jsonline.com/features/religion/99995394.html“Much of the music that has come up over the last 30 years will no longer be useable,” said Father Alan Jurkus of St. Alphonsus Parish in Greendale, who sent out a letter this month notifying members of the coming changes.
If you check out Father Z’s blog on this topic, you’ll find his comments here either entertaining . . .or not. As a priest himself, perhaps he will be considered to have an ‘equal authority’ with the Milwaukee priests.
I’m hardly an expert on this, but I recall a previous news article which discussed the changes. Apparently, there are two goals in translating any text: to remain close to the exact words of the original, and to convey the meaning of the original words. Sometimes these goals are in opposition to each other.What exactly is wrong with a more ‘literal’ translation anyway?
Shouldn’t we be trying to be as accurate and truthful in our language (especially in worship) as we can be? Isn’t there as much beauty in a ‘sacred’ language (which was written to be such) than a ‘regular’ one, (in the supposed interest of making it more ‘accessible’ or ‘user-friendly’ or ‘smooth’, making it LESS sacred or accurate?)
Following these new norms, the translation of the new Missal has intentionally employed a “sacred language,” which tends to be remote from everyday speech and frequently not understandable. For example, the Preface, or opening of the Eucharistic Prayer, of the Assumption says of Mary’s delivery of Jesus: “She brought forth ineffably your incarnate Son.”
uscatholic.org/church/2010/06/lost-translationWhen the bishops at the Second Vatican Council made the historic decision that the liturgy of the church should be in the vernacular, there was no mention of sacred language or vocabulary. The council’s intent was pastoral—to have the liturgy of the church prayed in living languages. Translated liturgical texts should be reverent, noble, inspiring, and uplifting, but that does not mean archaic, remote, or incomprehensible. While the translated texts of the new Missal must be accurate and faithful to the Latin original, they must also be intelligible, proclaimable, and grammatically correct. Regrettably the new translation fails in this regard.
Fr. Z can be delightfully snarky, even when I disagree with him. But I just visited his blog and didn’t see a recent post on the topic of the new translation of the liturgy. Would you happen to have a direct link to that post?If you check out Father Z’s blog on this topic, you’ll find his comments here either entertaining . . .or not.
Thanks! Somehow I managed to scroll right past it.I can’t link from this computer (I had to switch with my daughter and for some reason, sometimes I can link and sometimes I can’t). . .BUT on August 5 (you might have to look on the side bar) under the heading “Division in the pews” you’ll find the story. That should do it. (there were a LOT of comments on it too!)
Milwaukee newspaper article:
Right! I can see it now. Fights will break out in the pews when the Creed is recited. People will hang their heads in shame and weep. Some will rend their garments. “Consubstantial!” But I suppose we will have the opportunity to relive the experience of the early Church, when there were riots over changes to the words of Scripture or liturgy. There were great Fathers of the Church who experienced exile over “consubstantial”. I am unaware that anyone went to the mat for something like “one in being with the Father”… whatever that means.]The new translation introduces more formal, rarefied language into the liturgy. But Cooper and others who have studied drafts say it ignores English grammar and syntax and introduces terms – “consubstantial,” “oblation,” “ignominy,” to mention a few – unfamiliar to many American Catholics. And some worry it will sow division in the pews.
I would guess they don’t really mean the hymns but rather the musical settings to the prayers of the Mass. There was an earlier directive about cleaning up the hymns but it has nothing to do with the pending translation.One of the people in that article said that many of the hymns currently used in Church will no longer be permitted. Is it because they are based on the old English translation? Lots of music paraphrases biblical text, no? What am I missing? Are the hymns being pulled by the Vatican?