée Dayan, Pierre-André Boutang and Annie Chevallay.
The original report (in Portuguese) is at www1.folha.uol.com.br/folha/ilustrada/ult90u629691.shtml